Tag Archives: scottish author

The Ogres: Chapter 1: The Stairs

At the top of a hill in Perthshire is a small cave. I can’t tell you where that cave is, but I should say that if you do find yourself at the top of a Perthshire hill please watch your step.

In films we see mysterious caves leading to caverns filled with treasure (or at the very least mystery). Most caves I encountered as a child were more like cracks in the hillside. We used our imaginations to make them seem bigger.

But there is one cave, one single cave that is very different. It has no name, no one ever thought to give it one. Even a child may have to duck to get in. So much wet, green, foliage surrounds the entrance that during the spring and summer you could walk past it without even noticing.

If you did notice. If you peeled back the moss and the bracken and slipped inside AND if you had a torch, you could walk to the back of the cave. That’s where the steps are.

There are legends about these steps but they are not our legends. These legends don’t lie hidden in the stories we tell our children, they aren’t part of our heritage.

They are someone else’s legends. A kind of people that would shock you if you met them. They are different from us, so very different.

One of their stories is often told around the campfire at the top of that hill. It’s an important story for their people; it’s about the second time they used those stairs. But, to understand it you need to know about the first time they used them.

The metal

Long ago. Long before the grass grew on Scottish hillsides. Long before we had great rivers. Even before we had a monster in Loch Ness. There was the ice.

The bigger folk (that’s what they call themselves) don’t do well in the cold. When the ice came they grew ill. Their food stopped growing. The cold bit them and they had no energy to bite back.

Then came Ey-Kan. He was the biggest and the strongest of the bigger folk. The largest there had ever been. He drew his strength from the earth itself and he made a fire that could fight the ice and warm their homes even when the logs were gone. He was their magic man.

Ey-Kan could only help so much and the ice grew thicker and colder every day. One morning he smashed through three feet of solid ice just so he could touch the ground. He asked it what to do and it’s answer left him colder on the inside than the ice ever could.

The earth told him that the ice would grow like this for many, many seasons to come. Soon food would not grow here, the water would stop flowing, and the few trees left growing would crumble and die. So full of ice that they would be useless even as firewood.

The bigger folk could not stay here. However, unlike the little people, they weren’t used to travel. Tribes of bigger-folk might visit one another but they always came home.

They were built for work. Ey-Kan was the last of his tribe to feel hunger and he used the energy he had left to do what he did best; make metal. The little people learned metal work from the bigger-folk but they could never master it. They were too feeble, too fragile, too flammable, to do what Ey-Kan could.

He ripped the ice away, then tore into the earth. He dug and dug with his huge, hard, hands. At last he found the ingredients he needed. A secret recipe of metal that is now lost from our world. One known only to Ey-Kan.

The Object

Ey-Kan took the ingredients to his forge and fuelled the fire. He grabbed his largest crucible (a huge stone pot almost as big as his leg). The ingredients were dropped in and Ey-Kan made a few more trips out to the hole, collecting as much material as he could. On his twelfth trip it was just right.

He held the crucible over the flames and waited. Once the chunks had melted together, glowing a dull brown colour, Ey-Kan changed the fuel underneath and bellowed air in. The flames grew.

The metal in the crucible changed colour over and over, from brown to purple, purple to blue, blue to red, then red to yellow. If Ey-Kan weren’t one of the bigger-folk this is where he might have stopped. Instead he took off his coat, added a special fuel and watched the other colours show (the ones only the bigger-folk could see).

His eyes were built for looking at fire. They relaxed in the glow. In the heat. A welcome change to the cold whiteness outside. He worked for hours, doing things that only someone with fireproof hands can achieve (and even then, only with practice).

As a new day’s sunlight trickled through his window, lighting the side of the forge bright orange, Ey-Kan lifted the object to inspect it.

Flattened out on one side, a spike as sharp as a needle on the other, and down the middle was a long, thick handle made entirely from the same metal. It was a pickaxe unlike anything the bigger-folk had ever made. It was the object that would save his people.

Digging

Digging was the wrong word for what Ey-Kan did that day. It was more like his pick-axe told the earth and the rocks where to move. It sliced through ice. Through soil. Through cold hard rock. Every swing the same. He pulled back, struck, and the material at his feet parted to let him through.

It took very little time to open the cave. The rock shifted aside with a noise like brick sliding on brick. Another step with each swing. At two-hundred swings Ey-Kan’s tribe wondered what he was doing and made their way to the cave. They stopped hearing him after the three-hundredth swing.

Their food was gone. Their water frozen. There was nothing left for them on the surface and so they followed the newly-formed steps cut ahead of them. As they went further they changed. Their bodies growing more used to the heat under the hill.

Ey-Kan’s steps kept going. So deep that the walls grew red with heat. The bigger-folk could take it. This was all energy to them.

Finally, after possibly a thousand steps their way opened up to reveal a huge cavern. A tunnel at the far end led back up to the surface. Ey-Kan had gone to find more of the bigger-folk.

In time these others found their way down to the cavern. It was here that they built their home. However, it was the last any of them would ever see of Ey-Kan or his pick-axe.

The second time

Years passed and the bigger-folk grew used to their home in the depths of the earth. However, two of them grew tired, and desperate to see the land of their ancestors. They walked up the thousand steps, coughing from the dust. These stairs hadn’t been used in centuries and in the world above, the bigger folk had become the stuff of stories.

There are many tales of their experiences up those stairs. I’ll tell you one of them next week. If you’d like these stories in your e-mail inbox (in an easy to print pdf document) click here.

Thank you for reading, John

TO READ ON TO CHAPTER 2: ROLLY BOX JUST CLICK HERE

The Wall

Teeth gritted in defiance, we all face moments that test our mettle. The past few nights I’ve been hitting ‘the wall’ again. It’s something that doesn’t improve with experience. (Apologies in advance, this post gets a bit weird).

I’m growing familiar with this gut-wrenching drain on all joy, all drive, and all ambition. The ‘secret’ is to drum up a ridiculous volume of drive and pep throughout the day in preparation. All the same I get an hour or so in and the wall appears.

A gaping maw opens in its centre and chomps at me. I rush to feed it my hard-won positivity and get on with the task at hand. Sadly the wall isn’t simply a barrier, it’s a predator. It bites my fingers and laughs. It eats and eats my experiences until I’m drawn out. I rest and welcome the meandering adventures of my dreams.

The next day comes with lumps and snippets of joy, comfort, surprise, and fulfilment. Every scrap of experience comes with me to sit in front of the keyboard. To toil at it and shape words to my will. Always waiting in the shadows is the barrier. I hit it and stick to it as he takes my experiences and eats them up once more.

Hours roll by and my barrier and I laugh at the absurdity of what I’m doing. We revel in his hunger and wonder what madness brings me to his door each night.

Many nights ago I hit the wall and it pulled me in. It is alarming in its ferocity, but I know that beyond it lies a finished copy of my third book. Completed pages pile up with each night. The book is taking shape, and for all its efforts, the wall will not win.

Sorry for the theatrics tonight. Felt the need to give the writing muscles a stretch. Hope this finds you well and, as always, thanks for reading. All the best, John 🙂

This month I will be mostly reading…’Supergods’ by Grant Morrison

As is probably the case for most parents, I don’t get as much time to read to myself as I once did. My reading list typically comes from the children’s section of the library but, despite the fact that there are some phenomenal kids’ books out there, it is nice to occasionally read something for ‘grown-ups’.

My ‘grown-up’ read this month is ‘Supergods‘; an effervescent, detailed history of our comic book heroes: those costume wearing vigilantes and demigods who have become an integral part of modern culture. I’m not done reading yet but the thing that stands out most so far is how unusual superhero writing actually is.

In many cases a modern comic book writer or artist is being handed the reins to a character who is older than they are. It’s fiction writing but not as we know it, and to be honest I think I’d find the whole thing pretty intimidating.

If you’re really lucky you’ll create something on par with what has come before, if you have actual talent behind you as well then you may manage to create something that stands out as a new and definitive chapter in that character’s story. However, the flip side is the prospect of fending off negative reactions from fans, and when it comes to comic book fans I’m not sure I’d have the mettle to put myself up to that task.

Two or three of the characters that feature regularly in the Jack Reusen books at least seemed to have come from somewhere outside my own mind. However, it must be a whole other level of adjustment to draw together a tale involving a character that you know was never yours to start with.

What I’ve found from Morrison’s book though is that great comic book writers somehow manage to push past these difficulties. They take charge of a character and sometimes even see themselves as raising the flag for a new and more culturally relevant incarnation of the character.

I’m not typically a non-fiction reader but I’m pleased I picked this up. It’s proving to be an interesting insight into a type of writer that, I’m sorry to say, I never gave much thought to before. Their job clearly comes with its own set of challenges and rules. Their word count is alarmingly tight, yet at times they are expected to convey huge ethical, metaphysical, or even deeply human concepts.

I love comic books (I have a couple of suitcases full of them to testify to that) and now thanks to Morrison’s book I have a deepening appreciation for the talent and work that goes into creating them.

Is there a particular superhero storyline that has struck a chord for you? Do you have a favourite character, is there a version that you consider better than other incarnations?

As always, thanks for reading, all the best, John

School visits

apple-256261_1920I think we may now have officially hit the point where all local school children have returned from their holidays (or thereabouts). In light of this I thought I’d put out a quick reminder to any teachers reading about school visits. I’m available for book talks and writing workshops and I currently have a fairly clear calendar (though it is starting to fill up with other things).

I’ve never charged for school visits but I do normally bring along books for sale at a special price (I’ll figure out pricing long in advance of a visit to leave teachers time to get information out).

In the past I’ve hosted book talks for whole schools, for individual classes, and for middle-sized groups sorted by age. I’m also happy to spend a little more time with older children who might want to learn more about the writing process in a workshop setting.

If you think you’d be interested please get in touch. For those who want to do a more focussed book talk I can provide class copies of the Fey flame to give you/ your students a chance to read it in advance (either to review it or to let pupils get to know about the books before I come along).

If you are interested in arranging something please get in touch by e-mail (click this link) or by messaging below. I hope to hear from you soon,

All the best, John

We didn’t have TV so we all read a book together (it was amazing!)

first aid for fairiesI recently wrote about our lack of connectivity on holiday but another side effect was a complete lack of TV. No cartoons, no youtube minecraft videos (OK they were hard to miss, sorry Stampy, no offence meant), basically no falling back on TV at meal times and other times that we wanted to chill out. This made us fall back on an another old favourite; reading.

Even when we’re at home we read a story together every night, often this becomes a family occasion (like we had with Pugs of the Frozen north). However, this time round I ended up reading myself hoarse as we discovered Lari Don’s ‘First Aid for Fairies and other Fabled Beasts’. We normally read for about twenty minutes to a half hour each night but I’ve been reading for hours to the kids. We read at meal times, we read in the tent, I read in the car on the way home, and of course we read at bed time.

Back home technology has jumped back into our lives (I’ve found my way back on here as well) but we’re still hooked. We’re so close to the end and I’m at that ‘scared to read because it’ll be over soon’ stage. However, with three other books to go in the series I can relax a little.

The first of the ‘Fabled Beasts’ series follows Helen as she discovers that the world of story book creatures is all too real when a centaur appears on her doorstep.

The pace is fast and adventurous whilst giving you a chance to get to know the characters and the stakes get higher as we find out more about the quest that Helen is being drawn into.

It’s a book that has entertained two full grown adult-type people, an eight year old, and even a five year old (who normally still needs a picture or two during a story). No pictures are necessary and it’s been a joy to read the dialogue as well. I can’t recommend this book enough. Please go and check it out.

I’m always interested to hear about good kids books so if you’ve come across any please let me know (I can count it as ‘product research’ 😉 ). Feel free to tell us about it in the comments below and as always, thanks for popping over to read my blog, all the best, John

Falling for the Villain

438px-Villainc.svgNot long ago I had a twitter conversation with ‘Amber Medley‘ (a fellow NaNoWriMo writer). The basic idea was how to move forward in writing (tackling the dreaded writer’s block). I suggested a technique I use where I take a character out of the book and look at what they do in different settings.

Eventually the conversation moved on to how we draw believable characters, especially villains; viz. not writing a bad guy who just goes ‘Mwahahahah!’.

The interesting point that came up was the fact that the more human your bad guy gets, the easier it is to like him/her and, as a writer, you typically don’t feel you should like your villain.

I have a confession to make. Originally the primary villain of ‘Jack Reusen and the Fey Flame‘ (the ‘Wishmaster’) was going to be the overarching bad guy for the series. The ‘Wishmaster’ was to follow Jack throughout the book series, building in malice and in his capacity for harm in natural stages until Jack would have no choice but to face up to him in a huge final showdown.

This sounds dangerously close to the story of another non-magical boy who discovers he can do magic and faces off against a deadly foe. You can imagine my relief then when, at some point in November 2014, I sat down with a cup of tea, started my writing for the night and, for the first time, was properly introduced to my ‘Wishmaster’. I had gotten him all wrong.

He was still just as dangerous, still as malicious, and cruel, but then I started to realise what had brought him there; a need to share his gifts with others and his discomfort at finding that others actually got by fine without his gifts. He had grown resentful of these people’s lack of gratitude and I suddenly understood who he was and the story he needed to need to tell me.

I still couldn’t let him take over my first book, and I still needed him to take a back seat for ‘Jack Reusen and the Spark of Dreams‘ but I made him bide his time. I knew his story now and I knew where he was going to have to go. He would remain a frightful memory for Jack and his friends for a while. After all, their story was just beginning. However, I was sure to set aside space in ‘Jack Reusen and the Children of Fate’ and, to an extent, in ‘Thea’s Quest’ (Book 4).

I grew to care for my villain and in doing so I grew to enjoy what I was writing a lot more. It gained more depth and I found it easier to connect with all of the characters (even bit players).

During my twitter conversation the other day ‘Amber Medley‘ pointed out the fact that she was worried about growing to like her villain but if I hadn’t grown to like mine I don’t know if the books would have moved forward at the pace they did. Perhaps sometimes it pays to like the villain.

NaNoEdit? Over a year of Jack Reusen books

birthday-candlesNo it’s not Jack Reusen’s birthday but it is just over a year since Jack Reusen and the Fey Flame went out into the world, and today marks another landmark too; it’s my birthday.

When I turned thirty I decided that before I hit forty I would write ten books and one album. If you count my philosophy book (don’t worry you don’t have to read it, but I’m thinking it counts) then to date I’m six books in, so not going too badly.

I’ve got a new job so I’ve had to give April’s ‘Camp NaNoWriMo’ (National Novel Writing Month) a miss. On top of that I still have two of those six books to edit properly, with that in mind the actual writing bit has taken a back seat.

To be honest it would be great if the folks at NaNoWriMo made an editing month as well. I’d be surprised if anyone can finish writing a book in just one month and still be able to walk away with something in final form.

Each of the books I’ve already released have had at least three edits, it’s a gruelling part of the process and it definitely would have been beneficial to be able to talk to others going through the same thing.

Maybe this post could count as a plea to the nice folks at NaNoWriMo, or simply to other writers out there who are at the same stage. It can be a bit of a lonely and thankless task at times, and it’s definitely nowhere near as satisfying as the huge rush of creativity that you find in the actual writing bit. It would be great to share this part of the process with others in the same way that people do with NaNoWriMo.

Today I won’t be thinking about editing too much, it’s my birthday so I’ll be spending some time with the family. However, I’m aware of how much I still have to do so if any other writers out there fancy going through the editing process together in May (after this round of ‘Camp NaNoWriMo’) then let me know.

Perhaps we could set up a twitter hashtag or something to tie our experiences together, maybe #nanoedit (it looks like it’s had a bit of use already). If you aren’t a twitter user feel free to post updates on the Jack Reusen Facebook page or in the comments for this post.

In the mean time feel free to pop over and see some of the things I’ve learned since I started writing here, one issue that was particularly difficult for me was simplifying plot, you can get an idea about the ways I’ve found to get around this by clicking this link.

Apologies for the silence on the blog post front over the past wee while, I’ll try and be better.

As always thanks for reading, all the best, John

Write all day and you will realize 5 things about yourself that you never knew

Rock_balancing_(Counter_Balance)NaNoWriMo is here again and some of you are probably tired of hearing about it. Trust me it’s tiring on the inside as well. This is my third National Novel Writing event and it marks the writing of my fifth book set in a world that started to take shape only a year ago.

In my last post I talked a about the new book and explained a little about the support that’s helped push me on to write so much in such a short space of time. To absolutely anyone who has bought Jack Reusen and the Fey Flame you have no idea how much it means to me, and for those of you who have picked up a copy of the sequel, consider yourselves responsible for the barrage of books that are about to erupt out into the world.

When you sell copies of your first book there’s always a little voice in the back of your mind that wonders if people are just being nice. When you start selling copies of the sequel it makes you wonder if maybe they really do like to read what you’ve written. Thank you for that.

Anyway, on with the five things I’ve learned through plunging myself into this surprisingly demanding eventy. Here are some things that my last two NaNoWriMos have taught me:

Resilience: When you skip a day of writing it’s easy to beat yourself up over it but this just wastes time and energy that you could use to make up for lost time the next day. The first NoNoWriMo opened up my eyes to the fact that blaming yourself for a slip is utterly pointless, it’s happened. You just need to get back at it.

Time management: This is essential for the completion of a task like NaNoWriMo. After a few slips you start to discover what caused the problem and the vast majority of the time it has a lot more to do with expecting too much of yourself in too small a time-frame. Just because you wrote 1000 words in an hour a few times don’t use that as your gauge for how long it will take you to write 1000 words. Some passages need careful thought, some need extensive research just to get a place or character name just the way you want it. This will take time, don’t short-change yourself on time. Set aside an hour and a half a day to begin with, if you struggle to meet your target word-count add more time, if you speed through with keys blazing you could save some time on editing by going back over it then and there. Be fluid in time allocation but be persistent in working.

Commitment: In the middle of November last year I started calling myself a writer and actually meaning it but I knew that I’d be talking nonsense if I couldn’t even finish my first book. It was like a promise I made every time I said ‘I’m a writer’. Builders build, bakers bake and writers write. It was suddenly that simple. If you’re writing now and want to finish what you started a good first step is to commit to the moniker, call yourself a writer and mean it.

Confidence: You start off cautious, then you get a few thousand words in and suddenly it’s time to tell the world. You write blog posts. You post updates on social media. You tell friends and family. Then you sit down and freak out because you feel like they’re all expecting more of you. To be honest they probably aren’t (this tallies up with the final thing on this list) but this doesn’t stop the fact that you’re writing, you’re really doing it. All of a sudden there’s a new part to your personality, and it feels pretty awesome.

Being humble: This one is hard, for all the celebration of being a ‘writer’ you still need to remember that despite all the hours of work you put in there’s a good chance that the passage that you wrote at 3am after a marathon 5000 word day probably isn’t your best work. When the month is over you’re going to have a lot of work to do, admit that, drop the ego, develop some humility, and make something that you can actually be proud of. At the end of the day, if you can’t admit the faults that you can see in your own work then deep down you’ll never be able to tell yourself that you’ve done your best.

I’ve mainly written this post with fellow NaNoWriMo participants in mind and I hope it helps a bit. As you go through this month you’ll need to dig deep and what you find there will surprise you, but trust me it is utterly, unequivocally worth it.

As always thanks for reading, please feel free to ask questions or pop down a comment in the comments section below. All the best, John

Staying on target

wpid-training_dummy_500.jpgToday I passed 12,000 words of ‘Thea’s Quest’. Chapter six is done and I’m close enough to my word-count target to feel fairly comfortable. It was a hard slog today (wrote almost 4,000 words) but I really feel like it was worth it.

It’s a lot of fun experimenting with what Thea will do in different situations, it’s telling me so much more about who she really is and what the tone of the other books in her series will have.

As I said in my previous post, I won’t have much time for blog posting during all the other writing madness this month but when things go right it’s nice to share. Hope you’re all well, and as always thanks for reading (and for stopping by). All the best, John

Thea’s Quest

11703059_507851296031556_3727381389049552295_nYep, the beginning of Thea’s story is already taking shape. The fifth book set in the world of Fey now has five (very rough) chapters and it’s surprisingly different from Jack’s books. This month also marks the one year anniversary of the very beginning of Jack’s (and Thea’s) adventures. I still can’t believe how quickly this year has flown by and I’m really thankful for the reception the books have had so far.

Thea is such a different character to write about. I now have a character that instantly understands all of the basic things about Fey, she’s a lot less surprised by magical creatures and events than Jack was and I’m really enjoying the fact that I can just let odd things happen and then drive the story forward. It was always fun to share Jack’s awe as a new world unfolded around him but there’s something really liberating about just taking that magic for granted now.

The new book series will be released more slowly than the first as I now realise just how demanding it is to do all of the additional stuff required of a book. First there’s editing, then there’s talking about the books (because otherwise how would people hear about them), and alongside all of this I need to go over cover designs etc. with Karen but to be honest the bulk of the work there is on Karen (she knows her stuff so well, I barely need to go into any detail with her, she just gets it).

Talking about the books is definitely the most fun of the two ‘non-writing’ jobs associated with writing, I’ve been for school visits, held an in-store book launch, joined in with an authors event to do a book talk at the Crieff arts festival, not to mention a steady stream of communication with readers through this blog and the social media profiles I set up for the books over on facebook and twitter.

The big bad EDITING job is never a thrill and it’s this that has prompted me to spread out my book releases a little. I’d rather be able to spend more time chatting about the books and doing a wee bit of editing each week than be locked to the computer almost every day desperately trying to catch up with editing. At least for the foreseeable future I think we’ll be on about two book releases a year. I just don’t think I’ll be able to do four in one year again for a while.

Speaking of editing the next two books are on their way but it is taking a while. Though it’s less work this time through (I’m definitely learning from my mistakes), it’s still work. I’m going to try and get Jack Reusen and the Children of Fate’ away to the printers in the next couple of weeks (should be printed by the start of December) and ‘Jack Reusen and the Christmas Fox’ should arrive a week or so later (it’s a Christmas story so definitely want to get a rush on that).

In the mean time I can share a wee bit about Thea’s Quest (though it probably won’t be out until next summer). In Thea’s first book we find that the polar-bear girl has discovered some pretty impressive powers (even more impressive than turning into a polar bear). She is struggling to understand them though and she’s having an even harder time learning to control them. Her quest will take her to parts of Fey she’s only ever heard of in stories and her journey will teach her a lot about herself and her friends. Where the Jack Reusen books introduced us to a strange other world, Thea’s books will take us on a voyage steeped in ancient magic and even older stories.

I’m really enjoying the research for these books, I started looking ahead to some of the places Thea might visit earlier this year, I even posted a few sample pictures on the Jack Reusen facebook page. I desperately want to get the third and fourth books out before Christmas so I probably won’t be blogging a whole lot over the next few weeks. Every spare minute I have this November is going to be spent on books. Hope it all works out, wish me luck. As always, thanks for reading, all the best, John