Tag Archives: reading

Story Ideas: Places

For the past few weeks, I’ve been adding a podcast to my range of content. This post is directly linked to this week’s episode titled “Story Ideas: Places”, where we look at a quick and easy way to jump-start your creative juices.

By the end of the activity, you should have a full story written up, and we’re also encouraging pupils to submit their stories to be read on the podcast (details on how to do that will be available below). With this in mind, I hope you enjoy this writing activity and read to the bottom to find details on how to submit your story to be read on the podcast.

Writing Activity Resources

Teachers

This week’s writing activity is pretty simple, but it should prove useful for those moments when a story simply isn’t coming to you. There are classroom sheets to go along with this activity. You can click here for a direct link to the Canva presentation, or download a PowerPoint version here.

Pupils/ Students

The activity sheets for this writing activity are pretty simple, and are designed with the expectation that there will be additional jotter or digital writing as well. A black and white version is available here, a colour one is available here, or you can get access to a Canva project edition (that you can edit) here.

Play along podcast episode (if you prefer)

You can play the accompanying podcast episode alongside the classroom presentation. I’ll call out the next section so you know when to change slides. (In future episodes, I’ll try to be more direct about this with something like ‘turn to the next slide’ after each section).

You can also pause at the end of the prompt on each slide to leave time for writing. All in, this will probably add up to about a 1-hour classroom activity. You’ll find the Spotify version of the podcast below, and links to it on other podcast platforms in this linktree.

On With the Activity (From here on out, this will match the content of the podcast)

Today, we’ll be looking at a writing exercise that focuses on setting and place in your storytelling. With this in mind, I thought I’d try something a bit different and begin the episode by reading the first chapter of my first book, “Jack Reusen and the Fey Flame”.

In this chapter, I played with the idea of setting. First, we look at how familiar places can become uncomfortable when we notice things that we don’t remember seeing before. Then, we look at what it feels like to feel lost, truly lost, and what our reactions to this feeling can tell us about ourselves.

You’ll see the meaning of the setting change a few times in this chapter. I hope you enjoy listening to the sample chapter, but whilst you listen, keep an eye (or ear) out for any times where the setting is moving the story forward.

(You’ll get the full chapter reading in the podcast episode. If you’d like to read the rest of the story with your class, you can also pick up a Kindle copy by following the links at the bottom of the page for purchasing, or reading for free through Kindle Unlimited, on Kindle in your country.)

The Writing Challenge

You’ll have seen a lot of focus on setting in the little excerpt I’ve just read, and now it’s your turn to experiment with a story setting.

You’ll have a full story by the end of this activity, but the direction we take may be a little different from the way you normally set up a story and I hope you enjoy it.

Story Ideas: Places

Being creative is a really useful skill in life (not just for storytelling) so learning tricks and techniques to get your creative side working is never a bad thing.

Today, we’re going to look at a quick technique that I use. It should help switch on that creative part of your brain and prepare you to create a fantastic story.

We’ll start with place as it’s sometimes neglected a little in storytelling. Starting with the place can sometimes launch you into a new story in unexpected ways.

Part 1: Somewhere different

Think of where you’re writing right now. Is there a place that could be the most opposite you could possibly imagine? Somewhere absolutely nothing like where you are sitting at this moment?

What is that place like?

What’s the weather like there?

Is it a safe place, or is it somewhere perilous?

If you were to sit down and write in this new place, what would you be writing with?

Would it be a scroll of paper with a feather quill and a bottle of ink, or would you be writing on a futuristic tablet with an AI that talks to you as though they’re the cleverest being in the galaxy?

Part 2: A stranger

OK, now you know a lot about this new place, so let’s take a look around and see if there’s anyone there.

Who are they? Are they a human/ an animal/ an alien/ or something else?

What are they doing?

What mood are they in?

You now should have a setting and your main character. This isn’t everything you need for a story, but it’s a good start.

Part 3: Getting to know people

Now ask your character a few questions. What are their interests? What are their skills? What are their main fears? What would they like to be doing this time tomorrow?

Take your time with your character. Ask weird questions, but even ‘boring’ questions can give you ideas for your story. What might your character eat for breakfast? Where do they sleep? You might be surprised at the direction their story takes.

Part 4: Go and write

You now have two out of the three basic parts of a story; the last one is called ‘plot’.

What will happen to your character next?

Will something surprising happen to them?

What will they do as a result?

Will they be happy in the end?

Write your story in a digital format, or in your best handwriting, or draw some amazing pictures to make up a ‘comic book’.

When you feel your story has reached a natural end, please be sure to share your stories on the Celebrating Stories portal.

As the weeks go on, we’ll start reading one or two of your stories on the podcast each week.

You’ll find links to share your story on the classroom slideshow, which you can download over on the website. Alternatively, you’ll find a link to it in the episode notes for this podcast episode.

Your story could be the next one we read on the podcast!

Go here for the Google Form to submit your story (click this link). You can share handwritten stories, digital text versions, or even pictures.

Thanks for popping by

As always, thanks for tuning in to listen to this week’s episode of Lit Up With Green Flame, and for coming here to read the more extended version on the website. If you haven’t already, please don’t forget to subscribe on your favourite podcast platform.

We’re on Spotify, Apple Podcasts, Audible, Amazon Music, YouTube Podcasts, and many more. Just go to your favourite podcast app and search for ‘Lit Up With Green Flame’ (click here for the linktree that lists how to find us on your favourite podcast platform, just click on ‘Lit Up With Green Flame Books Podcast’ button to find the link). Subscribing is free, and you’ll be sure to catch the newest episode as soon as it’s live.

I hope you pop back next week when we’ll be looking at the strange world, and wild life of Roald Dahl (since it’ll be his Birthday in just a couple of weeks, he would have been 109 years old this year on the 13th September).

Also, if you’d like another writing activity to try, you could look at the one we did on Magical Realism a few weeks ago. You’ll find a link to that here.

Thanks again for listening in, and I hope you don’t mind the slightly longer episode this week.

All the best, John

Green Flame Books: The Power of Reading Week long discussion

Is reading for 20 minutes a day the ‘magic ticket’?

Reading for 20 minutes a day is often linked to better academic results, but what’s the science behind it?

Is there more to the story than test scores? And how big a deal is book ownership when it comes to childhood literacy?

This week’s Green Flame Books discussion dives into the power of reading and why access to books really matters. We’ll start tonight with a focus on “What Reading can do for you”: a post about the power of reading and why it’s not all about test scores.

You can also watch this post as a vlog on YouTube or watch or listen to it on the podcast on Spotify, listen here or click through to watch/listen on your app of choice:

Scroll down for a quick overview of the other topics we’ll explore together this week. Then join the chat on the blog and Instagram to share your thoughts.

Never Miss a Moment

Love a topic below? Tap the button to add ‘Green Flame Books: Literacy Discussions’ to your calendar.

You’ll get gentle reminders all week so you can join the conversation when it suits you best.

Click here to add the Green Flame Books calendar

Mon, 28 July

📖 Blog: Is 20 minutes the magic number?
Do test scores tell the full story about reading?

Tue, 29 July

📸 Instagram: Who Gets to Own a Book?
Let’s talk about book access—past and present.

Instagram posts page

Wed, 30 July

📸 Instagram: Book-rich or Book-poor?
Can digital books close the literacy gap?

Instagram posts page

📖 Blog: 1 in 5 UK kids don’t own a book
Could buying a book change a life?
📸 Instagram: Reading Lets You Share Worlds…
Which stories built your closest bonds?

Instagram posts page

Thu, 31 July

📸 Instagram: What Stories Do You Carry?
What tale from childhood has stayed with you?

Instagram posts page

Fri, 1st August

📸 Instagram: Which Story Opened Your Eyes?
What book helped you understand others?

Instagram posts page

📝 Instagram Prompt: Write about someone who loves what you hate
Can a character change your mind?

Instagram posts page

Sat, 2nd August

📖 Blog: Reading Fiction is Reading Minds
How shared stories build empathy in writers.

Sun, 3rd Aug

📸 Instagram: Why Do We Want Kids to Write?
What motivates young writers today?

Instagram posts page

To add the calendar to your own and join the discussion

Join the Green Flame Books Literacy Discussions Calendar

Alternative link to download an ical file if the one above link isn’t working

Good Gracious it HAS Been a While!

Jack Reusen and the Chilren of Fate sneak peek cover 2I have been away from here for far too long. The perfect proof of this occurred to me a few weeks ago when someone who had attended one of my first-ever school talks (as a pupil) drove past me in Crieff High Street in a learner car.

Not only does that make me feel ridiculously old but it also highlights just how long I’ve been working on getting book three of the Jack Reusen series done. So I thought it was time for a very frank and honest update.

As of this afternoon, I am editing p167 of 202 of the final (post-editor, so it better be final) draft of Jack Reusen and the Children of Fate.

Karen, the illustrator has created a stunning cover for the book as well, and I’ve been in communication with the printers regarding pricing and print times for the first run (the first run of prints unfortunately always costs more and takes longer).

(Spoilers for book 2 ahead…)

This new addition to the Jack Reusen world follows Jack after he, his family, and his uncle’s cottage and garden landed in the heart of an ancient magical woodland within the world of Fey.

You’ll get to spend longer in Fey than you have in any previous Jack Reusen book. You’ll meet a strange new character who seems to be following Jack from inside his own mind. What’s more, you’ll get to learn more about Fey and how it’s connected to the Matter World. It’s a big story without being too big a read and I hope you enjoy it.

(…Book 2 Spoilers END)

There are twenty-one chapters in this new book (if you include the epilogue) and I’m currently editing chapter sixteen. I’m getting through about a chapter per day and I have some time off work so I may even get through more than that.

So, with only five chapters to go, I think it’s safe to say that I should be finished editing by the end of this week.

After literally years of plodding through drafts, I can’t believe I can say that the book will be ready in a week!

Jack Reusen and the Chilren of Fate sneak peek coverPrint turnaround can be as much as a month. However, as soon as I can get it uploaded, the book will be available digitally to read via Amazon Kindle (you can either read this on a Kindle reader or you could download the app and read it on any Android or Apple device).

I’ll obviously be back on here at each step of the process to keep people updated (especially once there are print copies available too). However, I promised myself that today’s post would be brief and to the point so that I could get back to work on the editing.

Wait What’s Happening?!

In brief:

The final draft of Jack Reusen and the Children of Fate will be done by the end of this week.

The digital edition should be available sometime next week.

And finally, at long last, the paperback edition should be available to buy in late April.

More to come…

fey-flameExtra Note: I also have plans to get an audiobook version of the first book out. This would take the form of either a podcast or an Audible audiobook, to be released sometime in the next few months. This is dependent on getting my office/ recording space in proper order so expect updates on that too.

For now, thank you so much for stopping by and please accept my apologies for the long (long long long…) wait for this next book in the series.

I hope you enjoy reading it as much as I have enjoyed writing it. It’s been a labour of love. The first version was very long. The delay has mainly come from trimming it into the reader-accessible version we now have.

I always want to create books that are as accessible to as many sorts of readers as possible, and I am really happy with the story we have now.

Thanks for stopping by, below you’ll find the mandatory self-promotional book plugs but you can skip these if you’ve already read the stories so far.

Thanks for stopping by and I’ll be much quicker to get back on here again next time,

All the best, John

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Read my books digitally for FREE

reading reader kindle female

Photo by freestocks.org on Pexels.com

If you’d like to catch up on the first two books in the series you’ll find details on where to get these digitally (and potentially read them for free) below.

As always, you can get hold of print versions of the first two books from Fun Junction Toy stores, as well as by buying directly on this site (I’ll even sign a copy for you before it’s posted out). To buy from this site using PayPal, follow this link and click on the buttons for the books you’d like to buy.

Kindle Unlimited

All of my books are free to read for those with an Amazon Kindle Unlimited membership.

Kindle Unlimited currently offers a free trial for two months so you can see if you like their service.

After that, your membership would cost just £7.99 per month and you can cancel any time you like (including before the end of your two-month trial membership.

You said I could read your books for free?

Both of my main children’s fantasy books (The ‘Jack Reusen’ books, for 6 and up) are available on Kindle Unlimited. Here are the links for Amazon UK for ‘…Fey Flame‘ and for ‘…Spark of Dreams‘. On top of this, you can also find a short Christmas story I wrote a few years back, as well as my dark fantasy book (10-12+) ‘Marcus‘ (set in and around the old abandoned Victorian school in my home town of Crieff).

These are all available to read for free (even as part of your free trial) with Kindle Unlimited. What’s more, it’s always good to know that people are reading (and hopefully enjoying) my books.

If you’re in the USA, Kindle Unlimited has a similar free trial and you can find all of my books on my Amazon Author page.

A little more about my own books:

Once you’ve signed up to Kindle Unlimited, you’ll see that both of the Jack Reusen books come up as ‘free’, so you can read the whole adventure so far, for nothing.

Jack Reusen and The Fey Flame‘ introduces you to the land of Fey, as creatures (and other things) make their way through to the ‘matter-world’ (basically our world). Jack and his family have to discover a way of closing a collection of ‘breaches’ between the two worlds to make their world safe again.

*

cover with blurb and barcode 2 trimmed‘Jack Reusen and the Spark of Dreams‘ is a slightly different kind of adventure. People are losing their ability to dream. Every night more and more people lose the certain something that makes human beings so good at solving problems and creating things; the spark of dreams. Jack discovers that he could be the key to understanding what’s causing this change, and he may even be the only person who can solve it and bring back the dreams and imaginations of hundreds of people.

I hope that both of the Jack Reusen books give you and/or your kids something to enjoy as you read them. Let me know what you think.

As always, thanks for stopping by my site, and I can’t wait to share even more details of my newest book,

All the best, John

Fantasy and Adventure FREE on any device

Photo credit: Shoe Lane library via Flickr

Do you love leaping into strange new worlds with just a glimpse at words on a page? Then read on…

As I said in a previous post, a lot of children in the UK report not owning a single book. Whilst I love an old-fashioned physical book, sometimes the digital equivalent can offer space-saving and cost-reducing components.

The average ebook tends to be considerably cheaper than its paper equivalent. In fact, many classic books which have fallen into the public domain are actually entirely free to download to your device. (Are the classics more important than contemporary fiction? Pop over here to join in the debate). Whether you have a Kindle e-reader or not you can read any book in Amazon’s digital Kindle book catalogue.

Basically, if you have the equipment to view this blog post, you have the equipment to read a kindle e-book.

I’m not the biggest fan of every aspect of Amazon but their Kindle library is one thing that they’ve done remarkably well.

Don’t have a Kindle e-reader?

Kindle_UnlimitedIf you don’t have a kindle it’s no problem. So long as you have something that can run the kindle reader app (click on the link for a list of devices and how to use the app on them) then you can get hold of any book in their library.

Just the classics?

As I say, many classic works are free to read already but on top of this, you can also read thousands of contemporary books for free as well using a Kindle Unlimited membership.

They currently offer a free trial for two months so you can see if you like their service. After that, your membership would cost just £7.99 per month and you can cancel any time you like.

That doesn’t make sense, how do the Authors and Publishers make money if I read the book for free?

Kindle Unlimited doesn’t pay the Author the same as a digital purchase but it will pay them a small percentage of the pool of all Unlimited membership fees, depending on how many pages someone reads from your book.

For example (with a shameless self-plug for my books) all of my books are on Kindle Unlimited. (You’ll find proper descriptions of these at the bottom of this post).

Both of my main children’s fantasy books (‘Jack Reusen and the…’, for 6 and up) are available on Kindle Unlimited. Here are the links for Amazon UK for ‘…Fey Flame‘ and for ‘…Spark of Dreams‘. On top of this, you can also find a short Christmas story I wrote a few years back, as well as my dark fantasy book (10-12+) ‘Marcus‘ (set in and around the old abandoned Victorian school in my home town of Crieff).

These are all available to read for free (even as part of your free trial) with Kindle Unlimited. I get a fraction of a pence for every page of one of my books which is read. This definitely adds up and is 100% better than if someone didn’t buy any of my books at all. What’s more, it’s always good to know that people are reading (and hopefully enjoying) my books.

If you’re in the USA, Kindle Unlimited has a similar free trial and you can find all of my books on my Amazon Author page.

A Few Fantastic FREE Books to get you started

Some real favourites of mine which appear to still be available to read as part of your Kindle Unlimited membership are (Click the images below for the links):

ALL of the Harry Potter books: I don’t really need to describe these do I? World-famous fantasy books about a boy wizard and his adventures at a secret wizarding school.

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Skulduggery Pleasant (by Derek Landy): These books are phenomenal. A bit grittier and more violent that Harry Potter (Landy is a black belt and a screenwriter so his action scenes are superb, yet intense). NOT for younger readers. As far as I can see you can read the whole series FREE on Kindle Unlimited.

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The Lord of the Rings series by J R R Tolkien: An absolute classic and (probably) the core of most modern fantasy stories. An absolutely epic adventure. A famous Sunday Times quote is often cited about Lord of the Rings “‘The English-speaking world is divided into those who have read The Lord of the Rings and The Hobbit and those who are going to read them.”

The Hobbit: OK, this is almost the same but it’s worth stating that there are a heap of digital editions of The Hobbit by J R R Tolkien but this is the only one I can see that is free on Kindle Unlimited. A total fantasy classic and suitable for a (slightly) younger audience than the Lord of the Rings books.

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The Jungle Book by Rudyard Kipling: A very different story than the one put together by Disney but very much worth a look. It includes lessons on life and has a general fable-like quality that you don’t often see in modern fiction anymore. Another great book you can read for free on Kindle Unlimited.

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Jane Austen’s Complete novels, all in one book: These aren’t really for kids but they are some of my favourite books of all time. Austen is an absolute genius when it comes to dry wit and establishing character. Reading her works is an utter masterclass in writing characters and dialogue. I’m so happy to see her novels in one digital volume to read for free on Kindle Unlimited.

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You can also access an amazing collection of comic books and graphic novels for free with your Kindle Unlimited membership. My only warning would be that parents of younger children supervise what their child downloads.

Comic books and graphic novels may look like they are for kids but some are wildly inappropriate for younger ages so be sure to read the description before downloading to your app (or to your kindle).

It’s also worth noting that many actual Amazon Kindle devices can only display in greyscale so you may not be able to properly use colour copies this way.

And, of course, you can access my own books FREE too:

Once you’ve signed up to Kindle Unlimited, you’ll see that both of the Jack Reusen books come up as ‘free’, so you can read the whole adventure so far, for nothing.

Jack Reusen and The Fey Flame‘ introduces you to the land of Fey, as creatures (and other things) make their way through to the ‘matter-world’ (basically our world). Jack and his family have to discover a way of closing a collection of ‘breaches’ between the two worlds to make their world safe again.

*

cover with blurb and barcode 2 trimmed‘Jack Reusen and the Spark of Dreams‘ is a slightly different kind of adventure. People are losing their ability to dream. Every night more and more people lose the certain something that makes human beings so good at solving problems and creating things; the spark of dreams. Jack discovers that he could be the key to understanding what’s causing this change, and he may even be the only person who can solve it and bring back the dreams and imaginations of hundreds of people.

I hope that both of the Jack Reusen books give you and/or your kids something to enjoy as you read them. Let me know what you think.

I also hope that my other Kindle Unlimited reading hints are useful to you too. If you know of other great books available free through Kindle Unlimited please feel free to post them in the comments below.

As always, thanks for stopping by my site,

All the best, John

Writers? Teachers? Everyone Else?: To read the classics or not read the classics?

Library traditional wooden bookshelves classic fiction

Which is more ‘important’ reading material for a budding writer, classics or contemporary fiction? It’s a matter of more debate than I expected because I thought the answer was obvious; the classics. I was a book buyer for a small book shop and I’m now a writer, I can’t help seeing it this way.

This isn’t because the classics are objectively ‘better written’. It isn’t even to do with gaining an understanding of more ‘traditional’ narrative structures (as an apprentice carpenter might start with more simplistic wood joins and carving techniques). Though the latter is definitely worth mentioning.

For me the reason that the classics are, by far, a better use of reading time for an aspiring author comes down to natural selection.

Won’t knowing what’s ‘in’ help you get published?

Coffee shop contemporary trends

Contemporary fiction is the driving operation of modern publishing. It characterises who we currently are (or at least it captures our contemporary literary culture). If an aspiring author wants to aim at being published then getting a feel for the current zeitgeist from contemporary fiction feels like the way to go.

However, maybe aiming to get published is less important than telling a good story. Connecting to the zeitgeist is great but what is it that you want to say? What place is your take on the world coming from?

About a decade back vampires became the ‘in thing’ for teen readers. I lost count of the number of vampire tales available in the ‘teen reads’ section of our book traders magazines. This went on for a few years.

However, if you were a teen author at this time there was no way for you to know how long this trend would last. To be frank it crashed hard after the release of the last Twilight book.

Wasting time being ‘trendy’

Imagine you were a ‘teen reads’ author in 2008 (the year that ‘Twilight: Breaking Dawn’ was published). You are so excited about your new book. You had the idea to jump on the vampire love train and write a great new twist on this where the girl is the vampire (breaking from Twilight, Buffy the Vampire Slayer, and Vampire Diaries).

Vampire contemporary teen romance

It can easily take two to three years to get a book into a ready state and by 2010/2011 the catalogues looked very different. The vampire bubble had burst.

The writer with the vampire story in hand was me and I had put so little thought into what I was actually doing (focusing on the goal rather than my book) that my creativity suffered.

I’ve since gone back and fixed this manuscript and one day it may see the light of day. However, the thing that helped me was not reading more contemporary work, it was returning to the core works in the genre (the classics).

It was only by knowing the typical format that I could hope to rearrange it for my own purposes. It was only by becoming more aware of the expectations of this sort of book that I could hope to usurp them. In short, I needed to see what vampires really were in our culture in order to play with the concept properly.

Fiction by Natural Selection

I feel that every creative work creates forks in the literary road. The classics aren’t necessarily ‘classic’ because they’re good (though a lot of them are thoroughly engaging, well crafted works). Instead they are examples of where our literary culture has travelled.

With some degree of certainty, you can still reference great works of the past and know that the reference will make sense to a contemporary audience. Shakespeare, Austen, Dickens, even ‘newer’ works by the likes of Arthur C. Clark, Stephen King, or JRR Tolkein have reached this stage of cultural significance. Reading their work helps a writer hone in on where we’ve been and experiment with where our literary world may go next.

Contemporary fiction just doesn’t ‘fit in’ yet

Contemporary fiction hasn’t had time to catch the public consciousness. Long term success isn’t even something we can predict with awards or other honours placed on these works by peers. Contemporary fiction, by its very nature, is still in the throws of cultural natural selection.

The boy who lived

Take the Harry Potter series for example. These books are still wildly popular. We might assume that they will go on to become markers to the culture we’ll come to be part of, but they have also received backlash from two very vocal cultural camps.

On the liberal side JK Rowling has received backlash for her views on trans women. On the conservative side (small ‘c’, small ‘l’ for both, these aren’t necessarily political concepts, more ideological) the Harry Potter books have received criticism and hatred because they depict sorcery, witches, and wizards in a positive light. This can be extremely concerning for those with a belief system that regards these things as ‘sinful’ or ‘the devil’s work’. To put books like these in the hands of children must seem truly abhorrent to those who feel this way.

We don’t yet know if there will be an ideological ‘winner’ in regards to these (not exactly overlapping) groups. If one or the other takes a leading role in the direction our literary culture may go, then there’s a chance that the Harry Potter books may be pushed aside in favour of something else when that new generation is choosing books for their children.

Instead of being cemented in cultural significance, they could slowly disappear into the margins in the same way that Enid Blyton’s Famous Five and Secret Seven books have.

Admittedly some children may still know the names of Enid Blyton’s (arguably) most famous books (including her ‘Noddy’ series). However, as someone who bought books for an independant toy/book shop for over ten years, children just aren’t reading them any more.

In another generation I find it highly unlikely that the Famous Five and their antics catching smugglers and other ‘criminal sorts’ in and around Cornwall and beyond will be remembered or known. As much as I enjoyed them as a child it’s when watching my own children read them that I see how culturally removed the Famous Five have become. Enid Blyton’s works have become too distant from modern culture to become ‘classics’.

The ‘classics’ are the works that are left once the culturally insignificant is worn away. This process is as unintentional and unpredictable as biological evolution (though it happens much more quickly). We don’t choose which things become culturally significant, history will decide that for us.

Contemporary fiction can be extremely enjoyable. It can also, obviously, teach us a great deal about the craft of writing. However, from a writer’s perspective, at best, it may help us see which things are currently proving popular with publishers.

That’s the blessing and the curse of concentrating solely on contemporary fiction; all it takes is a tidal shift and we hear things like ‘no one is reading vampire books any more’ or ‘post-apocalyptic wasteland has been overdone’.

Contemporary fiction is modern craft at it’s best (sometimes) but it hasn’t yet felt the harsh winds of cultural change. The very same winds which have tested the mettle of the classics and shown them as pillars and markers of who we are and where we’ve been.

I would never suggest skipping over contemporary fiction. There’s a lot to be gained from seeing writers rearrange expectations and norms to create something new. However, if any reading experience is to be truly useful to an aspiring author then it will come from the works that show them where our writing culture comes from.

Please feel free to debate this out in the comments below. I welcome any and all takes on this topic.

As always, thanks for reading, all the best, John

A young child sits alone in a quiet library corner — evoking the quiet, unseen moments of book deprivation.

One in Five UK children do not own a single book

You’re wrapped in blankets, it’s way past bedtime, torch and book in hand, you venture off to other worlds and wild adventures…

You’re in a calm spot in the playground during lunch, snack in hand and one of those awesome books from the book fair in the other…

You look up from a two-hour car journey, oblivious to the entire drive because you were so engrossed in your story…

Having that book in your hand may have been a significant part of your childhood (I know it was part of mine).

However, for almost one out of every five UK children, these experiences may sadly be alien and unheard of for them. Though, as we may find below, the truth could be a little more promising.

The headline behind the headline

Headline illustration showing that 1 in 5 UK children do not own any booksIn a study conducted by the National Literacy Trust, researchers found that 18.6% of UK children aged between five and eight do not have a single book that is theirs at home.

It’s a fairly shocking statistic, and one that can be hard to imagine for book lovers. It’s also one that many commentators (such as this recent Guardian article) have been quick to jump on.

Personally, I find the focus on book ownership a bit odd. After all, you can own a whole library of books and never read any of them. In fact, there are considerably more concerning statistics to consider (which I’ll go into later in this post).

How do different families define ‘ownership’?

On the subject of ‘ownership’, I have a few concerns. Firstly, children self-reported their book ownership, and this leaves a lot of room for misunderstandings and misinterpretations.

It’s also worth remembering that these children may have hand-me-down books from older siblings or parents. The chance that this alone would prevent a child from describing such books as ‘theirs’ is minimal. However, it does speak to a potential bias to be found when assessing ‘ownership’ in some households.

I had access to many books as a child, only a handful of these were books I would have described as ‘mine’ at the time, and even then I would only think of myself as ‘owning’ books when I was a little older. The other books in the house were treated in a more utilitarian manner. Basically, most of the books in our house were ‘family books’.

Books as a shared family resource

Illustration of a cozy family setting where multiple children share books and toys togetherMany families encourage an outlook like this regarding resources like books, toys, games, game systems, and more. A more utilitarian approach could come from a number of reasons, whether it’s a household where money is tight or simply a household that avoids conflict over leisure resources. In households where parents choose this more utilitarian approach, the children themselves may not feel that it’s appropriate to describe themselves as ‘owning’ certain toys, and perhaps books as well.

A favourite teddy bear may belong to an individual child but maybe toy cars or lego blocks are sort of “everyone’s”. In circumstances such as this, books could theoretically be regarded in a similar fashion.

I’m not saying this is the situation in the case of every one of those ‘one in five’ but the potential is there for a five-year-old to regard themselves as a non-book-owner in a household where books are a family resource.

Libraries are amazing!

It’s also worth remembering that library use is heavily promoted by most primary schools at this stage in a child’s life (5-8 years old). They might not consider themselves to own any books, but they could still be reading regularly.

Half of the children surveyed said that they read daily, with twelve in every thirteen children saying that they read sometimes at home.

This made me pause; if twelve children out of thirteen still read occasionally at home, then where are they getting access to that reading material? As noted, maybe self-reported book ownership isn’t everything.

A More Concerning Statistic

Illustration highlighting that 1 in 13 children don’t read for pleasure, with a lone chair highlighting a non reader in classroom reading circle.However, let’s circle back to a more real and still troubling statistic.

It’s true that, despite the apparent lack of access implied by not owning their own books, twelve out of every thirteen children reported that they read at home. If these results are to be believed, then twelve out of thirteen children aged 5 to 8 are reading sometimes.

Something encouraging seems to be happening here. I’d like to think that access to library books and other borrowed reading material plays a role (though I don’t have any figures to back that up).

However, we still have a child missing out on the benefit of reading. It may not be the one in five kids who report not owning a book, but there is a child in every thirteen who reports never reading. I feel this is the child we should be concentrating on.

Who isn’t reading?

The related statistic that I feel we should return to is this idea that one in thirteen of the children surveyed supposedly ‘never read’.

However, even here, I can’t help but wonder if this ‘scary number’ might be able to be softened a little.

First, let’s think about their sample age group; the children in this study were between the ages of five and eight. Whilst many five-year-olds can read surprisingly well, I do have doubts that a significant number of them would be doing so with enough confidence to say that they read for pleasure themselves at home.

Let’s also remember that reading confidence may come on much more slowly for some children. Factors such as learning impairments, as well as issues regarding concentration, will inevitably make it harder for a child to self-describe as a ‘reader’.

Just looking at dyslexia, the NHS website lists the estimated UK incidence of dyslexia as one in ten. However, Dyslexia comes in varying levels of severity, so I wouldn’t suggest that this will be the only influence on readership in children between five and eight years old.

I know several people with dyslexia who happen to be more avid readers than I am (and were so as children too), so I won’t simply jump to the conclusion that a child being dyslexic will instantly mark them as a ‘non-reader’.

All in all, I’m finding it hard to come to any concrete conclusion from the National Literacy Trust’s findings. So let’s return to the matter that many news outlets have focused on; book ownership.

Why get so hung up on book ownership?

Image of a large stack of unread books The 'To-Be-Read Pile’ emphasizing book ownership versus actual readingAs an author, I obviously see a more pragmatic benefit from people buying my books for their children. Book ownership supports your favourite authors and helps ensure the publication of more books you like. Is this important for child literacy, though? No, not really.

So, what is the argument for having a child perceive some books as ‘theirs’?

For some families, the purchase of a book may seem frivolous, an unnecessary expense when libraries are available. As a parent, I’m aware of how much it costs to provide your child with all the other things they need. If money gets tight, I imagine sacrificing book ownership seems like a small sacrifice in the face of other financial concerns.

I prioritise book ownership because I (and my wife) like to read. However, this isn’t enough on its own for anyone to criticise or question another parent who doesn’t prioritise book ownership.

My children typically get a few new books for their birthdays and more for Christmas. I also use Kindle Unlimited myself, meaning that they can access any Unlimited book they like using my account (and read it using our kindle, our household tablet, or on the app on their phones).

They both read fairly regularly, and I know that this provides considerable educational benefits (as I’ve noted in a previous blog post). However, they also both get books from the library. Between library use and the Kindle Unlimited lending library, often what they read wouldn’t count as ‘their’ books either.

This said, I know my children are in a privileged position when it comes to book ownership. Reading for pleasure and literacy proficiency aren’t just ‘nice to have’ perks; they have a profound and tangible effect on job prospects.

Keep reading for pleasure

Oxford Uni conducted a study on the correlation between reading for pleasure as a teen and management positions later in life. The results are fascinating, but, needless to say, it’s probably a good idea to encourage teenagers to read for pleasure as well.

Warm, cozy illustration of a child reading in bed her mother reading by her side evoking the joy of reading for pleasureChildhood reading can also influence your adult wage level (especially if you start off less well off). In a study for ‘The Institute for Fiscal Studies’ (Crawford and Cribb, 2015) their findings gave little correlation for other quality of life indicators. However, in terms of average wage, those who read as children had a much better rate of pay as adults.

In another study (2021), The National Literacy Trust pointed out a similar important correlation between book ownership and literacy:

“…children who reported that they had a book of their own were not only more engaged with reading but also six times more likely to read above the level expected for their age than children who didn’t own a book (22% vs. 3.6%)…” (‘Book Ownership in 2021‘ posted on the National Literacy Trust’s website 12 Nov 2021

There’s no question that book ownership is a good thing for children. My primary concern is whether news sources like the Guardian are focusing too strongly on ownership. As though simply owning a book is ‘enough’.

But why are so many children not reading at all?

Perhaps, but perhaps some children aren’t reading for other reasons. I’m most interested in what’s happening with the one in thirteen who report that they ‘never read’.

The statistics for non-readers are presented in the Guardian as though they’re a worrying new development. However, it would seem that 1 in 13 non-readers has been a UK constant for some time.

Is this lack of reading a ‘new development’?

Illustration of a puzzled child sitting alone while others are enjoying books, representing children who don’t read for pleasure at allThe reported one in thirteen ‘non-readers’ (7.7%) is remarkably close to the same figures regarding ‘non-readers’ in a similar 1980s study on the same subject (here it was 7.3%). This study was conducted by the Centre for Longitudinal Studies, Institute of Education, University College London.

For four decades (at least), one out of every thirteen British children has reported themselves as not reading for pleasure/recreationally.

Many factors may lead to their lack of recreational reading. A lack of book ownership may (of course) play some part in this, but I suspect that it isn’t the only reason that these children don’t read.

Whatever the cause may be, there’s little doubt that their lack of recreational reading will have a negative effect on both their personal and professional lives.

In a previous post, I looked in much more detail at the positive effects of recreational reading, so I won’t go into it too much here. Needless to say, reading recreationally is proven to be good for an individual on multiple levels.

The positive responses to a tricky problem

Obviously, any country would hope to promote a behaviour that has a positive effect on its citizens’ future. Seeing the number of non-recreational readers go up over the course of forty years is not exactly ideal (if only by a fraction of a percent). It is, however, promising to hear the measures described at the end of the Guardian article.

Private companies such as McDonald’s have made a concerted effort to get more books into the hands of children. On top of this, we have phenomenal events like World Book Day, which also strive for the same outcome.

In fact, World Book Day (also run by the National Literacy Trust) goes a step further, by hosting and promoting events and activities which help to normalise reading for children who may not otherwise recognise it as a ‘normal’ behaviour.

1 in 13 children not reading in 2022 is as troublesome now as it was in 1980. We should be doing what we can to lower this number. Reading is a phenomenal activity, whether viewed as leisure, an escape, or as a learning tool.

However, this statistic has only shifted by a minimal amount over the course of forty years so I’m also wary of treating it like a new development.

I suppose the moral of the story is that we should read more to our children. We should also buy books as gifts for any children we know (when finances allow), and (crucially, perhaps) we should try to normalise reading for pleasure. Children mimic what they see adults do, after all; if we adults read more, then it seems more like the ‘done thing’.

Normalising a healthy habit

Illustration of a busy city street where people from all walks of life—students, businesspeople, pensioners, teens—are all reading books.The 1980s study also checked in with the children when they reached 16. At this point they asked about ‘reading culture’ at home. Only 43.6% reported that their dads read books, and 57.6% reported their mums reading books. Maybe if more of us allowed our children to see us reading (and enjoying) books, they might be more inclined to do it themselves.

The forty-year span of the one in thirteen non-readers may seem fairly inescapable. From the data we see, it would be easy to assume as much. However, I wouldn’t want to suggest that we go so far as to throw the baby out with the bath water.

Statistics such as these focus our attention on what matters to us as a culture. Do we want to promote literacy? Do we, as a culture, recognise its benefit?

Do we feel like we could (and should) encourage those final one in thirteen children to read?

If we answer yes to these (and it’s hard to find anyone who wouldn’t). If the end result of studies like the one conducted by the National Literacy Trust is more effort to get children reading. Then the study has done its job. Big headlines aside, the studies and stories themselves are there to remind us that, as a culture, we all want more children to feel the benefits of reading.

Starting small

If this post makes you feel inclined to buy a book for a young person you know, I would thoroughly recommend purchasing from a local bookshop. Your local bookshop will be able to advise you on great stories and appropriate reading levels, with marked expertise and you will also help support your local economy.

The range of children’s books available now is a vast, incredible cavalcade when compared to my childhood bookshelves. There are so many options that a child of any age and any interest might like. Your local bookshop will be able to guide you to the perfect book for the child you want to buy for.

What’s important to remember is this: even if all you do is share a love of reading, you’re already doing something fantastic. It allows you the chance to make a lasting impact on a young person’s wellbeing and learning journey.

Please don’t feel obligated

Alternatively, if you would like to buy one of my books, you could go to Fun Junction’s book section.

They deliver throughout the UK and have always been big supporters of my books, so I always like to return the favour where I can.

(Amazon is always there, and you can get my books on Kindle here, but I always personally prefer to support smaller, more independent online retailers).

Fun Junction also stocks a brilliant selection of toys, games, and puzzles for children and adults, so it’s well worth a visit to their website.

As always, thanks for reading, all the best, John

One Hundred Thousand Welcomes!

ceud mile failte a hundred thousand welcomes

The algorithm goblins have scoured this site and discovered that there has been a spontaneous jump in visitors (or so they informed me this morning). In light of this new surge in popularity (so far it’s a whole ten visitors per day over the past week and counting!) I thought I’d pop in a quick post to say hello and welcome.

As you’ll no doubt see, I haven’t kept up with my blogging lately. This is partly due to a busy schedule on my end (unfortunately books don’t write themselves, I asked the algorithm goblins but they answered in indecipherable ones and zeros then ran away). However, my blogging absence has predominantly come from an odd shift in the way people use the Internet in our (semi) post-pandemic world. Namely, people seem to be using it less.

I have no idea what brought all of you new visitors. I don’t know how old you are, I have no idea whether you are all avid readers looking for advice on good books, or whether you are a new/experienced writer trawling the Internet for tips.

Whatever brought you here… ‘ceud mìle fàilte’, that’s ‘one hundred thousand welcomes’ in Gaelic. (Gaelic was one of many new things which I took up during lockdown and have promptly forgotten more than ninety per cent of)

I’m an author based in Perthshire in Scotland. I primarily write children’s fantasy/ dark-fantasy books. However, my most recent first drafts have been teen and adult sci-fi and fantasy. This blog started off as a way to communicate with fans of my Jack Reusen books (and later, this would include talk, and samples of other writings too).

You can find a full draft copy of my dark fantasy book ‘Marcus’ in the menu above (for readers 10+). You’ll also find sample stories involving a tribe of ogres who wandered into our world from Fey as it appears in my ‘Jack Reusen’ books (these are suitable for children aged 5 years and up).

However, through multiple school visits and workshops, the content on this site has evolved to include book recommendations, writing tips, and information on the process of self-publishing (for those who might be interested).

As I say, I have no idea what brought you here but if you happen to read this post please pop a comment below and say hello. If you feel like asking questions as well, or if you’d like to request more of a particular topic, please feel free to add this too.

Thanks for stopping by,

All the best, John

Help the universe that lives on your doorstep (shop with your local bookshop)

If reading a book takes you into another world then it goes without saying that your local bookshop is a universe right on your doorstep.

We can’t get into those micro-universes at the moment but right now, up and down the country, small shops are working to give us a glimpse of what they used to be able to offer. They’re working on social media profiles, youtube channels, and they’re either making their websites more functional or, in many cases, they are setting themselves up for online shopping for the first time ever.

These new web sites might be a little less glamorous than larger sites. They might not have every item you could possibly want. They might not be exactly what you’re used to. All the same, they are little windows into lovely places that are doing what they can to keep themselves relevant in a very odd new world.

If you take the time to visit you might be lucky enough to find some unique features too. There may be quirky copy to read, video tours of ‘Aladdin’s caves’ of wonders, crazy cat pictures, or they might link you up with communities you didn’t know were so close to home. These new sites are well worth a look.

A special shout out

One local shop that has always been good to me is Fun Junction. They have shops in Crieff and in Perth and both of them are in tier four lockdown at the moment.

They recently updated their website to include a small selection of books. They’re not exactly a ‘book shop’ but their Crieff shop is probably the only thing that counts as a ‘proper book shop’ in my immediate area right now.

If you’re looking to order any of my books I’d really appreciate it if you headed their way.

You’ll find ‘Jack Reusen and the Fey Flame’ here.

The second Jack Reusen book ‘Jack Reusen and the Spark of Dreams’ is here.

You’ll also find ‘Marcus’ my dark fantasy book for older readers here.

While you’re looking through their small selection of books you can also have a look at their magic tricks section, their games and logic puzzles, or even grab a few wee things from their pocket money section. They’re a lovely shop and well worth a (digital) visit. You can also find them on Facebook and on Twitter.

A few other shout outs

Some other books shops that I’ve really enjoyed visiting in the past/ wish I’d been able to visit before lockdown happened are:

The Watermill (Aberfeldy)

Not that these guys really need advertising (they’re a very well known secret among book-lovers throughout Scotland) but the Watermill is one of my favourite days out. In fact, their cafe was the first place I went for a coffee after the last lockdown ended.

The book shop is really unique with a brilliant range of books, a really cosy cafe (with a real wood stove in situ), and a fantastic homewares shop right next door (called ‘Homer‘).

Their Facebook page is loaded with book suggestions and an active reading community who also offer insights into these great reading suggestions. They’re also over on Twitter.

J & G Innes Ltd (St Andrews)

This bookshop is like something out of Harry Potter! A rustic outside that absolutely proclaims ‘bookshop’ (and has a really deep history linking it to modern printing). In the same spot since the late 1800s and now on its fourth generation of Innes (I don’t know the plural of Innes, Innesses? Inness? Inni?…).

You’ll find a slightly more modern experience on the inside (when you’re allowed back into book shops again that is). They also offer a huge and comprehensive range of stationery and art supplies as well, so my writerly/artsy side was absolutely hooked when I came across this place a couple of years ago when on holiday near St Andrews.

Their Facebook page is absolutely filled with fluffy cat pics at the moment and (when their doors were still open) it also had lots of info about books, gifts, and art available in store.

Adventure into Books (Blairgowrie)

I’m listing a shop I’ve never been to here. ‘Adventure into Books’ launched amid the multiple restrictions of 2020. I’m really looking forward to getting up to Blairgowrie and seeing the place as it sounds great. Unfortunately, that’ll have to wait.

In the meantime, they have a great wee website with book suggestions and information about their business and a Facebook feed full of a steady stream of new book suggestions.

 

Share your own favourites

I’ve put together a very small list so far on here but if you know of an indie bookshop that could do with a little shout out please feel free to tell me in the comments and I’ll be sure to add them too.

A last wee extra

I’ve missed sitting in a bookshop with a coffee, a book (and some time to kill), so much during lockdown. If you feel the same, this ambience video might help you. Pop it on, get a coffee in that favourite mug, and grab your book. Instant book shop experience.

Getting serious about writing (wk 10): Stop thinking like a reader if you want to finish that book

When I turned thirty I made a promise to myself that before I reached forty I would have written ten books. I have to admit that even then it seemed a little ridiculous and within a few weeks, I had to admit to myself that I might have bitten off more than I could chew. Inevitably, as the months went by, the promise looked less and less likely to bear fruit.

I did try. I wrote as much and as often as I could, but by the time I reached thirty-two I had lost count of the number of non-starters and unintentional short stories that I had written. I just couldn’t leave a story alone for more than a few days without writing an ending and rushing to fil in the blanks. It was an odd state of affairs: like a war between my inner novelist and my inner reader.

Completing any large project is tough. However, writing a full book seems to come with its own complications.

What writing isn’t…

Photo by Luriko Yamaguchi on Pexels.com

Writing a novel is not the same thing as reading one. This may seem obvious but there are some important truths behind this.

After all, before we write our first book we will have spent our lives reading books. On top of this, we will also consume a host of other media (be that TV shows/ movies/ plays/ or any other story format). I can’t help but wonder whether consuming stories in this manner inclines us to grow too accustomed to the catharsis of endings and the drive to know ‘what happens next’.

Our minds often scream out for a sense of completion in the stories we read and I think this was the root of my problem; I thought the ending was the important bit.

It took me a while to notice this inclination in myself. Often when writing I yearned for the ‘ending’, and when I wasn’t rushing for the ending I was desperate to reveal the twist, or I wanted to play out the life-changing revelation for the main character. Nothing else mattered; I needed to reach that goal. In short, I was looking at my stories as a reader, not as a writer.

It’s an easy, possibly inevitable, position to fall into when you start writing. After all, we may have been writing stories for years (starting as young children), but our experience of ‘the novel’ comes first and foremost from our experiences as readers. We don’t notice (at least on our first reading) the small hints, the foreshadowing, the scene-deepening detail, which a well-sculpted book unpacks before us.

Photo by Zichuan Han on Pexels.com

With a very select group of exceptions, my experiences as a reader followed the path of opening that next chapter to ‘see what happens next’. Writing isn’t like this, it would be utterly bizarre if I sat down to write and was steadily surprised at the story as it unfolded. Looking back, I think that this really was at the heart of what held me up for those first two years.

I’d like to say that there’s a simple solution to changing your perspective but there isn’t a quick fix (not that I’ve found anyway). However, there are a couple of things that hindsight tells me may have contributed to my own changed perspective and both of them happened in November 2014.

Perspective shift 1: I know what’s going to happen

In November 2014 I joined an online writing community who offered support to each other as we tried to get fifty-thousand words written in one month. They call themselves NaNoWriMo (National Novel Writing Month) and they have a host of phenomenal resources to help you reach that goal. If I succeeded I would break my streak of unfinished work. I would get that book written.

I signed up five days late. The daily word count targets they set left me with thousands of words to write and I had no idea what to do to meet my target. However, having this much to catch up on forced me to get out of my own head and just write the first thing that came to mind.

A scene unfolded. I met my protagonist. I worked my mind around to see what I could do to add conflict in that first scene (conflict drives our writing, and usefully also drives readers to read on, win-win).

‘Pantsing’ with purpose

I was about to discover that the type of writing I was doing was what is known as ‘pantsing’; viz. writing ‘by the seat of your pants’, meaning that I was writing with no formal plan or structure in mind.

As I took a break and read tweets from others on as they discussed catching up on their own word counts, I came to find out more about ‘pantsing’ and how to make it work for you.

Writing with pen on paperMore experienced ‘pantsers’ explained that they keep a separate notebook and write notes as they write. These notes will contain plot ideas, possible endings, conflict-building scenarios, all that good stuff. In short, they do have a plan, they just unpack that plan in a different order than I expected.

So I started writing notes. I unpacked supporting characters pages before they appeared in the actual text. I had conflicts generate from small mistakes that we wouldn’t see until a chapter or two before the ending. In short, I got all that yearning for endings out in a separate document.

I got to have my cake and eat it too. I knew what was going to happen next but I also gave myself time to let those occurrences happen organically by keeping those ideas as separate notes.

In the years since I have moved away from the separate set of notes and made my manuscript into a working document. The notes go at the bottom. I set them in an end page, visually distinct from my main text.

As an added benefit this also gives me a ‘writing’ activity on hand for those days when inspiration is sluggish or absent. In my designated ‘writing time’, I can then sit down and organise my notes in order.

This is a very loose process but it helps set up an itinerary of sorts and as the book progresses it often morphs into a fairly coherent chapter plan. Pantsers might not plan in advance but they do plan and the book takes shape as a result.

Perspective shift 2: I don’t always know what’s going to happen (but someone does)

My second change in perspective happened at the end of my first week of writing, I was about five or six chapters in and something slowed. Despite having a plan (of sorts) in front of me I couldn’t get the next scene to play out properly.

I’ve since read about this phenomenon, and spoken to other authors about it but at the time I found it truly bizarre. I’ll backtrack for some context.

Prior to writing my NaNoWriMo project in 2014, I had never been able to finish a book. However, I had managed to reach chapter four, five, or six many times. I’ve now self-ascribed my problem as a mid-point obsession with backtracking; I know where I want to go but something drags me back and I start re-reading my first few chapters in search of what I can do to move forward.

My ‘pantsing’ notes told me otherwise; my answers were not in stuff I had already written, I was wasting time, instead, I leaned in a strange direction. By this point, I had a number of secondary characters with more notes about them than appearances in the text. One, in particular, jumped out at me and basically ‘told’ me what we were going to do next.

Obviously, this character is still part of my own mind but as I said earlier, I’ve spoken to other writers and this doesn’t seem to be a unique experience. Basically, your characters are a subconscious means of propping up and filling in the story. With years of reading experience we know what we like in a book, we know what we want to see. If we write a note about a character then it’s for a reason.

Somewhere deep inside we can feel something unbalanced in the story, or we may simply recognise a missed opportunity. When we write a secondary character (or even when we include secondary locations, objects, or other features) we give ourselves an additional tool which can be used in building the story and moving it forward.

These secondary characters are not just objects we use to fill a scene, they’re pockets of personality that we can use to move a story forward in ways in which our protagonist, antagonist, or any other primary character can’t. Derek Landy (who writes the fantastic Skulduggery Pleasant series of books*) is an absolute master of secondary character use.

I realised that, even with a plan in front of me, I sometimes didn’t know exactly how we were going to get from A to B. However, with well-rounded secondary characters in my notes, I had a new resource to draw from.

I never re-read during a first draft now. Those first-draft chapters will do nothing but slow you down. Instead, I always lean on my characters. When I don’t know how to move forward I look through my notes and ninety-nine percent of the time my characters have the answer.

Unpack and relax

Every year I enter another NaNoWriMo event and with each new one, it gets easier. I know what I need my book to do, my notes fill in the gaps and then I simply unpack what I need to move the story along at a reasonable pace.

You might not be a fan of note writing but if you take that inclination to find out ‘what happens next’ and put it into note form, you tend to create a nice set of instructions which can be unpacked and fleshed out at your leisure.

I had to stop thinking like a reader before I could think like a writer. I’m still not a hundred percent there but my writing gives me considerably fewer headaches with each new book.

Don’t stop reading

Photo by Polina Zimmerman on Pexels.com

I feel like I should add a small disclaimer at the end here. I say that reading books puts us in a bad position when it comes to our perspective as writers. However, this doesn’t mean I quit being a reader, instead, I had to give up the notion that I could look at my own book in the same way in which I look at the books that I read myself.

In my own writing, I know what’s going to happen, and even when I don’t it isn’t to be found in the book itself. The story lies in my mind, but, where that fails it also resides in the notes I write for myself.

Write good notes, don’t look back during your first draft, and you’ll have a book under your belt in no time. None of this stops you from being able to enjoy reading (after all it’s probably what made you want to write to begin with).

Follow a new self-published book all the way from working document, to printing press, to bookshelves

Thanks to the changed perspectives I highlight above (and a lot of support from a lot of different people) I reached my goal early. I have 10/11 books written, three in full self-published editions, others in various stages of drafting, and one in its final stage of being turned into another self-published book.

I write about the journey of self-publishing this new book every week in this blog. You can keep up to date with this process by following the blog, joining my mailing list, or simply by following me on Twitter.

If you are in the early stages of self-publishing, or even if you’re about to sit down and write your first book there should be plenty of help to be found in my posts.

What’s more, I’m always happy to discuss (in as frank a manner as I can) exactly what’s involved in self-publishing and what to expect from it. You can leave questions in the comments below or message me over on Twitter. I’m always happy to talk to other writers.

Thanks for reading,

All the best, John

 

 

*Please note that some links on this site are affiliate links and I may receive a commission on purchases from Amazon.co.uk as a result

3 easy ways to make reading fun for kids

I’ve now been on bedtime story duty for twelve years. We’ve been on adventures in day-to-day worlds, trailed through fantastical realms, crept through sinister space ships, been on arctic expeditions, and much more besides.

It’s great to read to your kids, it offers lots of benefits. I’ve written before about the importance of reading to children. If you’d like to check that out just click this link.

If you are an adult in the UK who struggles to read but would like to get better you can get help from ‘The Big Plus’. You can find out more by clicking this link or phone them on 0800 917 8000.

Make Storytime Fun

In the past twelve years of bedtime stories, I’ve explored as many different ways of holding a child’s attention as I could think of. Some of these didn’t work, some had the opposite effect, and some were downright ridiculous.

However, in among all of the experimentation I’ve found at least a few things that definitely helped keep my kids enthralled enough for a half-hour or so of reading each night. This immersion in the story world has definitely helped develop their own love of reading too (to the point where I’m steadily being made redundant).

Giving the characters some personality

Photo by Gravitylicious.com on Pexels.com

The big thing that really caught their attention in the early days of story reading was something that might make many feel self-conscious, but it’s well worth the effort…voices.

You don’t have to be perfect; your Winnie the Pooh doesn’t have to sound exactly like the Disney version, your Gruffalo doesn’t have to sound like Robbie Coltrane, and later on, your Hagrid won’t have to sound lie Robbie Coltrane either.

You’re not trying to win an award, your kids won’t be overly critical (especially if you start early). Just make an effort. Changing your voice, even a little, will encourage most children to pay attention.

At baby and toddler stage they’re keyed-in to notice even the slightest changes in your voice. The more you change your speech patterns, the bigger the interest will be (at least that’s what I found).

I’ve always included voices when reading. They haven’t always been perfect but when we moved on to books without pictures it almost became a necessity. With a larger group of main characters, it helped a lot to have different voices so my kids could keep up with the story.

This has apparently had such an effect that my eldest son recently told me that when he reads by himself he hears different character voices inside his head. Good to know it was worth the odd sore throat.

Set the scene

Another important discovery in the early days of storytime was to add a bit of theatre to make ‘story time’ into an event.

We didn’t do this all the time but sometimes I felt it was necessary. One of the biggest changes was the move on to chapter books. Without pictures, it was sometimes necessary to do something to draw my kids deeper into the story. I had to think outside the box.

For example, we might build a fort in their room after tea, then read in it for bedtime. I sometimes set up special lights to make the room look different (cheap battery-powered fairy lights bought in the pound shop or other bargain shops were ideal for this).

Whatever made storytime stand out was worth a try. If we had time, it could be something big but most nights it was as simple as switching off the room light and using a reading lamp and some fairy lights. Here’s one tactic that I found really useful.

Let them pick

You should let them pick their own story. I won’t lie to you here; you may have to read the same picture book every night for a month if you do this. However, back at a time when their whole day was dictated by others (where they went, who they met, what they ate), this was one of the only ways my kids were getting to engage in making their own choices in life (albeit on a pretty small scale).

What’s more, it also gave me an early insight into their tastes and personalities. They’ve surprised me many times, especially at the library or book shops when looking for something new.

Let them look through and see what stories really stand out to them. This is actually a lovely experience, and it’s something I’m sure most parents will get a kick out of.

Try and enjoy it yourself

This is a sort of ‘bonus tip’ on top of the three mentioned so far I’d add this extremely important extra. Make sure you’re comfortable, happy, that you’ve got a good seat/beanbag/ whatever you like to sit on, and most importantly that you’ve got a wee cup of tea/coffee on hand to stop sore throats.

It can be hard to disconnect from things now. I know my phone beeps multiple times an hour, I’m guessing yours does too. I’ve come to see that half-hour as a welcome break in that constant stream of information. I put my phone away, I grab a cup of coffee, my kids get into bed (or sometimes sit with me) and we take a step away from our world for a little bit.

Reading to your kids doesn’t have to be a begrudging task that we do because we feel we ‘have to’. It can be a relaxing break from day-to-day life. Do what you can to enjoy the slower pace, the focussed time, the moments to catch up and laugh with your kids. Don’t get me wrong, I’ve had more than a few nights where I can’t believe we’re reading the Gruffalo AGAIN (for example), but most of my nights have been something brilliant.

I wouldn’t give up story night for anything and I hope these hints help you find ways to enjoy it more too.

Please let me know if you try any of these hints in the comments below and as always thanks for reading,

All the best, John