Monthly Archives: September 2022

Fantasy and Adventure FREE on any device

Photo credit: Shoe Lane library via Flickr

Do you love leaping into strange new worlds with just a glimpse at words on a page? Then read on…

As I said in a previous post, a lot of children in the UK report not owning a single book. Whilst I love an old-fashioned physical book, sometimes the digital equivalent can offer space-saving and cost-reducing components.

The average ebook tends to be considerably cheaper than its paper equivalent. In fact, many classic books which have fallen into the public domain are actually entirely free to download to your device. (Are the classics more important than contemporary fiction? Pop over here to join in the debate). Whether you have a Kindle e-reader or not you can read any book in Amazon’s digital Kindle book catalogue.

Basically, if you have the equipment to view this blog post, you have the equipment to read a kindle e-book.

I’m not the biggest fan of every aspect of Amazon but their Kindle library is one thing that they’ve done remarkably well.

Don’t have a Kindle e-reader?

Kindle_UnlimitedIf you don’t have a kindle it’s no problem. So long as you have something that can run the kindle reader app (click on the link for a list of devices and how to use the app on them) then you can get hold of any book in their library.

Just the classics?

As I say, many classic works are free to read already but on top of this, you can also read thousands of contemporary books for free as well using a Kindle Unlimited membership.

They currently offer a free trial for two months so you can see if you like their service. After that, your membership would cost just £7.99 per month and you can cancel any time you like.

That doesn’t make sense, how do the Authors and Publishers make money if I read the book for free?

Kindle Unlimited doesn’t pay the Author the same as a digital purchase but it will pay them a small percentage of the pool of all Unlimited membership fees, depending on how many pages someone reads from your book.

For example (with a shameless self-plug for my books) all of my books are on Kindle Unlimited. (You’ll find proper descriptions of these at the bottom of this post).

Both of my main children’s fantasy books (‘Jack Reusen and the…’, for 6 and up) are available on Kindle Unlimited. Here are the links for Amazon UK for ‘…Fey Flame‘ and for ‘…Spark of Dreams‘. On top of this, you can also find a short Christmas story I wrote a few years back, as well as my dark fantasy book (10-12+) ‘Marcus‘ (set in and around the old abandoned Victorian school in my home town of Crieff).

These are all available to read for free (even as part of your free trial) with Kindle Unlimited. I get a fraction of a pence for every page of one of my books which is read. This definitely adds up and is 100% better than if someone didn’t buy any of my books at all. What’s more, it’s always good to know that people are reading (and hopefully enjoying) my books.

If you’re in the USA, Kindle Unlimited has a similar free trial and you can find all of my books on my Amazon Author page.

A Few Fantastic FREE Books to get you started

Some real favourites of mine which appear to still be available to read as part of your Kindle Unlimited membership are (Click the images below for the links):

ALL of the Harry Potter books: I don’t really need to describe these do I? World-famous fantasy books about a boy wizard and his adventures at a secret wizarding school.

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Skulduggery Pleasant (by Derek Landy): These books are phenomenal. A bit grittier and more violent that Harry Potter (Landy is a black belt and a screenwriter so his action scenes are superb, yet intense). NOT for younger readers. As far as I can see you can read the whole series FREE on Kindle Unlimited.

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The Lord of the Rings series by J R R Tolkien: An absolute classic and (probably) the core of most modern fantasy stories. An absolutely epic adventure. A famous Sunday Times quote is often cited about Lord of the Rings “‘The English-speaking world is divided into those who have read The Lord of the Rings and The Hobbit and those who are going to read them.”

The Hobbit: OK, this is almost the same but it’s worth stating that there are a heap of digital editions of The Hobbit by J R R Tolkien but this is the only one I can see that is free on Kindle Unlimited. A total fantasy classic and suitable for a (slightly) younger audience than the Lord of the Rings books.

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The Jungle Book by Rudyard Kipling: A very different story than the one put together by Disney but very much worth a look. It includes lessons on life and has a general fable-like quality that you don’t often see in modern fiction anymore. Another great book you can read for free on Kindle Unlimited.

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Jane Austen’s Complete novels, all in one book: These aren’t really for kids but they are some of my favourite books of all time. Austen is an absolute genius when it comes to dry wit and establishing character. Reading her works is an utter masterclass in writing characters and dialogue. I’m so happy to see her novels in one digital volume to read for free on Kindle Unlimited.

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You can also access an amazing collection of comic books and graphic novels for free with your Kindle Unlimited membership. My only warning would be that parents of younger children supervise what their child downloads.

Comic books and graphic novels may look like they are for kids but some are wildly inappropriate for younger ages so be sure to read the description before downloading to your app (or to your kindle).

It’s also worth noting that many actual Amazon Kindle devices can only display in greyscale so you may not be able to properly use colour copies this way.

And, of course, you can access my own books FREE too:

Once you’ve signed up to Kindle Unlimited, you’ll see that both of the Jack Reusen books come up as ‘free’, so you can read the whole adventure so far, for nothing.

Jack Reusen and The Fey Flame‘ introduces you to the land of Fey, as creatures (and other things) make their way through to the ‘matter-world’ (basically our world). Jack and his family have to discover a way of closing a collection of ‘breaches’ between the two worlds to make their world safe again.

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cover with blurb and barcode 2 trimmed‘Jack Reusen and the Spark of Dreams‘ is a slightly different kind of adventure. People are losing their ability to dream. Every night more and more people lose the certain something that makes human beings so good at solving problems and creating things; the spark of dreams. Jack discovers that he could be the key to understanding what’s causing this change, and he may even be the only person who can solve it and bring back the dreams and imaginations of hundreds of people.

I hope that both of the Jack Reusen books give you and/or your kids something to enjoy as you read them. Let me know what you think.

I also hope that my other Kindle Unlimited reading hints are useful to you too. If you know of other great books available free through Kindle Unlimited please feel free to post them in the comments below.

As always, thanks for stopping by my site,

All the best, John

Writers? Teachers? Everyone Else?: To read the classics or not read the classics?

Library traditional wooden bookshelves classic fiction

Which is more ‘important’ reading material for a budding writer, classics or contemporary fiction? It’s a matter of more debate than I expected because I thought the answer was obvious; the classics. I was a book buyer for a small book shop and I’m now a writer, I can’t help seeing it this way.

This isn’t because the classics are objectively ‘better written’. It isn’t even to do with gaining an understanding of more ‘traditional’ narrative structures (as an apprentice carpenter might start with more simplistic wood joins and carving techniques). Though the latter is definitely worth mentioning.

For me the reason that the classics are, by far, a better use of reading time for an aspiring author comes down to natural selection.

Won’t knowing what’s ‘in’ help you get published?

Coffee shop contemporary trends

Contemporary fiction is the driving operation of modern publishing. It characterises who we currently are (or at least it captures our contemporary literary culture). If an aspiring author wants to aim at being published then getting a feel for the current zeitgeist from contemporary fiction feels like the way to go.

However, maybe aiming to get published is less important than telling a good story. Connecting to the zeitgeist is great but what is it that you want to say? What place is your take on the world coming from?

About a decade back vampires became the ‘in thing’ for teen readers. I lost count of the number of vampire tales available in the ‘teen reads’ section of our book traders magazines. This went on for a few years.

However, if you were a teen author at this time there was no way for you to know how long this trend would last. To be frank it crashed hard after the release of the last Twilight book.

Wasting time being ‘trendy’

Imagine you were a ‘teen reads’ author in 2008 (the year that ‘Twilight: Breaking Dawn’ was published). You are so excited about your new book. You had the idea to jump on the vampire love train and write a great new twist on this where the girl is the vampire (breaking from Twilight, Buffy the Vampire Slayer, and Vampire Diaries).

Vampire contemporary teen romance

It can easily take two to three years to get a book into a ready state and by 2010/2011 the catalogues looked very different. The vampire bubble had burst.

The writer with the vampire story in hand was me and I had put so little thought into what I was actually doing (focusing on the goal rather than my book) that my creativity suffered.

I’ve since gone back and fixed this manuscript and one day it may see the light of day. However, the thing that helped me was not reading more contemporary work, it was returning to the core works in the genre (the classics).

It was only by knowing the typical format that I could hope to rearrange it for my own purposes. It was only by becoming more aware of the expectations of this sort of book that I could hope to usurp them. In short, I needed to see what vampires really were in our culture in order to play with the concept properly.

Fiction by Natural Selection

I feel that every creative work creates forks in the literary road. The classics aren’t necessarily ‘classic’ because they’re good (though a lot of them are thoroughly engaging, well crafted works). Instead they are examples of where our literary culture has travelled.

With some degree of certainty, you can still reference great works of the past and know that the reference will make sense to a contemporary audience. Shakespeare, Austen, Dickens, even ‘newer’ works by the likes of Arthur C. Clark, Stephen King, or JRR Tolkein have reached this stage of cultural significance. Reading their work helps a writer hone in on where we’ve been and experiment with where our literary world may go next.

Contemporary fiction just doesn’t ‘fit in’ yet

Contemporary fiction hasn’t had time to catch the public consciousness. Long term success isn’t even something we can predict with awards or other honours placed on these works by peers. Contemporary fiction, by its very nature, is still in the throws of cultural natural selection.

The boy who lived

Take the Harry Potter series for example. These books are still wildly popular. We might assume that they will go on to become markers to the culture we’ll come to be part of, but they have also received backlash from two very vocal cultural camps.

On the liberal side JK Rowling has received backlash for her views on trans women. On the conservative side (small ‘c’, small ‘l’ for both, these aren’t necessarily political concepts, more ideological) the Harry Potter books have received criticism and hatred because they depict sorcery, witches, and wizards in a positive light. This can be extremely concerning for those with a belief system that regards these things as ‘sinful’ or ‘the devil’s work’. To put books like these in the hands of children must seem truly abhorrent to those who feel this way.

We don’t yet know if there will be an ideological ‘winner’ in regards to these (not exactly overlapping) groups. If one or the other takes a leading role in the direction our literary culture may go, then there’s a chance that the Harry Potter books may be pushed aside in favour of something else when that new generation is choosing books for their children.

Instead of being cemented in cultural significance, they could slowly disappear into the margins in the same way that Enid Blyton’s Famous Five and Secret Seven books have.

Admittedly some children may still know the names of Enid Blyton’s (arguably) most famous books (including her ‘Noddy’ series). However, as someone who bought books for an independant toy/book shop for over ten years, children just aren’t reading them any more.

In another generation I find it highly unlikely that the Famous Five and their antics catching smugglers and other ‘criminal sorts’ in and around Cornwall and beyond will be remembered or known. As much as I enjoyed them as a child it’s when watching my own children read them that I see how culturally removed the Famous Five have become. Enid Blyton’s works have become too distant from modern culture to become ‘classics’.

The ‘classics’ are the works that are left once the culturally insignificant is worn away. This process is as unintentional and unpredictable as biological evolution (though it happens much more quickly). We don’t choose which things become culturally significant, history will decide that for us.

Contemporary fiction can be extremely enjoyable. It can also, obviously, teach us a great deal about the craft of writing. However, from a writer’s perspective, at best, it may help us see which things are currently proving popular with publishers.

That’s the blessing and the curse of concentrating solely on contemporary fiction; all it takes is a tidal shift and we hear things like ‘no one is reading vampire books any more’ or ‘post-apocalyptic wasteland has been overdone’.

Contemporary fiction is modern craft at it’s best (sometimes) but it hasn’t yet felt the harsh winds of cultural change. The very same winds which have tested the mettle of the classics and shown them as pillars and markers of who we are and where we’ve been.

I would never suggest skipping over contemporary fiction. There’s a lot to be gained from seeing writers rearrange expectations and norms to create something new. However, if any reading experience is to be truly useful to an aspiring author then it will come from the works that show them where our writing culture comes from.

Please feel free to debate this out in the comments below. I welcome any and all takes on this topic.

As always, thanks for reading, all the best, John

I’m now officially looking for a literary agent (but it’s not for the reason I expected)

Green glowing test tube Creative commons licence image by PRHaney

I’ve been (fairly) proudly self-published for a few years now. The overal experiences seem similar to those of a ‘traditionally published’ author (even though self publishing is arguably the more ‘traditional’ of the two routes). I have hosted book talks and writing workshops, participated in author events with other authors, I’ve also been a judge on the panel of a large-scale writing competition.

More than these I have come to find that my books are read (and enjoyed) by hundreds of readers.

For a while these were the primary experiences I associated with being an author. However, recently I’ve come to see that in some cases a book may need more behind it, and with this additional backing it might be able to do more.

Two years ago I wrote a science-fiction story aimed at teen readers. The story came to me of it’s own accord, and I enjoyed the process of helping it grow and take shape. However, on my first editing pass I came to realise that the book may be a means to showing the usefulness, excitement, and wonder of scientific knowledge.

At its core it’s a story about a young girl dealing with the long-term truth of grief. However, it also uses this emotional journey to draw her through axperiences which highlight how useful (and powerful) scientific knowledge and exploration can be.

It’s a perspective that I think could resonate well with a lot of young people, at a time when misinformation and ignorance gain huge viewership online (with channels like ‘5 minute crafts’ and others sharing sometimes wildly dangerous fake ‘hacks’ and experiments).

It’s good to know objective, undeniable truths. In fact it can be helpful as a means of grounding your thoughts. This sense of solidity can also offer something stable and unyielding, an objective fixed point on which to one can draw emotional stability.

The book is complete and is currently running through a first full edit. However, I feel that it could gain more with more eyes on it. It’s the first time that I’ve really felt that something I’ve written has a big enough message to require a bigger team behind it.

I used to imagine that an agent and a publisher were there to help promote your book. After all, with their investment of time (and, in the case of publishers, money) it’s more than just you who has a vested interest in your book’s success.

This always sounded nice but if additional promotion was all they brought to the table I often felt it was better to simply publish myself and be my own book promoter.

However, I’ve learned a lot about the publishing industry over the past few years. Sometimes from reading things, but mainly from conversations with other authors.

I’ve come to realise that the literary industry is more than simply a book selling machine. It’s also a space filled with people who value a really good book. They want a book to be it’s best.

Whilst I’ve been happy in the past to simply self publish my books. I’m becoming more aware of the strain to be found in attempting to be a Jack of all trades.

With this newest project I’m realising that my core story could be improved greatly if I were to see it from more perspectives.

I have a few agents in mind already (courtesy of an author friend who took time to give me some insight). Many of these agents open their inbox to unsolicited submissions in November, so I have just over a month to get this manuscript to my editor and tidy it up.

It’s a weird new experience for me and, as I say, my motivation for it has changed over the past few years. Fingers crossed that someone out there will look at this story and see what I see in the emotional and intellectual journey that ‘Lisa’ goes through. Wish me luck!

As always, thanks for reading, all the best, John

A young child sits alone in a quiet library corner — evoking the quiet, unseen moments of book deprivation.

One in Five UK children do not own a single book

You’re wrapped in blankets, it’s way past bedtime, torch and book in hand, you venture off to other worlds and wild adventures…

You’re in a calm spot in the playground during lunch, snack in hand and one of those awesome books from the book fair in the other…

You look up from a two-hour car journey, oblivious to the entire drive because you were so engrossed in your story…

Having that book in your hand may have been a significant part of your childhood (I know it was part of mine).

However, for almost one out of every five UK children, these experiences may sadly be alien and unheard of for them. Though, as we may find below, the truth could be a little more promising.

The headline behind the headline

Headline illustration showing that 1 in 5 UK children do not own any booksIn a study conducted by the National Literacy Trust, researchers found that 18.6% of UK children aged between five and eight do not have a single book that is theirs at home.

It’s a fairly shocking statistic, and one that can be hard to imagine for book lovers. It’s also one that many commentators (such as this recent Guardian article) have been quick to jump on.

Personally, I find the focus on book ownership a bit odd. After all, you can own a whole library of books and never read any of them. In fact, there are considerably more concerning statistics to consider (which I’ll go into later in this post).

How do different families define ‘ownership’?

On the subject of ‘ownership’, I have a few concerns. Firstly, children self-reported their book ownership, and this leaves a lot of room for misunderstandings and misinterpretations.

It’s also worth remembering that these children may have hand-me-down books from older siblings or parents. The chance that this alone would prevent a child from describing such books as ‘theirs’ is minimal. However, it does speak to a potential bias to be found when assessing ‘ownership’ in some households.

I had access to many books as a child, only a handful of these were books I would have described as ‘mine’ at the time, and even then I would only think of myself as ‘owning’ books when I was a little older. The other books in the house were treated in a more utilitarian manner. Basically, most of the books in our house were ‘family books’.

Books as a shared family resource

Illustration of a cozy family setting where multiple children share books and toys togetherMany families encourage an outlook like this regarding resources like books, toys, games, game systems, and more. A more utilitarian approach could come from a number of reasons, whether it’s a household where money is tight or simply a household that avoids conflict over leisure resources. In households where parents choose this more utilitarian approach, the children themselves may not feel that it’s appropriate to describe themselves as ‘owning’ certain toys, and perhaps books as well.

A favourite teddy bear may belong to an individual child but maybe toy cars or lego blocks are sort of “everyone’s”. In circumstances such as this, books could theoretically be regarded in a similar fashion.

I’m not saying this is the situation in the case of every one of those ‘one in five’ but the potential is there for a five-year-old to regard themselves as a non-book-owner in a household where books are a family resource.

Libraries are amazing!

It’s also worth remembering that library use is heavily promoted by most primary schools at this stage in a child’s life (5-8 years old). They might not consider themselves to own any books, but they could still be reading regularly.

Half of the children surveyed said that they read daily, with twelve in every thirteen children saying that they read sometimes at home.

This made me pause; if twelve children out of thirteen still read occasionally at home, then where are they getting access to that reading material? As noted, maybe self-reported book ownership isn’t everything.

A More Concerning Statistic

Illustration highlighting that 1 in 13 children don’t read for pleasure, with a lone chair highlighting a non reader in classroom reading circle.However, let’s circle back to a more real and still troubling statistic.

It’s true that, despite the apparent lack of access implied by not owning their own books, twelve out of every thirteen children reported that they read at home. If these results are to be believed, then twelve out of thirteen children aged 5 to 8 are reading sometimes.

Something encouraging seems to be happening here. I’d like to think that access to library books and other borrowed reading material plays a role (though I don’t have any figures to back that up).

However, we still have a child missing out on the benefit of reading. It may not be the one in five kids who report not owning a book, but there is a child in every thirteen who reports never reading. I feel this is the child we should be concentrating on.

Who isn’t reading?

The related statistic that I feel we should return to is this idea that one in thirteen of the children surveyed supposedly ‘never read’.

However, even here, I can’t help but wonder if this ‘scary number’ might be able to be softened a little.

First, let’s think about their sample age group; the children in this study were between the ages of five and eight. Whilst many five-year-olds can read surprisingly well, I do have doubts that a significant number of them would be doing so with enough confidence to say that they read for pleasure themselves at home.

Let’s also remember that reading confidence may come on much more slowly for some children. Factors such as learning impairments, as well as issues regarding concentration, will inevitably make it harder for a child to self-describe as a ‘reader’.

Just looking at dyslexia, the NHS website lists the estimated UK incidence of dyslexia as one in ten. However, Dyslexia comes in varying levels of severity, so I wouldn’t suggest that this will be the only influence on readership in children between five and eight years old.

I know several people with dyslexia who happen to be more avid readers than I am (and were so as children too), so I won’t simply jump to the conclusion that a child being dyslexic will instantly mark them as a ‘non-reader’.

All in all, I’m finding it hard to come to any concrete conclusion from the National Literacy Trust’s findings. So let’s return to the matter that many news outlets have focused on; book ownership.

Why get so hung up on book ownership?

Image of a large stack of unread books The 'To-Be-Read Pile’ emphasizing book ownership versus actual readingAs an author, I obviously see a more pragmatic benefit from people buying my books for their children. Book ownership supports your favourite authors and helps ensure the publication of more books you like. Is this important for child literacy, though? No, not really.

So, what is the argument for having a child perceive some books as ‘theirs’?

For some families, the purchase of a book may seem frivolous, an unnecessary expense when libraries are available. As a parent, I’m aware of how much it costs to provide your child with all the other things they need. If money gets tight, I imagine sacrificing book ownership seems like a small sacrifice in the face of other financial concerns.

I prioritise book ownership because I (and my wife) like to read. However, this isn’t enough on its own for anyone to criticise or question another parent who doesn’t prioritise book ownership.

My children typically get a few new books for their birthdays and more for Christmas. I also use Kindle Unlimited myself, meaning that they can access any Unlimited book they like using my account (and read it using our kindle, our household tablet, or on the app on their phones).

They both read fairly regularly, and I know that this provides considerable educational benefits (as I’ve noted in a previous blog post). However, they also both get books from the library. Between library use and the Kindle Unlimited lending library, often what they read wouldn’t count as ‘their’ books either.

This said, I know my children are in a privileged position when it comes to book ownership. Reading for pleasure and literacy proficiency aren’t just ‘nice to have’ perks; they have a profound and tangible effect on job prospects.

Keep reading for pleasure

Oxford Uni conducted a study on the correlation between reading for pleasure as a teen and management positions later in life. The results are fascinating, but, needless to say, it’s probably a good idea to encourage teenagers to read for pleasure as well.

Warm, cozy illustration of a child reading in bed her mother reading by her side evoking the joy of reading for pleasureChildhood reading can also influence your adult wage level (especially if you start off less well off). In a study for ‘The Institute for Fiscal Studies’ (Crawford and Cribb, 2015) their findings gave little correlation for other quality of life indicators. However, in terms of average wage, those who read as children had a much better rate of pay as adults.

In another study (2021), The National Literacy Trust pointed out a similar important correlation between book ownership and literacy:

“…children who reported that they had a book of their own were not only more engaged with reading but also six times more likely to read above the level expected for their age than children who didn’t own a book (22% vs. 3.6%)…” (‘Book Ownership in 2021‘ posted on the National Literacy Trust’s website 12 Nov 2021

There’s no question that book ownership is a good thing for children. My primary concern is whether news sources like the Guardian are focusing too strongly on ownership. As though simply owning a book is ‘enough’.

But why are so many children not reading at all?

Perhaps, but perhaps some children aren’t reading for other reasons. I’m most interested in what’s happening with the one in thirteen who report that they ‘never read’.

The statistics for non-readers are presented in the Guardian as though they’re a worrying new development. However, it would seem that 1 in 13 non-readers has been a UK constant for some time.

Is this lack of reading a ‘new development’?

Illustration of a puzzled child sitting alone while others are enjoying books, representing children who don’t read for pleasure at allThe reported one in thirteen ‘non-readers’ (7.7%) is remarkably close to the same figures regarding ‘non-readers’ in a similar 1980s study on the same subject (here it was 7.3%). This study was conducted by the Centre for Longitudinal Studies, Institute of Education, University College London.

For four decades (at least), one out of every thirteen British children has reported themselves as not reading for pleasure/recreationally.

Many factors may lead to their lack of recreational reading. A lack of book ownership may (of course) play some part in this, but I suspect that it isn’t the only reason that these children don’t read.

Whatever the cause may be, there’s little doubt that their lack of recreational reading will have a negative effect on both their personal and professional lives.

In a previous post, I looked in much more detail at the positive effects of recreational reading, so I won’t go into it too much here. Needless to say, reading recreationally is proven to be good for an individual on multiple levels.

The positive responses to a tricky problem

Obviously, any country would hope to promote a behaviour that has a positive effect on its citizens’ future. Seeing the number of non-recreational readers go up over the course of forty years is not exactly ideal (if only by a fraction of a percent). It is, however, promising to hear the measures described at the end of the Guardian article.

Private companies such as McDonald’s have made a concerted effort to get more books into the hands of children. On top of this, we have phenomenal events like World Book Day, which also strive for the same outcome.

In fact, World Book Day (also run by the National Literacy Trust) goes a step further, by hosting and promoting events and activities which help to normalise reading for children who may not otherwise recognise it as a ‘normal’ behaviour.

1 in 13 children not reading in 2022 is as troublesome now as it was in 1980. We should be doing what we can to lower this number. Reading is a phenomenal activity, whether viewed as leisure, an escape, or as a learning tool.

However, this statistic has only shifted by a minimal amount over the course of forty years so I’m also wary of treating it like a new development.

I suppose the moral of the story is that we should read more to our children. We should also buy books as gifts for any children we know (when finances allow), and (crucially, perhaps) we should try to normalise reading for pleasure. Children mimic what they see adults do, after all; if we adults read more, then it seems more like the ‘done thing’.

Normalising a healthy habit

Illustration of a busy city street where people from all walks of life—students, businesspeople, pensioners, teens—are all reading books.The 1980s study also checked in with the children when they reached 16. At this point they asked about ‘reading culture’ at home. Only 43.6% reported that their dads read books, and 57.6% reported their mums reading books. Maybe if more of us allowed our children to see us reading (and enjoying) books, they might be more inclined to do it themselves.

The forty-year span of the one in thirteen non-readers may seem fairly inescapable. From the data we see, it would be easy to assume as much. However, I wouldn’t want to suggest that we go so far as to throw the baby out with the bath water.

Statistics such as these focus our attention on what matters to us as a culture. Do we want to promote literacy? Do we, as a culture, recognise its benefit?

Do we feel like we could (and should) encourage those final one in thirteen children to read?

If we answer yes to these (and it’s hard to find anyone who wouldn’t). If the end result of studies like the one conducted by the National Literacy Trust is more effort to get children reading. Then the study has done its job. Big headlines aside, the studies and stories themselves are there to remind us that, as a culture, we all want more children to feel the benefits of reading.

Starting small

If this post makes you feel inclined to buy a book for a young person you know, I would thoroughly recommend purchasing from a local bookshop. Your local bookshop will be able to advise you on great stories and appropriate reading levels, with marked expertise and you will also help support your local economy.

The range of children’s books available now is a vast, incredible cavalcade when compared to my childhood bookshelves. There are so many options that a child of any age and any interest might like. Your local bookshop will be able to guide you to the perfect book for the child you want to buy for.

What’s important to remember is this: even if all you do is share a love of reading, you’re already doing something fantastic. It allows you the chance to make a lasting impact on a young person’s wellbeing and learning journey.

Please don’t feel obligated

Alternatively, if you would like to buy one of my books, you could go to Fun Junction’s book section.

They deliver throughout the UK and have always been big supporters of my books, so I always like to return the favour where I can.

(Amazon is always there, and you can get my books on Kindle here, but I always personally prefer to support smaller, more independent online retailers).

Fun Junction also stocks a brilliant selection of toys, games, and puzzles for children and adults, so it’s well worth a visit to their website.

As always, thanks for reading, all the best, John