We use a stovetop kettle. This is pretty rare here in the UK where most people use an electric one, but we have our reasons. Our kettle is the first stovetop kettle we’ve had and it took some getting used to.
(Kettles? What does this have to do with self-publishing/ my new book? Trust me I am going somewhere with this… However, if you just want an update on the new book, scroll down to ‘Book Update?’)
Back to kettles.
The main difference is that electric kettles rarely hold much heat once you empty them. Stove-top kettles don’t cool anywhere near as quickly. I didn’t realise this at first.
The thick cast-iron body of our kettle really holds heat. This is tricky for someone who drinks as much tea and coffee as I do. You see, I often finish a cup so quickly that I don’t make it back to my desk. When this happens I march back to the stove and refill that kettle for the next cup.
That’s where my problem started.
In my ignorance I was not aware that a hot stove-top kettle can turn tap water into instant steam; steam that rises up to meet the soft fleshy hand holding the handle directly above the opening. This isn’t enjoyable for said soft fleshy hand (or its owner). For weeks my kettle punished me for my quick return, for my overindulgence in hot beverages.
Then I found the knack; when you trickle the water in it hits the hot iron and evaporates quickly but if you blast that cold water onto the hot iron in a torrent the level rises too quickly to get heated through and magically not a plume of steam comes to eat at your fingers.
Yes John, your kettle (and you) sound pretty daft. What does this have to do with writing?
Why am I talking about steam and kettles in a post about writing and self-publishing? Well, it’s all to do with how you handle critical responses.
Prior to writing books my experience of critique primarily lay in school and higher academic settings. My work was the plastic kettle; simple, light, with no significant emotional weight. Even though my essays/ dissertations etc. were the result of hard work, in the grand scheme of things the work was only mildly important to me. You might say that it that cooled in my esteem quickly.
Criticism of an essay or a dissertation needs to be taken seriously, advice followed methodically with mental notes on how to avoid such mistakes next time. My approach to such criticism had always been to look through notes slowly, fixing mistakes with careful attention.
When I first received criticism about my books it offered an alarming contrast; not only was I still invested in what I had written, but it also had the emotional weight of being a part of me. It held its heat.
So, when I took that criticism and poured it gently over my work it burned unimaginably deeply. It stung and it made it hard to get down to the job of fixing mistakes. There were times during this ‘scalding’ process when I wasn’t sure if I was cut out for writing. Every red mark, every queried plot point, it scalded me. I wanted it to stop.
It didn’t take long for me to change my approach, to avoid being burned. However, that didn’t mean hiding from criticism. Instead, I came to realise that when it comes to more personal work, taking criticism has to be done in a big fast blast. Get in and get the job done. Puzzling over every comment will just hurt.
If you trust your beta-reader or your editor then look at their comment, fix the problem, and move on to the next point. Don’t linger long enough for it to even sting, just keep going, and eventually, you’ll find that the job is done; your book is better. What’s possibly more important is that you’re out the other end in a good state of mind. Unscalded, unscathed.
As I said in my HUGE how-to post on self-publishing last week, editing is vital. Those people involved in the improvement of your manuscript are indispensable. If you find someone who can make you a better writer hold on to them and most importantly take what they say seriously.
However, what I also should have talked about was the emotional toll that criticism can take. It can’t be denied, it can’t be avoided, but as I noted above it can be reduced. You can get used to constructive criticism and not let it drain you. It is possible to improve your book and still hold on to that desire to be a writer right up to the last page. Just do it quick, taking it slow on your manuscript will hurt.
Last week’s step-by-step guide to self-publishing didn’t exactly leave me with much room to talk about the new book. I think I left a passing mention about reaching out to make contact with the people who make a project like this happen. However, that was pretty much all the progress update I had.
This week lets try and go into the reality of where I’m at. My beta reader is working through my draft chapter by chapter. This is great because I can launch into improvements in steps. Last night I started work on chapter 4 and I can already see the effect of an objective pair of eyes.
This book is the third in a trilogy arc but it’s also the launching point for a continuing series. This brings odd challenges with it, things I didn’t have to worry about it books one and two.
Completing the tale
Every book I write has to have an ending, a moment of emotional catharsis. To be honest, as a reader I have been known to drop a book series on book one if there isn’t something conclusive in that story. Book one doesn’t mean you can leave all the conclusions till book two or even three, the reader needs to feel as though they’ve read some form of ending.
That said, a series is made with the idea that some parts of the story will continue. You expect loose ends. I left loose ends in the first two books of my own series. Now I have to tie (some of) them up. This was not as easy as I had expected it to be. However, I think I got it. Time will tell if I’m actually right about this, as more chapters come back to me from my beta reader.
Setting a foundation
If I had just written a trilogy this would have been the end of my problems. However, ‘Jack Reusen and the Children of Fate’ is more than this; it’s also the launching site of three other books (books that I’ve already written). This gives me the odd task of creating a sense of finality and conclusion whilst leaving that all-important dot…dot…dot… at the end.
One of the key things I had to look at in order for this to work is character development. For the most part, we as readers will get the bulk of our sense of catharsis from the characters emotional/personal arc.
The main characters have to be different, affected. After all the events of the book, I need to show that they’ve changed. Where possible I’ve tried to make this a good change, but where this hasn’t been possible I’ve at least tried to show that the differences in their personalities will have positive results.
However, to lead into the next books I also have to show that my characters aren’t quite the best versions of themselves just yet. To be honest, things got a lot easier when I realised how subtle this hint could be; a passive character might become more headstrong but that doesn’t mean they’re taking a completely active role (as opposed to a reactive role) in how they deal with the world.
Just like normal people in the real world, book characters can develop and change for the better or the worse, in big or small ways. I’ve had to embrace this sense of constant change in order to be able to finish book three comfortably, while still leaving room for the next instalments.
A Change of Plans
Another important update from this week is that I’m going to have to push back my publication date a little. I’m sorry to have to do this but I want the book to be its best. I’ve been talking to various people involved in the book. Their schedules in this slightly-locked-down, slightly-not-locked-down limbo we’re in are slowly filling back up (so is mine if I’m honest) so I’m having to work with what we can all manage.
As a result, my release date is still November but now it’ll be later on (possibly the last week or so). On a positive note, this might let me combine the release of ‘Jack Reusen and the Children of Fate’ with the release of another wee side project.
It’s early days on whether this will work but if it does there might be a bonus release of something in early December (just in time for Christmas). I’ll keep the updates coming.
Get these posts right in your inbox
If you would prefer to get my posts directly to your e-mail inbox please feel free to follow this link to join the mailing list (you’ll only get e-mails from me, and trust me they won’t exactly be pinging into your inbox multiple times a day).
As always, thanks for reading,
Hope writers and readers found something useful in this week’s post, please add any questions or comments in the comments section below,
All the best, John