Tag Archives: adults reading

A young child sits alone in a quiet library corner — evoking the quiet, unseen moments of book deprivation.

One in Five UK children do not own a single book

You’re wrapped in blankets, it’s way past bedtime, torch and book in hand, you venture off to other worlds and wild adventures…

You’re in a calm spot in the playground during lunch, snack in hand and one of those awesome books from the book fair in the other…

You look up from a two-hour car journey, oblivious to the entire drive because you were so engrossed in your story…

Having that book in your hand may have been a significant part of your childhood (I know it was part of mine).

However, for almost one out of every five UK children, these experiences may sadly be alien and unheard of for them. Though, as we may find below, the truth could be a little more promising.

The headline behind the headline

Headline illustration showing that 1 in 5 UK children do not own any booksIn a study conducted by the National Literacy Trust, researchers found that 18.6% of UK children aged between five and eight do not have a single book that is theirs at home.

It’s a fairly shocking statistic, and one that can be hard to imagine for book lovers. It’s also one that many commentators (such as this recent Guardian article) have been quick to jump on.

Personally, I find the focus on book ownership a bit odd. After all, you can own a whole library of books and never read any of them. In fact, there are considerably more concerning statistics to consider (which I’ll go into later in this post).

How do different families define ‘ownership’?

On the subject of ‘ownership’, I have a few concerns. Firstly, children self-reported their book ownership, and this leaves a lot of room for misunderstandings and misinterpretations.

It’s also worth remembering that these children may have hand-me-down books from older siblings or parents. The chance that this alone would prevent a child from describing such books as ‘theirs’ is minimal. However, it does speak to a potential bias to be found when assessing ‘ownership’ in some households.

I had access to many books as a child, only a handful of these were books I would have described as ‘mine’ at the time, and even then I would only think of myself as ‘owning’ books when I was a little older. The other books in the house were treated in a more utilitarian manner. Basically, most of the books in our house were ‘family books’.

Books as a shared family resource

Illustration of a cozy family setting where multiple children share books and toys togetherMany families encourage an outlook like this regarding resources like books, toys, games, game systems, and more. A more utilitarian approach could come from a number of reasons, whether it’s a household where money is tight or simply a household that avoids conflict over leisure resources. In households where parents choose this more utilitarian approach, the children themselves may not feel that it’s appropriate to describe themselves as ‘owning’ certain toys, and perhaps books as well.

A favourite teddy bear may belong to an individual child but maybe toy cars or lego blocks are sort of “everyone’s”. In circumstances such as this, books could theoretically be regarded in a similar fashion.

I’m not saying this is the situation in the case of every one of those ‘one in five’ but the potential is there for a five-year-old to regard themselves as a non-book-owner in a household where books are a family resource.

Libraries are amazing!

It’s also worth remembering that library use is heavily promoted by most primary schools at this stage in a child’s life (5-8 years old). They might not consider themselves to own any books, but they could still be reading regularly.

Half of the children surveyed said that they read daily, with twelve in every thirteen children saying that they read sometimes at home.

This made me pause; if twelve children out of thirteen still read occasionally at home, then where are they getting access to that reading material? As noted, maybe self-reported book ownership isn’t everything.

A More Concerning Statistic

Illustration highlighting that 1 in 13 children don’t read for pleasure, with a lone chair highlighting a non reader in classroom reading circle.However, let’s circle back to a more real and still troubling statistic.

It’s true that, despite the apparent lack of access implied by not owning their own books, twelve out of every thirteen children reported that they read at home. If these results are to be believed, then twelve out of thirteen children aged 5 to 8 are reading sometimes.

Something encouraging seems to be happening here. I’d like to think that access to library books and other borrowed reading material plays a role (though I don’t have any figures to back that up).

However, we still have a child missing out on the benefit of reading. It may not be the one in five kids who report not owning a book, but there is a child in every thirteen who reports never reading. I feel this is the child we should be concentrating on.

Who isn’t reading?

The related statistic that I feel we should return to is this idea that one in thirteen of the children surveyed supposedly ‘never read’.

However, even here, I can’t help but wonder if this ‘scary number’ might be able to be softened a little.

First, let’s think about their sample age group; the children in this study were between the ages of five and eight. Whilst many five-year-olds can read surprisingly well, I do have doubts that a significant number of them would be doing so with enough confidence to say that they read for pleasure themselves at home.

Let’s also remember that reading confidence may come on much more slowly for some children. Factors such as learning impairments, as well as issues regarding concentration, will inevitably make it harder for a child to self-describe as a ‘reader’.

Just looking at dyslexia, the NHS website lists the estimated UK incidence of dyslexia as one in ten. However, Dyslexia comes in varying levels of severity, so I wouldn’t suggest that this will be the only influence on readership in children between five and eight years old.

I know several people with dyslexia who happen to be more avid readers than I am (and were so as children too), so I won’t simply jump to the conclusion that a child being dyslexic will instantly mark them as a ‘non-reader’.

All in all, I’m finding it hard to come to any concrete conclusion from the National Literacy Trust’s findings. So let’s return to the matter that many news outlets have focused on; book ownership.

Why get so hung up on book ownership?

Image of a large stack of unread books The 'To-Be-Read Pile’ emphasizing book ownership versus actual readingAs an author, I obviously see a more pragmatic benefit from people buying my books for their children. Book ownership supports your favourite authors and helps ensure the publication of more books you like. Is this important for child literacy, though? No, not really.

So, what is the argument for having a child perceive some books as ‘theirs’?

For some families, the purchase of a book may seem frivolous, an unnecessary expense when libraries are available. As a parent, I’m aware of how much it costs to provide your child with all the other things they need. If money gets tight, I imagine sacrificing book ownership seems like a small sacrifice in the face of other financial concerns.

I prioritise book ownership because I (and my wife) like to read. However, this isn’t enough on its own for anyone to criticise or question another parent who doesn’t prioritise book ownership.

My children typically get a few new books for their birthdays and more for Christmas. I also use Kindle Unlimited myself, meaning that they can access any Unlimited book they like using my account (and read it using our kindle, our household tablet, or on the app on their phones).

They both read fairly regularly, and I know that this provides considerable educational benefits (as I’ve noted in a previous blog post). However, they also both get books from the library. Between library use and the Kindle Unlimited lending library, often what they read wouldn’t count as ‘their’ books either.

This said, I know my children are in a privileged position when it comes to book ownership. Reading for pleasure and literacy proficiency aren’t just ‘nice to have’ perks; they have a profound and tangible effect on job prospects.

Keep reading for pleasure

Oxford Uni conducted a study on the correlation between reading for pleasure as a teen and management positions later in life. The results are fascinating, but, needless to say, it’s probably a good idea to encourage teenagers to read for pleasure as well.

Warm, cozy illustration of a child reading in bed her mother reading by her side evoking the joy of reading for pleasureChildhood reading can also influence your adult wage level (especially if you start off less well off). In a study for ‘The Institute for Fiscal Studies’ (Crawford and Cribb, 2015) their findings gave little correlation for other quality of life indicators. However, in terms of average wage, those who read as children had a much better rate of pay as adults.

In another study (2021), The National Literacy Trust pointed out a similar important correlation between book ownership and literacy:

“…children who reported that they had a book of their own were not only more engaged with reading but also six times more likely to read above the level expected for their age than children who didn’t own a book (22% vs. 3.6%)…” (‘Book Ownership in 2021‘ posted on the National Literacy Trust’s website 12 Nov 2021

There’s no question that book ownership is a good thing for children. My primary concern is whether news sources like the Guardian are focusing too strongly on ownership. As though simply owning a book is ‘enough’.

But why are so many children not reading at all?

Perhaps, but perhaps some children aren’t reading for other reasons. I’m most interested in what’s happening with the one in thirteen who report that they ‘never read’.

The statistics for non-readers are presented in the Guardian as though they’re a worrying new development. However, it would seem that 1 in 13 non-readers has been a UK constant for some time.

Is this lack of reading a ‘new development’?

Illustration of a puzzled child sitting alone while others are enjoying books, representing children who don’t read for pleasure at allThe reported one in thirteen ‘non-readers’ (7.7%) is remarkably close to the same figures regarding ‘non-readers’ in a similar 1980s study on the same subject (here it was 7.3%). This study was conducted by the Centre for Longitudinal Studies, Institute of Education, University College London.

For four decades (at least), one out of every thirteen British children has reported themselves as not reading for pleasure/recreationally.

Many factors may lead to their lack of recreational reading. A lack of book ownership may (of course) play some part in this, but I suspect that it isn’t the only reason that these children don’t read.

Whatever the cause may be, there’s little doubt that their lack of recreational reading will have a negative effect on both their personal and professional lives.

In a previous post, I looked in much more detail at the positive effects of recreational reading, so I won’t go into it too much here. Needless to say, reading recreationally is proven to be good for an individual on multiple levels.

The positive responses to a tricky problem

Obviously, any country would hope to promote a behaviour that has a positive effect on its citizens’ future. Seeing the number of non-recreational readers go up over the course of forty years is not exactly ideal (if only by a fraction of a percent). It is, however, promising to hear the measures described at the end of the Guardian article.

Private companies such as McDonald’s have made a concerted effort to get more books into the hands of children. On top of this, we have phenomenal events like World Book Day, which also strive for the same outcome.

In fact, World Book Day (also run by the National Literacy Trust) goes a step further, by hosting and promoting events and activities which help to normalise reading for children who may not otherwise recognise it as a ‘normal’ behaviour.

1 in 13 children not reading in 2022 is as troublesome now as it was in 1980. We should be doing what we can to lower this number. Reading is a phenomenal activity, whether viewed as leisure, an escape, or as a learning tool.

However, this statistic has only shifted by a minimal amount over the course of forty years so I’m also wary of treating it like a new development.

I suppose the moral of the story is that we should read more to our children. We should also buy books as gifts for any children we know (when finances allow), and (crucially, perhaps) we should try to normalise reading for pleasure. Children mimic what they see adults do, after all; if we adults read more, then it seems more like the ‘done thing’.

Normalising a healthy habit

Illustration of a busy city street where people from all walks of life—students, businesspeople, pensioners, teens—are all reading books.The 1980s study also checked in with the children when they reached 16. At this point they asked about ‘reading culture’ at home. Only 43.6% reported that their dads read books, and 57.6% reported their mums reading books. Maybe if more of us allowed our children to see us reading (and enjoying) books, they might be more inclined to do it themselves.

The forty-year span of the one in thirteen non-readers may seem fairly inescapable. From the data we see, it would be easy to assume as much. However, I wouldn’t want to suggest that we go so far as to throw the baby out with the bath water.

Statistics such as these focus our attention on what matters to us as a culture. Do we want to promote literacy? Do we, as a culture, recognise its benefit?

Do we feel like we could (and should) encourage those final one in thirteen children to read?

If we answer yes to these (and it’s hard to find anyone who wouldn’t). If the end result of studies like the one conducted by the National Literacy Trust is more effort to get children reading. Then the study has done its job. Big headlines aside, the studies and stories themselves are there to remind us that, as a culture, we all want more children to feel the benefits of reading.

Starting small

If this post makes you feel inclined to buy a book for a young person you know, I would thoroughly recommend purchasing from a local bookshop. Your local bookshop will be able to advise you on great stories and appropriate reading levels, with marked expertise and you will also help support your local economy.

The range of children’s books available now is a vast, incredible cavalcade when compared to my childhood bookshelves. There are so many options that a child of any age and any interest might like. Your local bookshop will be able to guide you to the perfect book for the child you want to buy for.

What’s important to remember is this: even if all you do is share a love of reading, you’re already doing something fantastic. It allows you the chance to make a lasting impact on a young person’s wellbeing and learning journey.

Please don’t feel obligated

Alternatively, if you would like to buy one of my books, you could go to Fun Junction’s book section.

They deliver throughout the UK and have always been big supporters of my books, so I always like to return the favour where I can.

(Amazon is always there, and you can get my books on Kindle here, but I always personally prefer to support smaller, more independent online retailers).

Fun Junction also stocks a brilliant selection of toys, games, and puzzles for children and adults, so it’s well worth a visit to their website.

As always, thanks for reading, all the best, John

Why I refused to read Harry Potter

no harry potter restriction circleIt’s not as bad as it sounds, please read on to find out more. I was first told about the boy wizard in high school, it would have been about 2000/2001, and I point-blank refused to read it. I even laughed at friends who were recommending it. You see the problem was that Harry Potter was a kid’s book, and seventeen year old John was no child.

I had my mind set on becoming an author and was sure that truly engaging writing (the kind that I could learn from) could only be found in books aimed at adults. I read magical realist authors like Rushdie, de Berniere, and Garcia Marquez. I also Immersed myself in classic literature and edgy new work. In short I thought of children’s literature as something of an oxymoron. Instead I was simply a moron.

Reality hit me at Stirling Uni in 2002 when I headed down to the MacRobert Cinema to watch Harry Potter and the Chamber of Secrets with a friend. The film left so much unsaid, so many questions unanswered, that I borrowed copies of the first two books from her to catch up with what was going on. Then I borrowed another (you know, just to see what happened next), and then another. Then I ran out.

On the 22nd of June the following year I was queueing outside a Waterstones in Aberdeen at midnight. I patiently waited for them to open the doors and release copies of ‘the Order of the Phoenix’ to the street-load of waiting children dressed as witches and wizards (I wished I had come in costume too).

A good book transports you to another world, or offers a view of our own that you might not have considered. It opens up questions and makes you think, and if you’re lucky it takes you for an adventure. Magical realists can do that, classical literature can do that, gritty ground-breaking new fiction can do that, and (unbeknownst to my seventeen year old self) so too can a good children’s book do all of these things.

We can get stuck in a rut when it comes to what we read, fixating on just one genre, but we miss out by doing that. As students, a bunch of us traded favourite books, we all had widely different tastes and we decided we might benefit by shaking things up a little. To be honest I don’t think I’ll ever be a full horror, crime, or thriller convert (though I still like to jump into a good horror book as the nights start to draw in) but that wasn’t really the point of our experiment. Our wee book-swap gave me an insight into what qualities made these types of book so appealing to so many people, it made me realise just how hard it can be to pin down just exactly what counts as ‘good writing’.

I still cringe at the thought of how condescending I must have sounded as a teenager and I apologise to Adam for dismissing what truly was an amazing find, and I also thank Vikki for allowing me to see how rich and enjoyable children’s literature can be (even for adults).

Are there any ‘children’s books’ that you’ve found particularly engaging? Do you avoid popular authors because you think they’re somehow less remarkable because of their popularity? Feel free to have a chat about it in the comments below, or over at the facebook page or twitter account. As always, thanks for reading, Cheers, John

Viktor Vasnetsov’s ‘The Flying Carpet’ (1880) captures the surreal stillness of a fairy tale in motion—bridging folklore and fantasy long before modern genre lines were drawn

Magical Realism

Looking for a fresh way to spark creativity in writing? Whether you’re a writer trying to shake off some cobwebs or a teacher hoping to add a new twist to class activities, whatever brought you to this post, I hope you’ll find something useful in it.

TLDR… There’s a Podcast?

The world is a busy place so I’ve recorded a vlog/podcast of this post so you can listen as you do other things. You can listen to the podcast episode, or watch it as a YouTube video at the end of the post. You’ll also find links to teacher resources that you can use with your class as well

Magical Realism

If you’re sharing this with a class, it helps to start with a clear idea of what a ‘genre’ is. For what we’ll be working on today, it’ll be sufficient to say that a genre is a category of story. Book genres include categories like fantasy, sci-fi, mystery, and many more.

‘Literary fiction’ is a genre often found on university reading lists. It can sometimes be seen as the more ‘serious’ side of storytelling. One of its sub-genres, magical realism, mixes everyday life with magical moments in a way that is fascinating and quite different from typical fantasy books. The magic is subtle, unspoken, and completely mixed in with the ordinary and everyday.

‘Genre fiction’ is a term typically used for all the books that live in their own worlds outside of ‘literary fiction’.

‘Genre fiction’ tends to dominate bookshop shelves. These are the books readers seek out because they already love that type of story, whether it’s crime, romance, fantasy, or horror. ‘Genre fiction’ is easy to advertise and fairly easy to describe.

Unlike a ‘genre fiction’ category like fantasy, magical realism isn’t about big, magical worlds or epic quests. Instead, it features magic that’s accepted as part of daily life, whilst never being fully explained. The magic isn’t the focus. It’s just part of the world.

I first came across magical realism thanks to a high school teacher (Mr Johnstone), and I was hooked. Some fantasy authors, like Terry Pratchett, have poked fun at it. In fact, Terry Pratchett once joked that saying you write magical realism is “…a polite way of saying you write fantasy…” I can see what he means, but there is a clear difference between the two.

But what is Magical Realism?

Magical Realism is a literary style famously associated with Latin American writers like Gabriel García Márquez, Jorge Luis Borges, and Isabel Allende.

The most notable element of the genre is that when magical or fantastical events occur in an otherwise ordinary setting, no one within the story takes much notice (including the narrator).

In magical realism, the magic is ordinary. It’s not questioned. Characters don’t wonder how it works. They don’t even point it out. The narrator treats it like toast popping out of a toaster—normal and unremarkable.

The focus is always on the human experience. Even if there’s a ghost living in a tree or someone floating into the sky, it’s all part of the background, not the point of the story.

Take “One Hundred Years of Solitude” by Gabriel García Márquez. It includes flying grandmothers, ghosts, and prophetic scrolls—all treated as normal parts of life. That’s magical realism.

So, is it just ‘literary fantasy’?

So, is it just ‘literary fantasy’? It can feel that way. Books like “The Watchmaker of Filigree Street” by Natasha Pulley or “Before the Coffee Gets Cold”  by Toshikazu Kawaguchi clearly feature magic. However, they focus on people, relationships, and daily life, not magic systems or worldbuilding.

That’s also probably why they’re considered literary fiction; they treat the magic as background, not plot.

Even Terry Pratchett, who joked around about magical realism, often blurred the lines himself.

Pratchett’s Discworld books sometimes let magical elements go significantly unexplained. What’s more, every single Pratchett book I’ve ever read gives a deep and clear connection to the human (or troll, or dwarf, or golem, or even lowly goblin) components of the story. All of this lets some of Pratchett’s own work edge ever so closely into magical realist territory.

Other books for younger readers do this too. Philip Pullman’s “His Dark Materials” and Garth Nix’s “Keys to the Kingdom” series both dip into this space. They sometimes avoid explaining how the magic works, letting the mystery remain.

Is Magical Realism a genre that would work for Kids?

All of this said, magical realism in children’s books is rare. Why? Kids are still figuring out how the real world works. They need some explanation about almost everything that happens in a story, whether it’s ‘real’ or magical. Plus, learning how magic works can be a fun part of the story in itself.

In my own books, Jack starts out in our world and learns about magic bit by bit. Some things are left unexplained, but I explain enough to keep younger readers clued in. That much explanation is definitely more like traditional fantasy than magical realism.

So are there any magical realist children’s books?

The one exception to the seeming rule about the difficulties of creating magical realism for kids is Roald Dahl. His stories often treat magic as normal, but his gritty, sometimes unpleasant real-world details make his stories feel oddly grounded as well.

Roald Dahl’s writing is so distinctive that I’ll be exploring it in more detail in a later post.

Fantastical stories lift us out of the everyday, but they do it in a way that helps us see human behaviour more clearly.

Whether we’re worried about a basilisk in the basement of the school, a ghoulish creature hiding in our garden, a dog that somehow switches off all devices nearby, or if we’re gingerly climbing the slopes of Mount Doom, all of these experiences make their own sort of sense. We can see the real human parts all the clearer when everything else seems strange.

Magical realism, in contrast to fantasy, holds on tight to the mystery of how the magic works. For some young readers, that might feel unsatisfying. However, it’s still strange enough to make the feelings of the characters stand out all the stronger.

With this in mind, we can write magical realism with considerably less explanation than a fantasy story. You can basically jump straight into the strangeness and show the real human emotions all the more clearly.

Here’s a writing activity to try:

The Magical Object Writing Challenge

PART 1: The Magical Object

Give your main character a magical object. It can be weird, strange, or subtle (it doesn’t even have to be an object; it could be a creature of some sort like my story).

Here’s a tip for part 1: To imagine how to use your magical object, it can help to think about how we might describe something more ordinary. Think of a phone. Most of us don’t fully understand how it works, but a single phone can have some fairly big effects in a story.

PART 2: As Ordinary as a Pen

The character doesn’t know their object is magical. They’ve always had it, and they’re so used to what it does that they think it’s as ordinary as a pen or a pair of shoes. No one explains it. Not even the narrator.

Here’s a tip for part 2: To make this easier for yourself, avoid naming the object in the title. Avoid describing it early. Let it blend into the story naturally.

PART 3: Real Life Drama

Write a story about an ordinary day. Come up with something dramatic (yet ordinary) that could be going on. Show the object doing something unusual, but don’t explain how or why.

Here’s a tip for part 3: Your magical object can be part of the solution, but be sure to look at the feelings of the people in the story more than you talk about the object.

PART 4: Emotions

Focus on how it affects people. What are all the main characters feeling at the end?

Here’s a tip for part 4: A story’s conclusion is often when there’s an emotional change. The more dramatic the change, the more dramatic the ending. Anger to joy, sadness to humour, you can decide what feelings you’d like to see your characters show.

EXTRA NOTE

The quadrants on the worksheet don’t have to be the order your story goes in. Once you have notes in 1, 2, 3, and 4, you could grab a separate piece of paper (or a jotter) and write up a story there.

This way, notes from 3 could be your beginning, followed by the object ideas you noted in 1, you can use notes from 2 to help you move the story along, whilst remembering to keep the magic subtle, and then finish your story using notes from part 4.

The order in which you use your four sets of notes is up to you.

A Simpler Choice for Quicker Storytelling

It can feel strange to restrict your writing a bit. One of the amazing things about writing fiction is how wild and open it can feel. With a blank page in front of you, you could take the story anywhere.

However, sometimes, when you have too many choices, just making a single choice can feel like the hard part.

Cutting your options down can force you to sharpen up what you want to say, and the sort of story you want to tell. This can also tell you a little bit about how you felt when you were writing too.

What did your story teach you about yourself?

It can feel strange to restrict your writing a bit. One of the amazing things about writing fiction is how wild and open it can feel. With a blank page in front of you, you could take the story anywhere.

However, sometimes that freedom can be a bit of a problem. When you have too many choices, just making a single choice can feel like the hard part.

Cutting your options down with something like the writing challenge we’ve just looked at can force you to sharpen up what you want to say, and the sort of story you want to tell. This can tell you a little bit about how you felt when you were writing too.

If you chose something creepy, maybe you needed a little jump scare to wake up your brain a bit. Perhaps your story had a little sadness in it, so maybe you needed a chance to let out something upsetting. Maybe you went for a humorous story, so you might have needed a laugh.

Writing fiction lets you deal with real emotions in imaginary ways, and magical realism offers a slightly different way to do that than more traditional genres.

I hope you enjoyed the activity, and sometime soon I’ll be adding a portion to the podcast where I showcase listeners’ stories, so feel free to share your story using the contact links that you’ll find on social media and on the website.

Final Thoughts & Questions

How did you (or your class) get on with the writing activity? I’d love your feedback.

Do you know of any children’s books that feel truly magical realist?

Which book genre translates well to children’s books, and which doesn’t?

Let me know in the comments or message me on Instagram.

As always, thanks for reading, and don’t forget you can buy a copy (paperback or Kindle edition) of my own Fantasy book ‘Jack Reusen and the Fey Flame’ over on this page, or you can see all of my books on my Amazon Author page here.

All the best,

John

Files for Teachers

Here’s a Canva link to access the presentation file.

You can also follow this link to download classroom printouts in either black and white, or colour.

If you can’t access the Canva version, you can also download either a PowerPoint or PDF copy of the presentation for your smartboard to accompany the sheets using the Google Drive link above.

Watch or Listen to this post instead

Below are YouTube and Spotify versions of the vlog/podcast so you can listen to it as you do other things:

 

 

OK fess up, are you reading children’s fiction?

J._K._Rowling_at_the_White_House_2010-04-05_9Rough number crunching gives us an odd statistic (though with the popularity of Harry Potter, Skulduggery Pleasant, etc. this is perhaps not surprising). Basically children (for argument’s sake let’s say those aged from 0-15) make up a little less than 10% of the UK population but sales of ‘children’s fiction’ (as defined by the publishers) makes up more than half of the fiction sold here.

Let’s assume that kids read twice as much as adults. To be honest I’m not sure I would believe that, you just need to see the average group of commuters to see how many adult fiction readers there are. Anyway let’s assume that children are more avid readers. Even then that would be two kids fiction books for every child and one for every adult. Adults make up 90% of the population, so that’s still a 9:2 ratio.

To even out the ratio children would have to be getting through a whopping nine books for every one book read by an adult. Someone, somewhere, is reading a lot of kids fiction.

I’ll admit that, aside from a very small number of exceptions, I basically exclusively read children’s fiction. A big part of that is exposure; I work in an environment filled with children’s books so when I’m deciding what to read next my attention is already there, but what’s everyone else’s excuse?

Is it the simplicity of the story-lines? Is it the departure from the every-day themes which can arise in typical adult fiction (even the most fantastical)? Many of us read for harmless escape (that’s my main motivation anyway) perhaps it’s just as simple as that: children’s fiction offers a greater escape from the stresses of adult life.

I’d love to hear your opinion, so feel free to add a comment below. It’d be interesting to see the different reading preferences and reasons behind them. All the best, John

(information gathered from 2013 and 2014 statistics)