Author Archives: John Bray

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About John Bray

I'm the author of the 'Jack Reusen' series of books. My main website follows my writing adventures. When I'm not writing I'm taking in the countryside around my home in Perthshire, listening to podcasts on history and writing, creating websites for local businesses, or baking and cooking. Thanks for stopping by my profile and please feel free to say hello over on any of my blogs, Cheers, John

Is there a word for things that stop being cliche?

wonderful-life‘It’s a Wonderful Life’ is apparently always on at Christmas but to be honest I’ve only seen the film about two or three times in my whole life. There’s an idea going around that things like ‘It’s a Wonderful Life’ and other classics are on too much. It’s not unusual for people to call what I’d call ‘traditions’ cliche.

Recently they showed ‘It’s a Wonderful Life’ in a one night only event at our local theatre, mini cinema, and all round entertainment venue; the Strathearn Artspace. I didn’t make it along to their showing (sick kids etc.) but it put me in the notion for it so I hunted down a streaming copy (found it on Netflix) and watched it a few days later.

It was better than I remembered, and far from cliche. It got me wondering whether, especially at Christmas, there’s maybe a shelf life to things being ‘cliche’.

Is there a set time period between something being repetitive and it becoming traditional? I haven’t seen ‘It’s a Wonderful Life’ very many times but there are couple of films that I always associate with Christmas.

‘Elf’ only came out in 2003 but thirteen years seems to have made it pretty traditional for me. ‘Love Actually’ rolled out in 2003 too and I still enjoy it plenty at Christmas.

Maybe I’m a bit of a sentimentalist, maybe I pop on some blinkers at this time of year, but I like a bit of cheese. In fact I’m even pretty partial to some singing Santa decorations scattered around the house.

Are you a sucker for any Christmas ‘cliches’? What film/movie makes you instantly think of Christmas?

Feel free to share in the comments either here, over on facebook, or you can even tweet about it (if you’re into that sort of thing 😉 ). As always, thanks for reading, and merry Christmas folks 🙂

 

A second chance at a first impression (showing off the town) 

taylor park macrosty park bandstand crieff jack reusen john brayA few months ago I decided to rework ‘Jack Reusen and the Fey Flame’ with the intention of submitting it to a publisher. It’s safe to say the idea of a publisher looking at it is a little disconcerting.

I hadn’t done a full read through of ‘the Fey Flame’ for a long time. I’ve written four more books containing these characters since then and I was surprised to see how many ‘out of character’ things they do/say in the first book (at least from my perspective).

In the course of the other books the characters obviously grew and changed (how dull would a book be if the main characters learned nothing from their experiences?). However, reading the Fey Flame again has made me realise that I don’t know much about who they were before I first met them (if that makes sense). It’s been interesting getting to know this earlier version of these now very familiar characters.

I’m also discovering how hard it is to rework the Fey Flame without at least hinting about what will happen to them. I’m in a constant battle against spoilers.

Once this rewrite is complete I’ll have a shorter, snappier version of the book. (Don’t worry I’m not cutting that much, I just wanted to keep chapter length consistent etc.). I’ve also added a few wee touches here and there in places where I thought it would be nice to know more about some of the characters (Granny Reusen gets a wee mini story about her childhood).

One big change (but one that didn’t take much work to alter) is the fact that I’ve decided to be a lot clearer about the fact that everything takes place in and around Crieff. From the b….. with the W……… at the bandstand, to Jack’s first experience of Fey on Lady Mary’s walk.

All the books are inspired by the (admittedly slightly less extravagant) adventures I’ve had with my family in the town and countryside where we live. It felt only fitting that the books reflect that a little more strongly. If Harry Potter can visit Kings Cross station then it’s only fair that my characters can pop down to walk the Illohound in MacRosty Park.

It’s hugely intimidating realising that the Fey Flame will soon be in the hands of a publisher to await judgement. I’ll be sure to post once it’s been sent through and you can join me in my worries over the following months before I hear back. Wish me luck.

As always thanks for reading, all the best, John

Boy from guitar lessons (it’s nice to be nice)

14224700_10157295428425401_4845612948376145664_nA few weeks ago, on the way out of my son’s guitar lessons I noticed one of the other kids watching me with a puzzled expression on his face, clearly trying to figure out where he knew me from. It’s not uncommon for me, for many years I worked in the local toy shop so a lot of local kids know me but struggle to get who I am out of context.

This wasn’t one of those times. Laden with bags, guitars, packed lunch boxes, and all the other paraphernalia that parents so often end up stuck with, I waddled along the corridor outside the music room. The puzzled boy kindly held the door open.

I thanked him and was half way through the doorway when he blurted out “Are you an author?”. At first I wasn’t sure what to say, I decided against my regular ‘Kind of, I write kids books.’ Replacing it with a simple “Yes, I am.”

He remembered me from a talk I’d done at his school. When I told him I’m still working on more books he explained that he thought the Fey Flame was great, then he thought for a few seconds and told me that, in fact, it was his “favourite book ever”.

It’s amazing to know that you’ve made something that someone has enjoyed that much. I’m so pleased he decided to share that with me because it made my day. It actually made my week.

Simply telling someone that you appreciate something they have done/made/written can be the most awesome thing, so thank you boy from guitar lessons. Thank you sincerely.

It’s so easy to praise people. Sometimes we need it more than you realise. None of us should be afraid to say a few words that could make someone’s day. So here’s a wee selection of praise I thought I’d pass on:

June: I have no idea where you get your energy and enthusiasm from but you’ve added a lot to our wee town. Thank You.

David: The Artspace is shaping up to be something brilliant. I don’t get along to events as much as I’d like because childcare isn’t always easy but I’ve always enjoyed the things I made it along to. It’s a real asset to the town.

Fun Junction: You guys are awesome. There’s a whole heap of stuff I could list here but mainly I’d like to highlight your awesomeness.

Valentines of Crieff: Superb clothes. Every shirt I owned used to bake me. I wasn’t a fan of dressing smart because it meant a day spent sweltered and sweaty. I have to admit I never spent as much on a shirt before but then I also never wore the cheap ones any longer than I had to. Thanks for helping me feel comfortable in my own clothes.

Marrianne: You are mental but like June you seem to give people the wee pushes they need all over the place. Most of all, on my part, thank you for being a constant wee niggling reminder that I need to get back to my writing.

On that note I’ll get back to my writing. I’m planning on sending Jack Reusen and the Fey Flame in to a publisher soon so it’s getting one last wee polish before it gets shipped out.

Questions to make your brain whizz at Viewlands Primary School

viewlands primary school perth scotland

I was recently invited to talk about writing at Viewlands Primary School in Perth as part of their programme of activities for Book Week Scotland. I spoke to four year groups (primaries 4, 5, 6, and 7) and each year group contained two classes which added up to about sixty kids at each talk. It was taxing, enlightening, but most of all it was a lot of fun. Each age group had their own ideas and their own questions.

scottish book week free author talk

I was asked about the work involved in writing a book, the methods I use to develop a character, I was asked why I picked the fantasy genre, what my favourite books are, and hundreds of other equally interesting questions.

On top of this some of the older children were interested in the practical elements of writing; we discussed the fast-paced first-drafting I do as a result of my connection to National Novel Writing Month. This gave me a chance to describe some of the difficulties I’ve faced in the past in regards to forward planning (or the lack of it).

viewlands primary school perth scotland

I think the teachers were pleased to hear me sharing some important lessons I’ve learned about forward planning and the difficulties of redrafting rushed areas of my work that don’t contribute to the overall story (I get the feeling that planning ahead is something teachers have to remind pupils about a fair bit).

It was an exhausting and massively fulfilling experience and I’d like to thank Mr Scoogal and all of the other teachers for inviting me along on the day. I had an absolute blast and I hope the children did too.

nanowrimo national novel writing month

I wanted to post about this weeks ago but I’ve been tied up in yet another bout of National Novel Writing Month (guess I’m a glutton for punishment). NaNoWriMo is once again over (I completed my word-count of 50,000) and life is finally going back to normal.

The month was tough and some things I tried in my writing turned out to be a bit of a waste of time. One activity in November definitely wasn’t a waste of time and I’m extremely grateful to all the staff and pupils for the wee injection of energy I got right smack dab in the middle of the writers equivalent of a marathon.

Thanks for popping along to read this, feel free to scroll down to see more posts on writing, and thanks again to all the staff and pupils at Viewlands for having me along, all the best, John

Knocking the mentor off his pedestal

Most fantasy fiction has at least one ‘mentor’; Harry had Dumbledore, the hobbits had Gandalf, and Luke Skywalker had Obi Wan (and yes I do count Star Wars as fantasy more than Sci-Fi). They all take the form of that perfect expert with all the knowledge/wisdom to ensure that the hero knows everything they need to.

Most of the mentors listed also come with glaring flaws (SPOILERS AHEAD): Dumbledore knowingly coaches Harry in preparation for the boy to sacrifice himself, Gandalf does much the same for Froddo, and Obi Wan neglects to tell Luke some pretty important stuff about his dad in the hopes that it would make it easier for Luke to kill Darth Vader.

In fact all of these mentors seem to share the exact same flaw embodying a shocking degree of ruthlessness. I didn’t want a ruthless mentor for Jack but I did accept that Fynn would eventually have to demonstrate flaws.

I waited till the second book to investigate those flaws and decided to tackle an issue that adults often shield kids from; us ‘grown-up’ types sometimes find it hard to cope with things. In Spark of Dreams I allowed the pressure of being the ‘expert’ to get to Jack’s mentor, specifically because I felt that Fynn’s reclusive nature wouldn’t have combined well with his new degree of responsibility. It made him crack a little, showing a side of himself we hadn’t met before.

I think it’s important for kids to know that sometimes they won’t react to challenges the way they’d like to. It takes you less by surprise if you can prepare for that. Life throws all kinds of stuff at us, sometimes we cope and sometimes we don’t. For a short while I wanted to see how my characters would react when their mentor didn’t cope.

Don’t worry, Fynn gets back to himself soon enough, but it allowed me to show all of the characters in a different light. Some became more fragile and others grew stronger and in the end they do what needs to be done.

We’re bigger then ourselves and our support network is more a part of us than we realise. I enjoyed getting the chance to experiment with that in Spark of Dreams but most of all I found it refreshing to see how well the younger characters coped.

Do you think it’s important for kids to learn a lesson like this? What other aspects of our lives do you think we hide from children unnecessarily? 

As always thanks for reading, all the best, John

Where building and storytelling meet 

Let me introduce you to the Lego ideas pop up book; a proposed Lego concept designed by Grant Davis and Jason Allemann. I posted a link to this on the Facebook page a few days ago but I thought it would be worth a wee blog post too.

Lego has always given kids a chance to stretch their imaginations but the story element appeals in a way I hadn’t considered before. 

With a pop-up book and Lego in one item it’s like an invitation to develop a story and step into the world of books. What’s more it’s also a refreshing step away from tie-ins with TV shows and movies.

Don’t get me wrong; my kids watch their share of TV, movies, and YouTube videos. However this doesn’t disrupt their enjoyment of a good book or an immersive hour with a box of Lego, so it’s nice to see a Lego set that takes this into account.

Lego have some amazing tie-in sets with characters from movies and TV shows (we have a few ourselves) but there’s something special about this proposed set. It’s innovative whilst feeling traditional and offers a great source of inspiration for young story tellers.

Lego ideas is a site run by Lego that lets people vote for the sets they’d like to see in stores. If you like the look of this one, and would like to be able to buy it as a set one day, you can vote for it here. (and no I’m not affiliated with the designers in any way).

What would you put in your pop-up Lego book? What type of book was your favourite as a kid?

As always thanks for reading, all the best, John

Aye!

It looks as though there’s going to be a wee free men movie! If you haven’t encountered the NacMacFeegles/wee free men before pop over to this post to get filled in.

The wee free men and their ‘Hag’ (a young witch by the name of Tiffiny) are some of my favourite Terry Pratchett characters from the whole of the Discworld. They’re tenacious, fearless, and more than a little crazy.

The news on who’s producing the movie makes it even better. As a child of the 80s I was exposed to a huge range of Jim Henson creations from Sesame Street, to the muppets, to Fraggle Rock, to Star Wars, and the Labyrinth. Jim Henson Studios are apparently developing the movie and I can’t imagine it being in better hands.

Henson’s son Brian is producing the film and Pratchett’s daughter Rhianna will be writing the screenplay so here’s hoping both can continue their parent’s legacy.

It doesn’t sound like there’s an expected date for release yet but fingers crossed they get it out to us soon.

Are you a Pratchett fan? What other Pratchett characters do you think deserve big screen treatment (keeping in mind the Sky TV creations from a few years back)?

As always thanks for reading, all the best, John

*Information for this post came from an article in the Independent.

5 things that change when you finish writing your first book

If you’ve ever thought about writing a book here’s a wee run down of how it went for me (in no particular order):

1. You now have to write: It’s in your bones, you made a habit of sitting down and putting words on paper and it’s a hard habit to break. However, your relationship with writing took some work. 

You liked it at first, but then you grew to loathe it, as it sucked up every morsel of your energy and time. Thankfully, at some point you and writing made a breakthrough (it would be tough to finish a book if you didn’t). You grew to see writing differently, your understanding of it deepened, as did your affection. 

As the last pages take shape you realise that this is not a relationship that you can allow to die

2. You forgot about editing: As you bid farewell to your fist book you look through a sentense and notice how mny mistakes you’ve made (see what I did there). Now it’s time to make the acquaintance of writing’s obnoxious uncle; editing. 

He’s harsh, he pushes you, and to make things worse he seems able to remind you of all the things that once annoyed you about writing. His presence jeopardises your deepening relationship with writing and you grow to hate him more for that.

As I forced myself through the last chapter of ‘Fey Flame‘ with editing in tow I must admit I lacked the growth of affection for him I’d found with writing. I might respect editing well enough now but I find him pedantic and quite frankly a pain in the butt.

3. You forget to read: Ego makes you think you know it all already and that the world ‘needs your craft’. I went through a (very) brief period of this after Fey Flame but was rudely awoken to my need to consult the greats when I started writing ‘Jack Reusen and the Spark of Dreams‘ (writing and I got a bit lost around chapter three).

Writing one book will not get you to a point where you know it all. 

4. You still have trouble calling yourself an ‘author’: I have to admit that impostor syndrome can be pretty strong here (at least it has been for me). 

I’m OK with ‘writer’; I’ll happily throw that one around. However, ‘author’ has a grandiose sound to it that I can’t quite draw myself up to yet.’Authors’ have fans, they are invited to big literary events, and they make a living from their writing.

I don’t make a living from it. I make some money from book sales but the thing that spurs me on is my readers. Knowing that people are reading (and enjoying) my work makes me feel more ‘author like’ but I think I’ve some way to go before I’ll be happy telling people I’m an ‘author’.

5. Knowing you wrote one book makes you think that the next ones will come more quickly: It doesn’t. You do write more quickly and make less of the obvious mistakes, but you have become more demanding of yourself. You want the next book to be better than the first. 

 

I know I’ve written another post similar to this one before but I’be recently been reading up on writing technique and it’s reminded me of how different I feel after writing the books.

Are there any big projects that you feel changed you in some way? Did testing your limits let you get to know yourself better?

As always thanks for reading, all the best, John 

Welcoming the autumn

Image of Lady Mary’s Walk, Crieff from europealacarte.co.uk

Cooler crisper days. Longer nights. A time to read and a time to write.

I can’t say I’m sorry to see autumn looming. With autumn evenings on the horizon we’re moving into the weirder part of the year, and it seems no coincidence that Halloween is this season’s big event.

I set the Fey Flame at the tail end of Autumn as it seems the most believable time for a tear between our world and something very different.

Because of this my writing feels most at home right now. I can’t wait to grab a warm mug of tea and my old beaten-up netbook and make the most of it.

Is there a time of year (or a time of day even) when you feel most productive? Are you mourning the loss of summer or are you happy to see the nights draw in?

As always thanks for reading, all the best, John

Fitting in (Crieff Writer’s evening/ literary open mic night)

It doesn’t matter how confident we are, sometimes we will inevitably feel like a round peg in a square hole (or a square peg in a round hole even). It’s a simple fact that we are all individuals and that even where a number of us find common ground someone will feel excluded.

Odly the barriers we hit aren’t always what we expect. Back when I was working on my MPhil thesis I came accross a study on second generation Portuguese immigrants in Paris who faced an unusual barrier.

When speaking French they sounded hip, urbane, youthful, and cultured. They spoke to contemporaries in Paris in this way and seemed to fit in comfortably.

However, their experiences of Portugal appeared so different that they sounded like genuinely different people.

You see, the Portuguese they knew came from their parents who spoke a rural and provincial dialect. This meant that their behaviour and speech in Portuguese simply couldn’t match the way they behaved when speaking French. Without the urbane, inner-city language they became very different and found it difficult to act like ‘themselves’ in Portugal.

What binds us can vary drastically, we might think that our tastes arethe simplest connection to share but sometimes we instead find kinship in our behaviours and aspirations. I found that last Saturday.

I had just completed a day of talking about the Jack Reusen books along at Fun Junction and remembered that there was a literary open mic night in the Strathearn Artspace 9as part of Crieff Arts Festival).

As a student I made it along to plenty musical open mic nights but I had never come across a literary one. To be honest it left me expecting something pretentious and a little clique-ish. I know Crieff already has a solid writers community so I couldn’t help worry whether I would fit in.

The atmosphere was extremely laid back, and the overall attitude from the audience was open-minded and welcoming. It meant that those reading for us were relaxed too and showed their work at its best.

The work itself was eclectic, including readings/performances of music, poetry, prose, and biography. I enjoyed it a lot more than I expected to and the only negative I could take from the night was a slight annoyance that I hadn’t prepared something to read.

I genuinely think we could make a monthly event of this (and not just because I’m itching for a chance to get up). I don’t know how we would go about it but I’d love to hear from others who might be interested.

Have you found a place that you fit in in surprising ways? Do you think creative environments are typically inclusive, or have you encountered clique-ishness in such groups?

As always thanks for reading, it means a lot to have people pop by to read these posts. All the best, John