Tag Archives: children’s fantasy book

The Ogres: Chapter 2: Rolly Box

To read from the beginning click here

Every year the bigger folk talked about going back up and every year they decided to wait. It went on so long that they forgot about the idea. The cavern was home. It was warm. It was safe. But it was dull.

Mee and Bur-up were young by bigger folk standards, but they were old enough to know better. They considered themselves ‘brave adventurers’, everyone else considered them fools.

Either way they found themselves stomping their way up hundreds of stone steps on a fairly normal Thursday morning. Bur-Up got tired. The most exercise he got was lifting food to his mouth. He was good at that, Mee had to admit, but it didn’t really count as training for a walk that hadn’t been attempted since before their great granny was born (bigger folk live a long time).

No one is sure if Mee was the braver of the two or if he was just the most foolish but he decided to continue up. The walls grew colder than anything he had ever felt. He felt sure the ice must still be there above them. Surely thousands of years of snow must have left it miles thick by now?

Instead of ice he found a cave. It was different than the stories. Smaller, more damp, more mouldy, more occupied. That’s when he met the creature.

It was small, slightly hairy, and it looked as though someone had put some clothes on it as a joke. Mee wondered if it was a pet of some sort. The creature made a horrible screeching sound. Yes, definitely a pet or guard animal of some sort. So where was it’s owner?

Mee asked:

“Is you lost hairy beast. Where your bigger person gone?”

The creature stopped shrieking. The hairy little beast talked:

“My Mum and Dad are back at the car. What are you?”

Mee shook his head:

“I’m Mee.”

The tiny hairy beast laughed:

“No I’m me!”

“NO, I’m Mee!”

“No, I’m me!”

This went on for a while until Mee got a little upset and exclaimed ‘My name is Mee!”. The little hairy beast came over to him:

“I’m sorry. I thought you were playing a game. Hello Mee. I’m Alex. You look very different to me. Are you human?”

Me shook his head. He hadn’t heard the word ‘human’ before. Maybe that’s what the little hairy beast was. Mee tried to explain:

“Mee is one of the bigger folk. We live under the hill. We escaped the big ice. Is it gone now?”

The hairy ‘Alex’ didn’t know what he was talking about:

“It’s a bit frosty outside but I haven’t seen any ‘big ice’.”

He led the way to the cave’s mouth and that’s when Mee saw it; a huge ball of fire in the sky. He had heard about this in stories but he couldn’t remember the name for it. The ‘Alex’ called it ‘the sun’.

Mee told the ‘Alex’ about how Ey-Kan had made ‘the sun’ and thrown it into the sky with a machine. Outside the cave the cold air made everything blurry, the sounds were all soft and sort of wet.

When Mee spoke it was like there was cloth in his mouth:

“Two of the Alex. I’m not thinking good. All too slow. It’s really slowing out here.”

The Alex looked round. Mee was right, there were two of him now. Two humans anyway. His big brother’s face poked out from behind a tree; eyes wide, a silent scream struggling to escape his open mouth. The Alex waved:

“It’s OK Logan. He won’t hurt you.”

The Alex looked back to Mee:

“Did you say it’s snowing?”

Mee shook his head:

“No, slowing. My head not work so good out here. Need warm place.”

The two boys helped Mee find his way to their campfire. Their mum and dad had gone down to the car to get their picnic and the rest of their stuff. Logan had a backpack with him. In it were all the essentials for a weekend camping on a cold hillside; four packs of crisps and a big bag of marshmallows.

The bigger folk had nothing like this food. The squishy pink marshmallows were too good to say no to. Mee put twelve in his mouth then sat in the fire to get warm. The flames licked up his back and over his head. The heat melted the marshmallows in his mouth. It would seem that more melted means more delicious.

On Fire

The ‘hu-mans’ were being very noisy. It made it extremely hard to enjoy his mouthful of pink goop. It stuck his teeth together a little:

“What the matter? You both OK?”

The Alex squealed in shock and with laughter:

“You’re on fire! Isn’t it sore?”

Mee frowned slowly, enjoying the last of his marshmallows as they melted down his throat:

“Why would fire be sore? Not like it’s cutting me or bashing me!”

The hu-mans laughed but stepped back. The Logan tried to explain:

“It’s just, people aren’t normally fire-proof. Not many living things are.”

Mee shrugged:

“Hu? How strange. Can I have more mush mallow?”

The Logan slid the bag along the ground. Mee had grown so hot that his skin had changed colour; he was a deep, dark green now. If it wasn’t for the talking, and the moving, and the smiling, and the eating (and he was doing a lot of that now), the hu-mans might have thought he was cooking.

With a belly full of food and a freshly toasted butt Mee stood up and went for a wander in the forest. Cracking branches and knocking down the odd tree with a simple ‘oops’.

His next ‘oops’ came after he bumped into a big metal box. The box was perched on four squashy wheels. One bump was enough to send it rolling away from him.

The Alex caught up just in time to see the car rolling away down the road towards the town:

“Our car! What happened?”

Mee tried another ‘oops’ but the Alex seemed to need more than that:

“I bumped it.”

The Logan shook his head:

“Our stuff was in there. Our food was in there.”

Mee grew a lot more concerned about the runaway box:

“You mean more mush mallows?”

The Logan shrugged:

“Maybe.”

Mee ran after the ‘car’. It was far away, it had stopped, a wall had caught it. It was very broken. Mee went to look inside. He couldn’t find a lid so he just grabbed an end and pulled. It broke more. Since it was already broken Mee started pulling at all the sides looking for ‘mush-mallows’.

He found a smaller box inside, in it was lots of very cold stuff. Some of it could have been food, none of it was a bag of ‘mush mallows’. Mee wondered if they had fallen out, or if there was somewhere else he might find some.

Along the wall from the broken car Mee spotted a house. It was the first thing that looked right (though it was far too small). Mee knocked on the door and a hu-man answered. She was half his size, had steel coloured hair and her face looked strange, all stretched with eyes that didn’t blink. She was noisy too. She liked to say ‘arghhh’.

Mee looked down at the tiny person:

“Hello hu-man, I broke the car box and I need mush mallows. Where do mush mallows grow.”

The lady’s face stopped being all stretched and she seemed to have said enough ‘arghhh’ for now. Instead she became very quiet. Mee breathed slowly but it was still one…two…three, breaths before she spoke again:

“You can get food at the supermarket.”

Mee grinned a grin as big as the old lady’s whole head:

“Perfect. Where is the ‘Supermarket’?”

The tiny old person pointed into the town and told him it was at the very bottom of the hill. He gave her a quick “Thank you!” and went to get more ‘mush mallows’.

*

Thanks so much for reading. I really hope you enjoyed the story. Please let me know what you thought in the comments below.

I’ll have chapter three ready for you next week. Be sure to sign up to the e-mail list to receive chapters direct to your inbox (please click this link). You’ll also gain access to pdf printable versions of the stories (if you’d rather read without screens). I should also point out that the first eight chapters of the Bigger Folk will be available here on the website but later chapters will be released solely on the e-mail list.

As always thanks for reading, All the best, John

READ ON FOR CHAPTER 3: SHINY STONES vs SWEETS

The Ogres: Chapter 1: The Stairs

At the top of a hill in Perthshire is a small cave. I can’t tell you where that cave is, but I should say that if you do find yourself at the top of a Perthshire hill please watch your step.

In films we see mysterious caves leading to caverns filled with treasure (or at the very least mystery). Most caves I encountered as a child were more like cracks in the hillside. We used our imaginations to make them seem bigger.

But there is one cave, one single cave that is very different. It has no name, no one ever thought to give it one. Even a child may have to duck to get in. So much wet, green, foliage surrounds the entrance that during the spring and summer you could walk past it without even noticing.

If you did notice. If you peeled back the moss and the bracken and slipped inside AND if you had a torch, you could walk to the back of the cave. That’s where the steps are.

There are legends about these steps but they are not our legends. These legends don’t lie hidden in the stories we tell our children, they aren’t part of our heritage.

They are someone else’s legends. A kind of people that would shock you if you met them. They are different from us, so very different.

One of their stories is often told around the campfire at the top of that hill. It’s an important story for their people; it’s about the second time they used those stairs. But, to understand it you need to know about the first time they used them.

The metal

Long ago. Long before the grass grew on Scottish hillsides. Long before we had great rivers. Even before we had a monster in Loch Ness. There was the ice.

The bigger folk (that’s what they call themselves) don’t do well in the cold. When the ice came they grew ill. Their food stopped growing. The cold bit them and they had no energy to bite back.

Then came Ey-Kan. He was the biggest and the strongest of the bigger folk. The largest there had ever been. He drew his strength from the earth itself and he made a fire that could fight the ice and warm their homes even when the logs were gone. He was their magic man.

Ey-Kan could only help so much and the ice grew thicker and colder every day. One morning he smashed through three feet of solid ice just so he could touch the ground. He asked it what to do and it’s answer left him colder on the inside than the ice ever could.

The earth told him that the ice would grow like this for many, many seasons to come. Soon food would not grow here, the water would stop flowing, and the few trees left growing would crumble and die. So full of ice that they would be useless even as firewood.

The bigger folk could not stay here. However, unlike the little people, they weren’t used to travel. Tribes of bigger-folk might visit one another but they always came home.

They were built for work. Ey-Kan was the last of his tribe to feel hunger and he used the energy he had left to do what he did best; make metal. The little people learned metal work from the bigger-folk but they could never master it. They were too feeble, too fragile, too flammable, to do what Ey-Kan could.

He ripped the ice away, then tore into the earth. He dug and dug with his huge, hard, hands. At last he found the ingredients he needed. A secret recipe of metal that is now lost from our world. One known only to Ey-Kan.

The Object

Ey-Kan took the ingredients to his forge and fuelled the fire. He grabbed his largest crucible (a huge stone pot almost as big as his leg). The ingredients were dropped in and Ey-Kan made a few more trips out to the hole, collecting as much material as he could. On his twelfth trip it was just right.

He held the crucible over the flames and waited. Once the chunks had melted together, glowing a dull brown colour, Ey-Kan changed the fuel underneath and bellowed air in. The flames grew.

The metal in the crucible changed colour over and over, from brown to purple, purple to blue, blue to red, then red to yellow. If Ey-Kan weren’t one of the bigger-folk this is where he might have stopped. Instead he took off his coat, added a special fuel and watched the other colours show (the ones only the bigger-folk could see).

His eyes were built for looking at fire. They relaxed in the glow. In the heat. A welcome change to the cold whiteness outside. He worked for hours, doing things that only someone with fireproof hands can achieve (and even then, only with practice).

As a new day’s sunlight trickled through his window, lighting the side of the forge bright orange, Ey-Kan lifted the object to inspect it.

Flattened out on one side, a spike as sharp as a needle on the other, and down the middle was a long, thick handle made entirely from the same metal. It was a pickaxe unlike anything the bigger-folk had ever made. It was the object that would save his people.

Digging

Digging was the wrong word for what Ey-Kan did that day. It was more like his pick-axe told the earth and the rocks where to move. It sliced through ice. Through soil. Through cold hard rock. Every swing the same. He pulled back, struck, and the material at his feet parted to let him through.

It took very little time to open the cave. The rock shifted aside with a noise like brick sliding on brick. Another step with each swing. At two-hundred swings Ey-Kan’s tribe wondered what he was doing and made their way to the cave. They stopped hearing him after the three-hundredth swing.

Their food was gone. Their water frozen. There was nothing left for them on the surface and so they followed the newly-formed steps cut ahead of them. As they went further they changed. Their bodies growing more used to the heat under the hill.

Ey-Kan’s steps kept going. So deep that the walls grew red with heat. The bigger-folk could take it. This was all energy to them.

Finally, after possibly a thousand steps their way opened up to reveal a huge cavern. A tunnel at the far end led back up to the surface. Ey-Kan had gone to find more of the bigger-folk.

In time these others found their way down to the cavern. It was here that they built their home. However, it was the last any of them would ever see of Ey-Kan or his pick-axe.

The second time

Years passed and the bigger-folk grew used to their home in the depths of the earth. However, two of them grew tired, and desperate to see the land of their ancestors. They walked up the thousand steps, coughing from the dust. These stairs hadn’t been used in centuries and in the world above, the bigger folk had become the stuff of stories.

There are many tales of their experiences up those stairs. I’ll tell you one of them next week. If you’d like these stories in your e-mail inbox (in an easy to print pdf document) click here.

Thank you for reading, John

TO READ ON TO CHAPTER 2: ROLLY BOX JUST CLICK HERE

Go hug your mum (most kids’ books would have killed her by now)

There’s an almost unspoken rule in kids fiction; before the story begins kill the parents. Harry Potter loses his parents, Sophie in the BFG is an orphan, etc. etc. Then there’s a whole other category of what you might call half-orphans; children who have lost their mothers (i.e. Danny [champion of the world], Hiccup [How to train your dragon], Belle [Beauty and the Beast].)

There must be some literary reason behind all this maternal slaughter but the one that seemed to flair up most for me (after I decided to keep my characters’ mums alive) came as a bit of a surprise.

Initially I assumed that all the parents were being killed off because parents would make the story too boring for kids. However, the more I write mum characters the more I see how brilliant, exciting, and shocking they can be. Turns out mums aren’t so boring after all. So why do so many children’s books commit matricide?

I can boil my feelings on it down to a moment I had when writing ‘Jack Reusen and the Fey Flame’. There’s a battle, a character full of malevolence and power is poised to begin a magical takeover of the non-magical world, and all the key good guys are lining up to stop him.

Key among these is a mum with more than enough power to take him on. Originally I had her set up to do just that and then something shoved that option aside; fear. Not her fear (she was brave, bold, and everything I needed her to be), instead I found myself burgeoned with ridiculous amounts of worry on the part of her child. This is when I realised the real reason that parents stay out of the action in children’s fiction; it’s all just too much for the children to take.

As a writer you’re faced with a choice between endless descriptions of a child’s concern for their parent, or you can avoid this and make the child seem uncaring or even callous in their disregard for their mum’s safety.

The simple truth is that you can’t write a believable child without addressing their relationship with their parents. When you take their parents out of the picture, your character can get on with the adventuring.

When you take the mum out, in a strange way, you remove the character’s worries about the possibility of losing a source of deep reassurance, support, and love. Mums can’t always be part of the action because the risk is simply too great for the child protagonists.

It looks like mums are sometimes too big, too emotionally all-encompassing to be included in children’s stories. In other words mums are a bit too awesome for kids books.

Can you think of any kids books that manage to keep the mums involved? Do you have any favourite literary mums? Feel free to share in the comments and over on Facebook or Twitter.

As always thanks for reading, and happy mothers day to all the mums out there.

All the best, John

We didn’t have TV so we all read a book together (it was amazing!)

first aid for fairiesI recently wrote about our lack of connectivity on holiday but another side effect was a complete lack of TV. No cartoons, no youtube minecraft videos (OK they were hard to miss, sorry Stampy, no offence meant), basically no falling back on TV at meal times and other times that we wanted to chill out. This made us fall back on an another old favourite; reading.

Even when we’re at home we read a story together every night, often this becomes a family occasion (like we had with Pugs of the Frozen north). However, this time round I ended up reading myself hoarse as we discovered Lari Don’s ‘First Aid for Fairies and other Fabled Beasts’. We normally read for about twenty minutes to a half hour each night but I’ve been reading for hours to the kids. We read at meal times, we read in the tent, I read in the car on the way home, and of course we read at bed time.

Back home technology has jumped back into our lives (I’ve found my way back on here as well) but we’re still hooked. We’re so close to the end and I’m at that ‘scared to read because it’ll be over soon’ stage. However, with three other books to go in the series I can relax a little.

The first of the ‘Fabled Beasts’ series follows Helen as she discovers that the world of story book creatures is all too real when a centaur appears on her doorstep.

The pace is fast and adventurous whilst giving you a chance to get to know the characters and the stakes get higher as we find out more about the quest that Helen is being drawn into.

It’s a book that has entertained two full grown adult-type people, an eight year old, and even a five year old (who normally still needs a picture or two during a story). No pictures are necessary and it’s been a joy to read the dialogue as well. I can’t recommend this book enough. Please go and check it out.

I’m always interested to hear about good kids books so if you’ve come across any please let me know (I can count it as ‘product research’ 😉 ). Feel free to tell us about it in the comments below and as always, thanks for popping over to read my blog, all the best, John

Where authors are heading in the next 5 years

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When I was a kid my favourite authors were distant entities, the idea of talking to them or even meeting them didn’t even cross my mind. I don’t remember one author visit to my school or even seeing them on TV very much.

The one time I saw something close to an interview was a Blue Peter special featuring Roald Dahl in his writing hut (I’ve written a little about how much the idea of writing huts affected me previously).

However, a children’s author is a very different creature now. The chances of talking to a favourite author are increased massively by social media. Along with this grows a sense of accessibility that simply didn’t exist when I was a kid.

J K Rowling is commonly in the news for her twitter activities (my favourite being her twitter-inspired spontaneous trip to a library on Orkney). It’s easy to see that the next few years are set to see changes to the way authors behave and the way the public feels about them.

Another huge change is the increase in the respectability of self-published authors. We don’t call it ‘vanity publishing’ any more (or at least less people use the term). ‘The Martian’, ‘Legally Blonde’, and the children’s/teen fantasy book ‘Eragon’ all started life as self-published works. Overall, people seem more willing to try out books published in non-traditional ways.

So what does this mean for the next five years? From my own experience, I have to admit that interacting with readers has an undeniable effect on my writing. We’re not talking ‘choose your own adventure’ but there’s certainly a level of reader influence that I hadn’t expected when I started writing. If this is the same for other authors I think we’re likely to see books change significantly over the next few years.

If we combine this with authors who blog (as many of us do) this could develop into serial-style writing becoming a more common approach to getting a story out. We could see books shaped in (almost) real time by the responses of readers. This might take the form of pandering, as authors draw attention to characters with more of a following. However, it could just as easily go the other way, as authors take a slightly sadistic delight in drawing out plot lines, leaving questions achingly unanswered in ways that would put the writers of ‘Lost’ to shame. (George R. R. Martin anyone?)

Add to this equation a touch of fan fiction and we might even see the emergence of a completely new form of fictional world. If authors decide to nominate some fan-fiction writers as ‘cannon’ writers, then the in-universe exploits could grow exponentially; further blurring the lines between traditional books and role-play.

To be honest author ego would probably get in the way of this becoming a reality but it’s easy to see how this could transform things for writers and readers alike.

Rather than having to wait a year for the next book, we could have a new in-universe book to read every week. Children’s fiction has been doing this for years with ghost writers. One of the most obvious examples being the ‘Beast Quest’ series of books. However, even these struggle to release more than one a month.

As an avid reader (and someone who tends to get absolutely hooked on certain fictional worlds, ehem…geek!) I have to say that the prospect of getting access to weekly books is like a dream come true.

Writing styles would no doubt differ but if it’s put together well this might not be too much of a problem. Imagine subscribing to a weekly Harry Potter book and you get a rough idea of what we could see.

Alongside all of this, traditional publishing will no doubt continue along on it’s merry way. However, the prospect of regular updates will have a marked effect on the way avid readers will interact with books.

I’ll predict that in the next five years (for readers at least) we’ll see less TV consumption (it’s becoming more disappointing every year any way) and more readers turning to regular updates in their favourite universe.

What do you think? Is the world of reading about to change for good? Is social media and self-publishing poised to provide a literary revolution? or am I being too optimistic?

As always, responses are welcome in the comments below. Thanks for reading, all the best, John

Write all day and you will realize 5 things about yourself that you never knew

Rock_balancing_(Counter_Balance)NaNoWriMo is here again and some of you are probably tired of hearing about it. Trust me it’s tiring on the inside as well. This is my third National Novel Writing event and it marks the writing of my fifth book set in a world that started to take shape only a year ago.

In my last post I talked a about the new book and explained a little about the support that’s helped push me on to write so much in such a short space of time. To absolutely anyone who has bought Jack Reusen and the Fey Flame you have no idea how much it means to me, and for those of you who have picked up a copy of the sequel, consider yourselves responsible for the barrage of books that are about to erupt out into the world.

When you sell copies of your first book there’s always a little voice in the back of your mind that wonders if people are just being nice. When you start selling copies of the sequel it makes you wonder if maybe they really do like to read what you’ve written. Thank you for that.

Anyway, on with the five things I’ve learned through plunging myself into this surprisingly demanding eventy. Here are some things that my last two NaNoWriMos have taught me:

Resilience: When you skip a day of writing it’s easy to beat yourself up over it but this just wastes time and energy that you could use to make up for lost time the next day. The first NoNoWriMo opened up my eyes to the fact that blaming yourself for a slip is utterly pointless, it’s happened. You just need to get back at it.

Time management: This is essential for the completion of a task like NaNoWriMo. After a few slips you start to discover what caused the problem and the vast majority of the time it has a lot more to do with expecting too much of yourself in too small a time-frame. Just because you wrote 1000 words in an hour a few times don’t use that as your gauge for how long it will take you to write 1000 words. Some passages need careful thought, some need extensive research just to get a place or character name just the way you want it. This will take time, don’t short-change yourself on time. Set aside an hour and a half a day to begin with, if you struggle to meet your target word-count add more time, if you speed through with keys blazing you could save some time on editing by going back over it then and there. Be fluid in time allocation but be persistent in working.

Commitment: In the middle of November last year I started calling myself a writer and actually meaning it but I knew that I’d be talking nonsense if I couldn’t even finish my first book. It was like a promise I made every time I said ‘I’m a writer’. Builders build, bakers bake and writers write. It was suddenly that simple. If you’re writing now and want to finish what you started a good first step is to commit to the moniker, call yourself a writer and mean it.

Confidence: You start off cautious, then you get a few thousand words in and suddenly it’s time to tell the world. You write blog posts. You post updates on social media. You tell friends and family. Then you sit down and freak out because you feel like they’re all expecting more of you. To be honest they probably aren’t (this tallies up with the final thing on this list) but this doesn’t stop the fact that you’re writing, you’re really doing it. All of a sudden there’s a new part to your personality, and it feels pretty awesome.

Being humble: This one is hard, for all the celebration of being a ‘writer’ you still need to remember that despite all the hours of work you put in there’s a good chance that the passage that you wrote at 3am after a marathon 5000 word day probably isn’t your best work. When the month is over you’re going to have a lot of work to do, admit that, drop the ego, develop some humility, and make something that you can actually be proud of. At the end of the day, if you can’t admit the faults that you can see in your own work then deep down you’ll never be able to tell yourself that you’ve done your best.

I’ve mainly written this post with fellow NaNoWriMo participants in mind and I hope it helps a bit. As you go through this month you’ll need to dig deep and what you find there will surprise you, but trust me it is utterly, unequivocally worth it.

As always thanks for reading, please feel free to ask questions or pop down a comment in the comments section below. All the best, John

Staying on target

wpid-training_dummy_500.jpgToday I passed 12,000 words of ‘Thea’s Quest’. Chapter six is done and I’m close enough to my word-count target to feel fairly comfortable. It was a hard slog today (wrote almost 4,000 words) but I really feel like it was worth it.

It’s a lot of fun experimenting with what Thea will do in different situations, it’s telling me so much more about who she really is and what the tone of the other books in her series will have.

As I said in my previous post, I won’t have much time for blog posting during all the other writing madness this month but when things go right it’s nice to share. Hope you’re all well, and as always thanks for reading (and for stopping by). All the best, John

Thea’s Quest

11703059_507851296031556_3727381389049552295_nYep, the beginning of Thea’s story is already taking shape. The fifth book set in the world of Fey now has five (very rough) chapters and it’s surprisingly different from Jack’s books. This month also marks the one year anniversary of the very beginning of Jack’s (and Thea’s) adventures. I still can’t believe how quickly this year has flown by and I’m really thankful for the reception the books have had so far.

Thea is such a different character to write about. I now have a character that instantly understands all of the basic things about Fey, she’s a lot less surprised by magical creatures and events than Jack was and I’m really enjoying the fact that I can just let odd things happen and then drive the story forward. It was always fun to share Jack’s awe as a new world unfolded around him but there’s something really liberating about just taking that magic for granted now.

The new book series will be released more slowly than the first as I now realise just how demanding it is to do all of the additional stuff required of a book. First there’s editing, then there’s talking about the books (because otherwise how would people hear about them), and alongside all of this I need to go over cover designs etc. with Karen but to be honest the bulk of the work there is on Karen (she knows her stuff so well, I barely need to go into any detail with her, she just gets it).

Talking about the books is definitely the most fun of the two ‘non-writing’ jobs associated with writing, I’ve been for school visits, held an in-store book launch, joined in with an authors event to do a book talk at the Crieff arts festival, not to mention a steady stream of communication with readers through this blog and the social media profiles I set up for the books over on facebook and twitter.

The big bad EDITING job is never a thrill and it’s this that has prompted me to spread out my book releases a little. I’d rather be able to spend more time chatting about the books and doing a wee bit of editing each week than be locked to the computer almost every day desperately trying to catch up with editing. At least for the foreseeable future I think we’ll be on about two book releases a year. I just don’t think I’ll be able to do four in one year again for a while.

Speaking of editing the next two books are on their way but it is taking a while. Though it’s less work this time through (I’m definitely learning from my mistakes), it’s still work. I’m going to try and get Jack Reusen and the Children of Fate’ away to the printers in the next couple of weeks (should be printed by the start of December) and ‘Jack Reusen and the Christmas Fox’ should arrive a week or so later (it’s a Christmas story so definitely want to get a rush on that).

In the mean time I can share a wee bit about Thea’s Quest (though it probably won’t be out until next summer). In Thea’s first book we find that the polar-bear girl has discovered some pretty impressive powers (even more impressive than turning into a polar bear). She is struggling to understand them though and she’s having an even harder time learning to control them. Her quest will take her to parts of Fey she’s only ever heard of in stories and her journey will teach her a lot about herself and her friends. Where the Jack Reusen books introduced us to a strange other world, Thea’s books will take us on a voyage steeped in ancient magic and even older stories.

I’m really enjoying the research for these books, I started looking ahead to some of the places Thea might visit earlier this year, I even posted a few sample pictures on the Jack Reusen facebook page. I desperately want to get the third and fourth books out before Christmas so I probably won’t be blogging a whole lot over the next few weeks. Every spare minute I have this November is going to be spent on books. Hope it all works out, wish me luck. As always, thanks for reading, all the best, John

And the winner is….

2015-08-21 15.39.35Last weekend, in conjunction with Fun Junction (and to tie in with the Crieff Arts Festival and the mini book festival that ran within it titled ‘Writers Live‘), I ran a ‘Design a Jack Reusen Character’ competition. All the entries had to be in by the end of the weekend and I’ve had a tricky job on my hands ever since.

Basically I liked so many of the entries I received that I decided to have three winners. The fourth book will be out in November, it’s a condensed chapter story set at Christmas time, and I’ve left space for a short story to fit in along side it. I’ll be starting work on the short story tonight but in the meantime I thought I’d share the winners’ artwork.

20150827135455058_0001Congratulations to Jenny, who’s already had a wee mention in the Acknowledgements in ‘Spark of Dreams’. Jenny even submitted a character description along with her picture so here it is:

“Name: Stormfly
What is it: Dragon
Qualities: Friendly, cold dragon. She breathes ice straight up into the sky to make snow storm clouds and tail whacks the ground and is as strong as an earthquake.”

I’m looking forward to seeing what ‘Stormfly’ gets up to in the story (though I may have to ask Jenny if I can give her a different name as she shares her name with Astrid’s dragon in ‘How to train Your Dragon’). I have to confess that I’ve been hunting for an excuse to put a dragon into Fey to see what happens, so thank you Jenny, I’m really excited about this one.

wpid-wp-1440709009452.gifNext, congratulations to Summer. Summer’s character didn’t have a name but I absolutely loved the atmosphere of the picture. I’m not sure how well this will come across in the image here but basically almost every part of this picture sparkles. The twinkling black sky and the girl in the shimmering party dress already have me setting out a wee starting scene on a frosty night in Fey. Thank you Summer.

20150827135514242_0001Finally congratulations to Grace for her ’10 eyed monster’. I’ve a feeling that this guy is going to have an interesting role to play in the story. My first thoughts picture him living deep in a cave. He comes across as scary and I don’t want to lose that so I’ll need to think hard about what he’ll be up to, in what will basically be a Christmas story. Every good story needs some conflict and I think the ten eyed monster will be just the ticket. Thank you Grace.

It’s going to take me a wee while to get this story drafted up but I’ll be sure to post it on here when it’s ready and it will also be available in print in November. Of course it wouldn’t be fair to ask the contributors to buy a copy so I’ll be sure to set aside a free copy for each of them that they can get hold of before they appear on the shelves.

I’ll contact the winners shortly and will hopefully have their story ready for them in the next few weeks but in the meantime I’d like to ask people to give them a big social media round of applause with likes or favourites on their pictures (you can find them by clicking this link for facebook and this, this, and this link for twitter). As always thanks for reading, all the best, John

Playing to an empty room? (and some info about competitions)

theater-105573_1280Just a short one tonight as I’m getting my ideas together for my book talk at ‘Writers Live!’ on Saturday. Basically that’s the main thing on my mind at the moment; will people come to my book talk? The idea of talking to an empty room is far more daunting than the thought of talking in front of a big crowd.

So far responses on the events page seem promising so I’ll try and hold back on the anxiety, also I’m really looking forward to seeing some of the entries for the competition I’m running in conjunction with Fun Junction.

I’ve actually got two different competitions running in conjunction with my book talk for Crieff Arts Festival but only one of them ends this weekend: The ‘Design a Jack Reusen Character’ competition is being run in conjunction with Fun Junction (where entries can be handed in). Simply design a character to feature in a Jack Reusen book. I’ll write the character into a short story which will appear on this site soon after the arts festival, but it will also be appearing in print and released inside a book that’s due to come out just before Christmas (I’ll post the title of the new book tomorrow night 😉 ).

You can submit a picture, a character description, or both. Just in case you don’t get a chance before the talk, I’ll also be bringing a big pile of paper and pencils along to the Strathearn Artspace on Saturday so that children (and adults if they want) can draw up their characters and hand them in either to me on the day. You can also drop off entries at Fun Junction up until 5:15pm on Saturday (if you want to take your time drawing/writing). Judging will take place this weekend and entries should either be dropped in to Fun Junction, or scanned and sent digitally to either the Jack Reusen facebook account, twitter account, or to jackreusen@hotmail.co.uk.

The second competition will now be running until the end of August: Simply explain what you liked most about ‘Jack Reusen and the Fey Flame‘ on the facebook page to be in with a chance of winning a signed copy of either ‘Jack Reusen and the Spark of Dreams‘, ‘Jack Reusen and the Fey Flame‘ or (if you don’t mind the wait), you can get an early release, signed edition of ‘Jack Reusen and the Children of Fate’ when it comes out in the Autumn.

If you haven’t already, please pop along to the events page on facebook and say whether you’ll be able to make it along to the book talk (if I know that people are coming I might be able to relax enough for that ‘humming’ noise in my ears to go away 😉 ). As always thanks for reading, all the best, John