Tag Archives: writing

5 things that change when you finish writing your first book

If you’ve ever thought about writing a book here’s a wee run down of how it went for me (in no particular order):

1. You now have to write: It’s in your bones, you made a habit of sitting down and putting words on paper and it’s a hard habit to break. However, your relationship with writing took some work. 

You liked it at first, but then you grew to loathe it, as it sucked up every morsel of your energy and time. Thankfully, at some point you and writing made a breakthrough (it would be tough to finish a book if you didn’t). You grew to see writing differently, your understanding of it deepened, as did your affection. 

As the last pages take shape you realise that this is not a relationship that you can allow to die

2. You forgot about editing: As you bid farewell to your fist book you look through a sentense and notice how mny mistakes you’ve made (see what I did there). Now it’s time to make the acquaintance of writing’s obnoxious uncle; editing. 

He’s harsh, he pushes you, and to make things worse he seems able to remind you of all the things that once annoyed you about writing. His presence jeopardises your deepening relationship with writing and you grow to hate him more for that.

As I forced myself through the last chapter of ‘Fey Flame‘ with editing in tow I must admit I lacked the growth of affection for him I’d found with writing. I might respect editing well enough now but I find him pedantic and quite frankly a pain in the butt.

3. You forget to read: Ego makes you think you know it all already and that the world ‘needs your craft’. I went through a (very) brief period of this after Fey Flame but was rudely awoken to my need to consult the greats when I started writing ‘Jack Reusen and the Spark of Dreams‘ (writing and I got a bit lost around chapter three).

Writing one book will not get you to a point where you know it all. 

4. You still have trouble calling yourself an ‘author’: I have to admit that impostor syndrome can be pretty strong here (at least it has been for me). 

I’m OK with ‘writer’; I’ll happily throw that one around. However, ‘author’ has a grandiose sound to it that I can’t quite draw myself up to yet.’Authors’ have fans, they are invited to big literary events, and they make a living from their writing.

I don’t make a living from it. I make some money from book sales but the thing that spurs me on is my readers. Knowing that people are reading (and enjoying) my work makes me feel more ‘author like’ but I think I’ve some way to go before I’ll be happy telling people I’m an ‘author’.

5. Knowing you wrote one book makes you think that the next ones will come more quickly: It doesn’t. You do write more quickly and make less of the obvious mistakes, but you have become more demanding of yourself. You want the next book to be better than the first. 

 

I know I’ve written another post similar to this one before but I’be recently been reading up on writing technique and it’s reminded me of how different I feel after writing the books.

Are there any big projects that you feel changed you in some way? Did testing your limits let you get to know yourself better?

As always thanks for reading, all the best, John 

Welcoming the autumn

Image of Lady Mary’s Walk, Crieff from europealacarte.co.uk

Cooler crisper days. Longer nights. A time to read and a time to write.

I can’t say I’m sorry to see autumn looming. With autumn evenings on the horizon we’re moving into the weirder part of the year, and it seems no coincidence that Halloween is this season’s big event.

I set the Fey Flame at the tail end of Autumn as it seems the most believable time for a tear between our world and something very different.

Because of this my writing feels most at home right now. I can’t wait to grab a warm mug of tea and my old beaten-up netbook and make the most of it.

Is there a time of year (or a time of day even) when you feel most productive? Are you mourning the loss of summer or are you happy to see the nights draw in?

As always thanks for reading, all the best, John

Fitting in (Crieff Writer’s evening/ literary open mic night)

It doesn’t matter how confident we are, sometimes we will inevitably feel like a round peg in a square hole (or a square peg in a round hole even). It’s a simple fact that we are all individuals and that even where a number of us find common ground someone will feel excluded.

Odly the barriers we hit aren’t always what we expect. Back when I was working on my MPhil thesis I came accross a study on second generation Portuguese immigrants in Paris who faced an unusual barrier.

When speaking French they sounded hip, urbane, youthful, and cultured. They spoke to contemporaries in Paris in this way and seemed to fit in comfortably.

However, their experiences of Portugal appeared so different that they sounded like genuinely different people.

You see, the Portuguese they knew came from their parents who spoke a rural and provincial dialect. This meant that their behaviour and speech in Portuguese simply couldn’t match the way they behaved when speaking French. Without the urbane, inner-city language they became very different and found it difficult to act like ‘themselves’ in Portugal.

What binds us can vary drastically, we might think that our tastes arethe simplest connection to share but sometimes we instead find kinship in our behaviours and aspirations. I found that last Saturday.

I had just completed a day of talking about the Jack Reusen books along at Fun Junction and remembered that there was a literary open mic night in the Strathearn Artspace 9as part of Crieff Arts Festival).

As a student I made it along to plenty musical open mic nights but I had never come across a literary one. To be honest it left me expecting something pretentious and a little clique-ish. I know Crieff already has a solid writers community so I couldn’t help worry whether I would fit in.

The atmosphere was extremely laid back, and the overall attitude from the audience was open-minded and welcoming. It meant that those reading for us were relaxed too and showed their work at its best.

The work itself was eclectic, including readings/performances of music, poetry, prose, and biography. I enjoyed it a lot more than I expected to and the only negative I could take from the night was a slight annoyance that I hadn’t prepared something to read.

I genuinely think we could make a monthly event of this (and not just because I’m itching for a chance to get up). I don’t know how we would go about it but I’d love to hear from others who might be interested.

Have you found a place that you fit in in surprising ways? Do you think creative environments are typically inclusive, or have you encountered clique-ishness in such groups?

As always thanks for reading, it means a lot to have people pop by to read these posts. All the best, John

Characters who write themselves into your world

No one warned me about this when I started writing but sometimes characters appear in your work by accident. They must come from somewhere but you have no way of figuring out where, it’s like they’ve made themselves out of nothing.

Tam was like that. I never included it in the books but Tam’s appearance was initially quite sinister. 

Jack had barricaded himself in a cabin (along with some others) to keep a host of dangerous magical creatures outside. I was picturing everything in my head when suddenly I was looking out of someone else’s eyes. Someone who was trying to break into the cabin.

Nothing in Jack’s world had been first person up till then and I had no idea who this character was meant to be. I had made no decision to add a character but here one was, breaking into the cabin, leaving the door open, and endangering everyone inside.

The overall feel was extremely uncomfortable and everything this character did broke away from what I had planned. Through this strangers eyes I saw my characters standing in Mick’s kitchen, sure they were safe. Then the stranger strode into the room and kicked their best hope right in the head, knocking him unconscious. I was even sure I felt Fynn’s head as Tam’s foot connected.

I’m still not sure how this happened and Tam definitely isn’t the only character who appeared from nowhere.

My academic background focused on the formation of the self. It was all about early years behaviour and stimulus, nature vs nurture, self-awareness, and importantly the vital role the stories we tell about ourselves play in all of this.

These ‘characters’/selves are always attached to a human body and I’d assumed something similar would be true of fictional characters. I thought I would be in charge of every character. I was definitely sure that I would be responsible for every character that appeared in my writing. I was very wring.

Perhaps this was a side-efdect of writing in the faster-paced style required for National Novel Writing Month (50,000 words in one month). Or maybe Jack’s world was already that vivid to me.

It all worked out well and I love the character of Tam (I even gave him a large role in book three). However, I still feel an odd shudder when I think of how I was first introduced to him.

Have any authors reading this encountered a character like this? Does your writing sometimes surprise you?

Feel free to comment below. As always thanks for reading, all the best, John 

Writing advice this Saturday

Are you three chapters into writing that novel but on the twentieth edit? Do you have extensive notes planning out a whole book but still haven’t written one paragraph? Have your writing efforts left you with a folder full of half finished chapters and sprawling notes? Well so have mine.

I’ve been trying to ‘be a writer’ since I was a kid. I started to take it more seriously in high school and actually made a solid attempt to write a novel while I was at uni.

However, I fell foul of a myriad of problems that I’ve come to recognise like old friends. I would over-plan, spending all my creative energy and leaving nothing for the writing itself. Then, to compensate, I would try to write in a free-flow style only to find my direction-less flow of words draining into stagnant puddles with no hope of turning into anything.

If this isn’t common of all writers I’d be very surprised. It seems like a necessary part of what we all go through. We all need to find the right pace and discover ways of retaining the creative spark in our writing whilst ensuring that our text actually means something (even if it is just to ourselves).

On Saturday I’ll be doing book talks and chatting about writing for most of the day. It’s part of Crieff Arts Festival hosted at Fun Junction in Crieff, and since I write kids books I expect I’ll be giving a lot of early advice (‘pay attention to your favourite authors’, ‘keep observing the world around you’, etc.). However, I’m also more than happy to offer advice (or even simply to mutually commiserate) to grown-up would-be writers.

I am not a break out success but neither are most successful writers (even J K Rowling still had to do the rounds with school talks to get the word out about Harry et. al.). I can’t be sure whether the Jack Reusen books make me an official ‘writer’ or not but that’s something that doesn’t bother me as much any more. I write and some people read it, and even better some of them seem to like it (at least that’s what they tell me). For me that’s enough.

If you’d like to come and bend my ear about writing you are more than welcome. I’m also considering putting together a sort of combined digital & ‘real world’ writers support group in the town. I’m aware that there are a few such groups already but I figure it can’t hurt to have more support for writers, plus developing the digital angle would make it easier to stay in touch.

I’ll be in Fun Junction from 11 until around 3 or 4 (depending on how busy it is). If you would like to talk writing, please pop along for a chat. All the best, John

School visits

apple-256261_1920I think we may now have officially hit the point where all local school children have returned from their holidays (or thereabouts). In light of this I thought I’d put out a quick reminder to any teachers reading about school visits. I’m available for book talks and writing workshops and I currently have a fairly clear calendar (though it is starting to fill up with other things).

I’ve never charged for school visits but I do normally bring along books for sale at a special price (I’ll figure out pricing long in advance of a visit to leave teachers time to get information out).

In the past I’ve hosted book talks for whole schools, for individual classes, and for middle-sized groups sorted by age. I’m also happy to spend a little more time with older children who might want to learn more about the writing process in a workshop setting.

If you think you’d be interested please get in touch. For those who want to do a more focussed book talk I can provide class copies of the Fey flame to give you/ your students a chance to read it in advance (either to review it or to let pupils get to know about the books before I come along).

If you are interested in arranging something please get in touch by e-mail (click this link) or by messaging below. I hope to hear from you soon,

All the best, John

What do you want to be when you grow up? 

It was my youngest son’s first day of school today. He is absolutely over the moon and seems to have really enjoyed it. As his wee treat after school (set up in case he hadn’t enjoyed it) we went for a swim.

Hazel (my wife) is a swimming instructor and she played a game with him to distract him a bit as she improved his swimming; he had to jump into the pool and tell her what he wanted to be when he grew up.

Being in the swimming pool he quickly decided that he wanted to be a scuba diver when he grew up. However, being a five year old he has also recently told us that he wanted to be a farmer, a writer, a train driver, and a bear. It’s pretty clear that the aspirations of five year olds are quite transient.

His big brother is a whole different kettle of fish. For well over a year he has consistently told us that he wants to be an animator. The only thing that’s changed has been the medium; sometimes it’s claymation (after watching Shaun the sheep), sometimes stop motion lego (after a bit of Tim and Ralph, and if you haven’t seen these you should really check them out [season 1] [season 2], Michael Hicox is brilliant).

We typically start to get quite fixed ideas about what we want to do with our lives from an early age. Sometimes these stick and sometimes they don’t. Sometimes we attain the job of our dreams and sometimes we don’t.

I always wanted to be a writer, from the day I realised that my favourite stories were written by people and didn’t just appear from thin air I desperately wanted to understand how they manipulated language to do such astounding and remarkable things. It’s not like my full time job yet but I do feel closer to it now thanks to Jack and his friends.

There were kids in my class who wanted to be inventors (some of them are now engineers), there were kids who wanted to be firemen (and some of them are), we all had a small picture of what was available to us but we still seemed to have an inkling of what sort of thing we wanted to do with ourselves as adults.

It makes you wonder if we somehow have natural aptitudes. I’ve done a lot of different jobs in my life from handyman, to busker, to retail, to more corporate, and more academic work. Alongside all of this I’ve always written. I have books that I’ve been working on since my early twenties, and I have books that started in the planning stage just weeks ago. It feels right for me to write.

My son is completely shattered, he seems to have enjoyed his first day of school, part of me would love a day back in the simplicity of primary one but to be honest I’m pretty happy up here in my early thirties too.

Do you have a skill that feels ‘right’ to you? Is there something that has always stood out to you as ‘your thing’?

Are you lucky enough to be what you wanted to be back when you were five?

Feel free to let us know in the comments below. As always, thanks for reeding, All the best, John

Where authors are heading in the next 5 years

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When I was a kid my favourite authors were distant entities, the idea of talking to them or even meeting them didn’t even cross my mind. I don’t remember one author visit to my school or even seeing them on TV very much.

The one time I saw something close to an interview was a Blue Peter special featuring Roald Dahl in his writing hut (I’ve written a little about how much the idea of writing huts affected me previously).

However, a children’s author is a very different creature now. The chances of talking to a favourite author are increased massively by social media. Along with this grows a sense of accessibility that simply didn’t exist when I was a kid.

J K Rowling is commonly in the news for her twitter activities (my favourite being her twitter-inspired spontaneous trip to a library on Orkney). It’s easy to see that the next few years are set to see changes to the way authors behave and the way the public feels about them.

Another huge change is the increase in the respectability of self-published authors. We don’t call it ‘vanity publishing’ any more (or at least less people use the term). ‘The Martian’, ‘Legally Blonde’, and the children’s/teen fantasy book ‘Eragon’ all started life as self-published works. Overall, people seem more willing to try out books published in non-traditional ways.

So what does this mean for the next five years? From my own experience, I have to admit that interacting with readers has an undeniable effect on my writing. We’re not talking ‘choose your own adventure’ but there’s certainly a level of reader influence that I hadn’t expected when I started writing. If this is the same for other authors I think we’re likely to see books change significantly over the next few years.

If we combine this with authors who blog (as many of us do) this could develop into serial-style writing becoming a more common approach to getting a story out. We could see books shaped in (almost) real time by the responses of readers. This might take the form of pandering, as authors draw attention to characters with more of a following. However, it could just as easily go the other way, as authors take a slightly sadistic delight in drawing out plot lines, leaving questions achingly unanswered in ways that would put the writers of ‘Lost’ to shame. (George R. R. Martin anyone?)

Add to this equation a touch of fan fiction and we might even see the emergence of a completely new form of fictional world. If authors decide to nominate some fan-fiction writers as ‘cannon’ writers, then the in-universe exploits could grow exponentially; further blurring the lines between traditional books and role-play.

To be honest author ego would probably get in the way of this becoming a reality but it’s easy to see how this could transform things for writers and readers alike.

Rather than having to wait a year for the next book, we could have a new in-universe book to read every week. Children’s fiction has been doing this for years with ghost writers. One of the most obvious examples being the ‘Beast Quest’ series of books. However, even these struggle to release more than one a month.

As an avid reader (and someone who tends to get absolutely hooked on certain fictional worlds, ehem…geek!) I have to say that the prospect of getting access to weekly books is like a dream come true.

Writing styles would no doubt differ but if it’s put together well this might not be too much of a problem. Imagine subscribing to a weekly Harry Potter book and you get a rough idea of what we could see.

Alongside all of this, traditional publishing will no doubt continue along on it’s merry way. However, the prospect of regular updates will have a marked effect on the way avid readers will interact with books.

I’ll predict that in the next five years (for readers at least) we’ll see less TV consumption (it’s becoming more disappointing every year any way) and more readers turning to regular updates in their favourite universe.

What do you think? Is the world of reading about to change for good? Is social media and self-publishing poised to provide a literary revolution? or am I being too optimistic?

As always, responses are welcome in the comments below. Thanks for reading, all the best, John

Falling for the Villain

438px-Villainc.svgNot long ago I had a twitter conversation with ‘Amber Medley‘ (a fellow NaNoWriMo writer). The basic idea was how to move forward in writing (tackling the dreaded writer’s block). I suggested a technique I use where I take a character out of the book and look at what they do in different settings.

Eventually the conversation moved on to how we draw believable characters, especially villains; viz. not writing a bad guy who just goes ‘Mwahahahah!’.

The interesting point that came up was the fact that the more human your bad guy gets, the easier it is to like him/her and, as a writer, you typically don’t feel you should like your villain.

I have a confession to make. Originally the primary villain of ‘Jack Reusen and the Fey Flame‘ (the ‘Wishmaster’) was going to be the overarching bad guy for the series. The ‘Wishmaster’ was to follow Jack throughout the book series, building in malice and in his capacity for harm in natural stages until Jack would have no choice but to face up to him in a huge final showdown.

This sounds dangerously close to the story of another non-magical boy who discovers he can do magic and faces off against a deadly foe. You can imagine my relief then when, at some point in November 2014, I sat down with a cup of tea, started my writing for the night and, for the first time, was properly introduced to my ‘Wishmaster’. I had gotten him all wrong.

He was still just as dangerous, still as malicious, and cruel, but then I started to realise what had brought him there; a need to share his gifts with others and his discomfort at finding that others actually got by fine without his gifts. He had grown resentful of these people’s lack of gratitude and I suddenly understood who he was and the story he needed to need to tell me.

I still couldn’t let him take over my first book, and I still needed him to take a back seat for ‘Jack Reusen and the Spark of Dreams‘ but I made him bide his time. I knew his story now and I knew where he was going to have to go. He would remain a frightful memory for Jack and his friends for a while. After all, their story was just beginning. However, I was sure to set aside space in ‘Jack Reusen and the Children of Fate’ and, to an extent, in ‘Thea’s Quest’ (Book 4).

I grew to care for my villain and in doing so I grew to enjoy what I was writing a lot more. It gained more depth and I found it easier to connect with all of the characters (even bit players).

During my twitter conversation the other day ‘Amber Medley‘ pointed out the fact that she was worried about growing to like her villain but if I hadn’t grown to like mine I don’t know if the books would have moved forward at the pace they did. Perhaps sometimes it pays to like the villain.

NaNoEdit? Over a year of Jack Reusen books

birthday-candlesNo it’s not Jack Reusen’s birthday but it is just over a year since Jack Reusen and the Fey Flame went out into the world, and today marks another landmark too; it’s my birthday.

When I turned thirty I decided that before I hit forty I would write ten books and one album. If you count my philosophy book (don’t worry you don’t have to read it, but I’m thinking it counts) then to date I’m six books in, so not going too badly.

I’ve got a new job so I’ve had to give April’s ‘Camp NaNoWriMo’ (National Novel Writing Month) a miss. On top of that I still have two of those six books to edit properly, with that in mind the actual writing bit has taken a back seat.

To be honest it would be great if the folks at NaNoWriMo made an editing month as well. I’d be surprised if anyone can finish writing a book in just one month and still be able to walk away with something in final form.

Each of the books I’ve already released have had at least three edits, it’s a gruelling part of the process and it definitely would have been beneficial to be able to talk to others going through the same thing.

Maybe this post could count as a plea to the nice folks at NaNoWriMo, or simply to other writers out there who are at the same stage. It can be a bit of a lonely and thankless task at times, and it’s definitely nowhere near as satisfying as the huge rush of creativity that you find in the actual writing bit. It would be great to share this part of the process with others in the same way that people do with NaNoWriMo.

Today I won’t be thinking about editing too much, it’s my birthday so I’ll be spending some time with the family. However, I’m aware of how much I still have to do so if any other writers out there fancy going through the editing process together in May (after this round of ‘Camp NaNoWriMo’) then let me know.

Perhaps we could set up a twitter hashtag or something to tie our experiences together, maybe #nanoedit (it looks like it’s had a bit of use already). If you aren’t a twitter user feel free to post updates on the Jack Reusen Facebook page or in the comments for this post.

In the mean time feel free to pop over and see some of the things I’ve learned since I started writing here, one issue that was particularly difficult for me was simplifying plot, you can get an idea about the ways I’ve found to get around this by clicking this link.

Apologies for the silence on the blog post front over the past wee while, I’ll try and be better.

As always thanks for reading, all the best, John